By Colson Whitehead
(Harvill Secker, Hardcover, 9781846555985)
Publication Date: October 2011
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Now the plague is receding, and Americans are busy rebuild-ing civilization under orders from the provisional govern-ment based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street--aka Zone One--but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety--the "malfunctioning" stragglers, who exist in a catatonic state, transfixed by their former lives.
Mark Spitz is a member of one of the civilian teams work-ing in lower Manhattan. Alternating between flashbacks of Spitz's desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world.
And then things start to go wrong.
Both spine chilling and playfully cerebral, "Zone One" bril-liantly subverts the genre's conventions and deconstructs the zombie myth for the twenty-first century.
"From the Hardcover edition."
Colson Whitehead's novel Zone One is a post-apocalyptic tale of a Manhattan crippled by a plague and overrun with zombies. He explains that he created the novel, in part, to pay homage to the grimy 1970s New York of his childhood. More at NPR.org
Colson Whitehead's new novel Zone One is a post-apocalyptic tale of a Manhattan crippled by a plague and overrun with zombies. He explains that he created the novel, in part, to pay homage to the grimy 1970s New York of his childhood. More at NPR.org
Colson Whitehead's Zone One describes the aftermath of a mysterious plague that has swept the world and turned billions of people into zombies. Whitehead talks about his zombie nightmares, why he decided to destroy New York and what makes a "successful" apocalypse. More at NPR.org