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<title><![CDATA[More and more]]></title>

<description><![CDATA[]]></description>

<link><![CDATA[http://www.indiebound.org/user/13719/list/8]]></link>

<language><![CDATA[en-us]]></language>

<item>
<title><![CDATA[The Lace Makers of Glenmara]]></title>
<link>http://www.indiebound.org/book/9780061721557</link>
<description><![CDATA[ "You can always start again," Kate Robinson's mother once told her, "all it takes is a new thread." Overwhelmed by heartbreak and loss, the struggling twenty-six-year-old fashion designer follows her mother's advice and flees to her ancestral homeland of Ireland, hoping to break free of old patterns and reinvent herself.   She arrives on the west coast, in the seaside hamlet of Glenmara. In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband, John; Aileen, plagued by doubt, helplessly watching her teenage daughter grow distant; Moira, caught in a cycle of abuse and denial, stubbornly refusing help from those closest to her; Oona, in remission from breast cancer, secretly harboring misgivings about her marriage; Colleen, the leader of the group, worried about her fisherman husband, missing at sea. And outside this newfound circle is local artist Sullivan Deane, an enigmatic man trying to overcome a tragedy of his own.   Under Glenmara's spell, Kate finds the inspiration that has eluded her, and soon she and the lace makers are creating a line of exquisite lingerie. In their skilled hands, flowers, Celtic dragons, nymphs, fish, saints, kings, and queens come to life, rendered with painterly skill. The circle also offers them something more?the strength to face their long-denied desires and fears. But not everyone welcomes Kate, and a series of unexpected events threatens to unravel everything the women have worked so hard for. . . . ]]></description>
<dc:title><![CDATA[The Lace Makers of Glenmara]]></dc:title>
<dc:creator><![CDATA[Heather Barbieri]]></dc:creator>
<dc:publisher><![CDATA[Harper]]></dc:publisher>
<dc:identifier><![CDATA[9780061721557]]></dc:identifier>
<dc:description><![CDATA[ "You can always start again," Kate Robinson's mother once told her, "all it takes is a new thread." Overwhelmed by heartbreak and loss, the struggling twenty-six-year-old fashion designer follows her mother's advice and flees to her ancestral homeland of Ireland, hoping to break free of old patterns and reinvent herself.   She arrives on the west coast, in the seaside hamlet of Glenmara. In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband, John; Aileen, plagued by doubt, helplessly watching her teenage daughter grow distant; Moira, caught in a cycle of abuse and denial, stubbornly refusing help from those closest to her; Oona, in remission from breast cancer, secretly harboring misgivings about her marriage; Colleen, the leader of the group, worried about her fisherman husband, missing at sea. And outside this newfound circle is local artist Sullivan Deane, an enigmatic man trying to overcome a tragedy of his own.   Under Glenmara's spell, Kate finds the inspiration that has eluded her, and soon she and the lace makers are creating a line of exquisite lingerie. In their skilled hands, flowers, Celtic dragons, nymphs, fish, saints, kings, and queens come to life, rendered with painterly skill. The circle also offers them something more?the strength to face their long-denied desires and fears. But not everyone welcomes Kate, and a series of unexpected events threatens to unravel everything the women have worked so hard for. . . . ]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2009-07-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Elephant Keeper]]></title>
<link>http://www.indiebound.org/book/9780061651618</link>
<description><![CDATA[ England, 1766: After a long voyage from the East Indies, a ship docks in Bristol, England, and rumor quickly spreads about its unusual cargo. In the final two crates is a pair of young elephants, in poor health but alive.   Seeing a unique opportunity, a wealthy sugar merchant purchases the elephants for his country estate and turns their care over to a young stable boy, Tom Page. It takes time for Tom and the elephants to understand each other, but to the surprise of everyone on the estate, a remarkable bond is formed.   The Elephant Keeper is a captivating tale of love and loyalty between one man and the two exotic animals that change the lives of everyone who encounters them. ]]></description>
<dc:title><![CDATA[The Elephant Keeper]]></dc:title>
<dc:creator><![CDATA[Christopher Nicholson]]></dc:creator>
<dc:publisher><![CDATA[Harper Paperbacks]]></dc:publisher>
<dc:identifier><![CDATA[9780061651618]]></dc:identifier>
<dc:description><![CDATA[ England, 1766: After a long voyage from the East Indies, a ship docks in Bristol, England, and rumor quickly spreads about its unusual cargo. In the final two crates is a pair of young elephants, in poor health but alive.   Seeing a unique opportunity, a wealthy sugar merchant purchases the elephants for his country estate and turns their care over to a young stable boy, Tom Page. It takes time for Tom and the elephants to understand each other, but to the surprise of everyone on the estate, a remarkable bond is formed.   The Elephant Keeper is a captivating tale of love and loyalty between one man and the two exotic animals that change the lives of everyone who encounters them. ]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2010-07-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Last Night in Twisted River]]></title>
