Neville Brody

By Neville Brody (Editor); Jon Wozencroft (Editor)
(Taschen, Paperback, 9783836525015, 416pp.)

Publication Date: August 2011

Other Editions of This Title: Paperback

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Neville Brody is Britain's first and reigning star typographer and designer. Working with magazines including The Face and Arena, designing record covers for major bands such as Depeche Mode, and creating some of the most important new fonts of recent years, he has made his name ubiquitous in his field. Starting 20 years ago, Brody teamed up with fellow designers to produce FUSE, an experimental design and typeface annual. Each “package” contains a selection of new typefaces (originally on floppy disk, now on CD), as well as posters featuring the fonts and essays on design by leading writers on the subject. Most of the breakthroughs in type and its application of the past two decades have come from this groundbreaking annual. To celebrate FUSE’s 20th issue, TASCHEN has published a retrospective featuring the best posters and typefaces—including access to the fonts themselves!

About the Author

The editors:
Neville Brody is an internationally renowned designer, typographer, art director, and brand strategist. He is the founder of the Research Studios network (www.researchstudios.com). In addition to lecturing and contributing to a variety of cultural and educational initiatives, Brody works both independently and alongside Research Studios designers on commercial and private projects.

Jon Wozencroft is a Senior Tutor for the Visual Communication Programme at The Royal Collage of Arts in London. He is the author of The Graphic Language of Neville Brody 1 & 2, and set up FUSE with Brody in 1991. In 1982 Jon Wozencroft founded the audiovisual publisher Touch, to push the powerful chemistry between sound and visual media. His photography and design work has appeared in a number of publications, including Fax Art, Sampler, G1, Merz to Emigre and Beyond and most recently Cover Art By. Wozencroft has also taught at Central Saint Martins College of Art and Design, The London College of Printing, and has given lectures at numerous art colleges and universities around the world.

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