The Lonely Voice

The Lonely Voice

A Study of the Short Story

By Frank O'Connor; Russell Banks (Introduction by)

Melville House Publishing, Paperback, 9781935554424, 211pp.

Publication Date: June 7, 2011


Introduction by Russell Banks.

The legendary book about writing by the legendary writer is back!

Frank O’Connor was one of the twentieth century’s greatest short story writers, and one of Ireland’s greatest authors ever. Now, O’Connor’s influential and sought-after book on the short story is back.

The Lonely Voice offers a master class with the master. With his sharp wit and straightforward prose, O’Connor not only discusses the techniques and challenges of a form in which "a whole lifetime must be crowded into a few minutes," but he also delves into a passionate consideration of his favorite writers and their greatest works, including Chekhov, Hemingway, Kipling, Joyce, and others.

About the Author
Frank O'Connor is the Franchise Development Director for the HALO franchise at 343 Industries. He lives in Washington.

Russell Banks is one of America's most prestigious fiction writers, a past president of the International Parliament of Writers, and a member of the American Academy of Arts and Letters. His work has been translated into twenty languages and has received numerous prizes and awards, including the Common Wealth Award for Literature. He lives in upstate New York and Miami, Florida.

Praise For The Lonely Voice

"It's unsurprising that this book should prove so hardy: O'Connor was compelling when voicing an opinion. What Richard Ellmann calls the "assumptive tone" of his criticism can inspire, thrill and infuriate, but will never bore." —The Guardian

“A dazzling and provocative introduction to talking about what people do when they sit down to write short stories.” —from the introduction by Russell Banks

“This is a brilliant book on a subject about which little has been written. It carries, besides, the authority a critical work always possesses when its author is a distinguished practitioner of the art he is criticizing.”  —The New York Times Book Review