<link>http://www.indiebound.org/book/9781400063840</link>
<description><![CDATA[In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”]]></description>
<dc:title><![CDATA[Last Night in Twisted River]]></dc:title>
<dc:creator><![CDATA[John Irving]]></dc:creator>
<dc:publisher><![CDATA[Random House]]></dc:publisher>
<dc:identifier><![CDATA[9781400063840]]></dc:identifier>
<dc:description><![CDATA[In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:relation><![CDATA[9781588369000]]></dc:relation>
<dc:date>2009-10-27T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Lacuna]]></title>
<link>http://www.indiebound.org/book/9780060852573</link>
<description><![CDATA[ In her most accomplished novel, Barbara Kingsolver takes us on an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover. The Lacuna is a poignant story of a man pulled between two nations as they invent their modern identities.   Born in the United States, reared in a series of provisional households in Mexico—from a coastal island jungle to 1930s Mexico City—Harrison Shepherd finds precarious shelter but no sense of home on his thrilling odyssey. Life is whatever he learns from housekeepers who put him to work in the kitchen, errands he runs in the streets, and one fateful day, by mixing plaster for famed Mexican muralist Diego Rivera. He discovers a passion for Aztec history and meets the exotic, imperious artist Frida Kahlo, who will become his lifelong friend. When he goes to work for Lev Trotsky, an exiled political leader fighting for his life, Shepherd inadvertently casts his lot with art and revolution, newspaper headlines and howling gossip, and a risk of terrible violence.   Meanwhile, to the north, the United States will soon be caught up in the internationalist goodwill of World War II. There in the land of his birth, Shepherd believes he might remake himself in America's hopeful image and claim a voice of his own. He finds support from an unlikely kindred soul, his stenographer, Mrs. Brown, who will be far more valuable to her employer than he could ever know. Through darkening years, political winds continue to toss him between north and south in a plot that turns many times on the unspeakable breach—the lacuna—between truth and public presumption.   With deeply compelling characters, a vivid sense of place, and a clear grasp of how history and public opinion can shape a life, Barbara Kingsolver has created an unforgettable portrait of the artist—and of art itself. The Lacuna is a rich and daring work of literature, establishing its author as one of the most provocative and important of her time. ]]></description>
<dc:title><![CDATA[The Lacuna]]></dc:title>
<dc:creator><![CDATA[Barbara Kingsolver]]></dc:creator>
<dc:publisher><![CDATA[Harper]]></dc:publisher>
<dc:identifier><![CDATA[9780060852573]]></dc:identifier>
<dc:description><![CDATA[ In her most accomplished novel, Barbara Kingsolver takes us on an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover. The Lacuna is a poignant story of a man pulled between two nations as they invent their modern identities.   Born in the United States, reared in a series of provisional households in Mexico—from a coastal island jungle to 1930s Mexico City—Harrison Shepherd finds precarious shelter but no sense of home on his thrilling odyssey. Life is whatever he learns from housekeepers who put him to work in the kitchen, errands he runs in the streets, and one fateful day, by mixing plaster for famed Mexican muralist Diego Rivera. He discovers a passion for Aztec history and meets the exotic, imperious artist Frida Kahlo, who will become his lifelong friend. When he goes to work for Lev Trotsky, an exiled political leader fighting for his life, Shepherd inadvertently casts his lot with art and revolution, newspaper headlines and howling gossip, and a risk of terrible violence.   Meanwhile, to the north, the United States will soon be caught up in the internationalist goodwill of World War II. There in the land of his birth, Shepherd believes he might remake himself in America's hopeful image and claim a voice of his own. He finds support from an unlikely kindred soul, his stenographer, Mrs. Brown, who will be far more valuable to her employer than he could ever know. Through darkening years, political winds continue to toss him between north and south in a plot that turns many times on the unspeakable breach—the lacuna—between truth and public presumption.   With deeply compelling characters, a vivid sense of place, and a clear grasp of how history and public opinion can shape a life, Barbara Kingsolver has created an unforgettable portrait of the artist—and of art itself. The Lacuna is a rich and daring work of literature, establishing its author as one of the most provocative and important of her time. ]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2009-11-03T00:00:00-05:00</dc:date>
</item>

