Little Man, What Now?
Publication Date: March 3, 2009
List Price: $16.95*
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Nonetheless, it remains, as "The Times Literary Supplement "notes, the novel of a time in which public and private merged even for those whowanted to stay at home and mind their own business."
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Susan Bennett is known for her radio and television voiceover work. She has narrated a host of audiobooks, including those from bestselling authors Peggy Post, Linda Francis Lee, Dorothea Benton Frank, Emma McLaughlin, and Nicola Kraus. Her reading of "Tiger, Tiger "by Margaux Fragoso won an "AudioFile "Earphones Award. In describing Susan's reading style, "Publishers Weekly" has said, "Bennett's narration is excellent: she draws the listener into the story... keeping the pacing brisk and entertaining." Susan also dabbles in the music industry as the singer and keyboardist for The Interactive! Band. Along with her guitarist husband, Rick Hinkle, Bennett is the co-owner of Audiocam Music, a full service recording studio.
Philip Brady is the author of a memoir, a collection of essays, and four books of poems WEAL (Ashland Poetry Press, 2000), TO PROVE MY BLOOD: A TALE OF EMIGRATIONS & THE AFTERLIFE (Ashland Poetry Press, 2003), FATHOM (Word Press, 2007), and TO BANQUET WITH THE ETHIOPIANS: A MEMOIR OF LIFE BEFORE THE ALPHABET (Broadstone Books, 2015). His work has been awarded the Snyder Prize from Ashland Poetry Press, a Gold Medal from ForeWord, an Ohioana Poetry Award, fiveIndividual Artist Fellowships and a Governor's Award from the Ohio Arts Council, and a Thayer Fellowship. He is executive director of Etruscan Press and professor of English at Youngstown State University. He also teaches in the low- residency program at Wilkes University. He plays in the New-Celtic band, Brady's Leap.
“ Fallada deserves high praise for having reported so realistically, so truthfully, with such closeness to life.” –Herman Hesse
“ Superb.” –Graham Greene
"In a publishing hat trick, Melville House allows English-language readers to sample Fallada's vertiginous variety accompanying the release of Michael Hoffman's splendid translation of Every Man Dies Alone with the simultaneous publication of excellent English versions of Fallada's two best-known novels, Little Man, What Now? (translated by Susan Bennett) and The Drinker (translated by Charlotte and A.L. Lloyd). In his probing afterword to Little Man, What Now?, Philip Brady ponders the question of why the book isn't better-known today: "Enduring success is one thing, immediate impact is something different, and clearly the immediate impact of Fallada's novel was undeniable." Given our current economic circumstances, the book may have a second chance at impact and endurance."
- New York Times Book Review