Crime and Punishment

By Fyodor Mikhailovich Dostoevsky; Constance Garnett (Translator); Keith Carabine (Introduction by)
(Wordsworth Classics, Paperback, 9781840224306, 485pp.)

Publication Date: May 2000

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Description

Translated by Constance Garnett with an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury.

Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder.

From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime.

The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.




About the Author


Fyodor Mikhailovich Dostoyevsky (Russian: 11 November 1821 - 9 February 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist and philosopher. Dostoyevsky's literary works explore human psychology in the context of the troubled political, social, and spiritual atmosphere of 19th-century Russia. He began writing in his 20s, and his first novel, Poor Folk, was published in 1846 when he was 25. His major works include Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880). His output consists of eleven novels, three novellas, seventeen short novels and numerous other works. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. Born in Moscow in 1821, Dostoyevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837, when he was 15, and around the same time he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles. In 1849 he was arrested for his involvement in the Petrashevsky Circle, a secret society of liberal utopians that also functioned as a literary discussion group. He and other members were condemned to death, but at the last moment, a note from Tsar Nicholas I was delivered to the scene of the firing squad, commuting the sentence to four years' hard labour in Siberia. His seizures, which may have started in 1839, increased in frequency there, and he was diagnosed with epilepsy. On his release, he was forced to serve as a soldier, before being discharged on grounds of ill health. In the following years, Dostoyevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers. His books have been translated into more than 170 languages. Dostoyevsky influenced a multitude of writers and philosophers, from Anton Chekhov and Ernest Hemingway to Friedrich Nietzsche and Jean-Paul Sartre.

Keith Carabine, Senior Honorary Research Fellow, University of Kent at Canterbury, and Chair of the Joseph Conrad Society (UK), is the author of The Life and Art: A Study of Conrad's 'Under Western Eyes' (1996) and the literary editor of Wordsworth Classics. He has also written on Sherwood Anderson, Dickens, Dostoevsky, Hawthorne, Hemingway, Wright Morris and Harriet Beecher Stowe.
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