Graphs, Maps, Trees
Abstract Models for a Literary History
Publication Date: July 17, 2005
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Professor Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead. He insists that such a move could bring new luster to a tired field, one that in some respects is among “the most backwards disciplines in the academy.” Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture.
Moretti offers bar charts, maps, and time lines instead, developing the idea of “distant reading,” set forth in his path-breaking essay “Conjectures on World Literature,” into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.
Franco Moretti teaches English and Comparative Literature at Columbia University. He is the author of Signs Taken for Wonders, The Way of the World and Modern Epic, all from Verso.
Alberto Piazza is Professor Human Genetics at the Medical School of Turin University. He is a co-author of the History and Geography of Human Genes.
“Mr. Moretti makes his most forceful case yet for his approach, a heretical blend of quantitative history, geography and evolutionary theory.”—New York Times