<item>
<title><![CDATA[What the Dog Saw]]></title>
<link>http://www.indiebound.org/book/9780316075848</link>
<description><![CDATA[What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?   In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from TheNew Yorker over the same period.  Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.  "Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head."What the Dog Saw is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.]]></description>
<dc:title><![CDATA[What the Dog Saw]]></dc:title>
<dc:creator><![CDATA[Malcolm Gladwell]]></dc:creator>
<dc:publisher><![CDATA[Little, Brown and Company]]></dc:publisher>
<dc:identifier><![CDATA[9780316075848]]></dc:identifier>
<dc:description><![CDATA[What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?   In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from TheNew Yorker over the same period.  Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.  "Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head."What the Dog Saw is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2009-10-20T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Spies of the Balkans]]></title>
<link>http://www.indiebound.org/book/9781400066032</link>
<description><![CDATA[ Greece, 1940. Not sunny vacation Greece: northern Greece, Macedonian Greece, Balkan Greece—the city of Salonika. In that ancient port, with its wharves and warehouses, dark lanes and Turkish mansions, brothels and tavernas, a tense political drama is being played out. On the northern border, the Greek army has blocked Mussolini’s invasion, pushing his divisions back to Albania—the first defeat suffered by the Nazis, who have conquered most of Europe. But Adolf Hitler cannot tolerate such freedom; the invasion is coming, it’s only a matter of time, and the people of Salonika can only watch and wait.At the center of this drama is Costa Zannis, a senior police official, head of an office that handles special “political” cases. As war approaches, the spies begin to circle, from the Turkish legation to the German secret service. There’s a British travel writer, a Bulgarian undertaker, and more. Costa Zannis must deal with them all. And he is soon in the game, securing an escape route—from Berlin to Salonika, and then to a tenuous safety in Turkey, a route protected by German lawyers, Balkan detectives, and Hungarian gangsters. And hunted by the Gestapo.Meanwhile, as war threatens, the erotic life of the city grows passionate. For Zannis, that means a British expatriate who owns the local ballet academy, a woman from the dark side of Salonika society, and the wife of a local shipping magnate. Declared “an incomparable expert at his game” by The New York Times, Alan Furst outdoes even his own finest novels in this thrilling new book. With extraordinary authenticity, a superb cast of characters, and heart-stopping tension as it moves from Salonika to Paris to Berlin and back, Spies of the Balkans is a stunning novel about a man who risks everything to right—in many small ways—the world’s evil. ]]></description>
<dc:title><![CDATA[Spies of the Balkans]]></dc:title>
<dc:creator><![CDATA[Alan Furst]]></dc:creator>
<dc:publisher><![CDATA[Random House]]></dc:publisher>
<dc:identifier><![CDATA[9781400066032]]></dc:identifier>
<dc:description><![CDATA[ Greece, 1940. Not sunny vacation Greece: northern Greece, Macedonian Greece, Balkan Greece—the city of Salonika. In that ancient port, with its wharves and warehouses, dark lanes and Turkish mansions, brothels and tavernas, a tense political drama is being played out. On the northern border, the Greek army has blocked Mussolini’s invasion, pushing his divisions back to Albania—the first defeat suffered by the Nazis, who have conquered most of Europe. But Adolf Hitler cannot tolerate such freedom; the invasion is coming, it’s only a matter of time, and the people of Salonika can only watch and wait.At the center of this drama is Costa Zannis, a senior police official, head of an office that handles special “political” cases. As war approaches, the spies begin to circle, from the Turkish legation to the German secret service. There’s a British travel writer, a Bulgarian undertaker, and more. Costa Zannis must deal with them all. And he is soon in the game, securing an escape route—from Berlin to Salonika, and then to a tenuous safety in Turkey, a route protected by German lawyers, Balkan detectives, and Hungarian gangsters. And hunted by the Gestapo.Meanwhile, as war threatens, the erotic life of the city grows passionate. For Zannis, that means a British expatriate who owns the local ballet academy, a woman from the dark side of Salonika society, and the wife of a local shipping magnate. Declared “an incomparable expert at his game” by The New York Times, Alan Furst outdoes even his own finest novels in this thrilling new book. With extraordinary authenticity, a superb cast of characters, and heart-stopping tension as it moves from Salonika to Paris to Berlin and back, Spies of the Balkans is a stunning novel about a man who risks everything to right—in many small ways—the world’s evil. ]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:relation><![CDATA[9780679603702]]></dc:relation>
<dc:date>2010-06-15T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Let the Great World Spin]]></title>
<link>http://www.indiebound.org/book/9780812973990</link>
<description><![CDATA[In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.” A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.]]></description>
<dc:title><![CDATA[Let the Great World Spin]]></dc:title>
<dc:creator><![CDATA[Colum Mccann]]></dc:creator>
<dc:publisher><![CDATA[Random House Trade Paperbacks]]></dc:publisher>
<dc:identifier><![CDATA[9780812973990]]></dc:identifier>
<dc:description><![CDATA[In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.” A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:relation><![CDATA[9781588368737]]></dc:relation>
<dc:date>2009-11-30T00:00:00-05:00</dc:date>
</item>

<item>
<title><![CDATA[The Year of the Flood]]></title>
<link>http://www.indiebound.org/book/9780385528771</link>
<description><![CDATA[The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . .By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.]]></description>
<dc:title><![CDATA[The Year of the Flood]]></dc:title>
<dc:creator><![CDATA[Margaret Atwood]]></dc:creator>
<dc:publisher><![CDATA[Nan A. Talese]]></dc:publisher>
<dc:identifier><![CDATA[9780385528771]]></dc:identifier>
<dc:description><![CDATA[The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . .By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:relation><![CDATA[9780385532082]]></dc:relation>
<dc:date>2009-09-22T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Story Sisters]]></title>
<link>http://www.indiebound.org/book/9780307459930</link>
<description><![CDATA[From the New York Times Bestselling Author of The Third AngelAlice Hoffman’s previous novel, The Third Angel, was hailed as "an unforgettable portrait of the depth of true love" (USA Today), "stunning" (Jodi Picoult), and "spellbinding" (Miami Herald). Her new novel, The Story Sisters, charts the lives of three sisters–Elv, Claire, and Meg. Each has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart’s desire, and a demon who will not let go.What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you? These are the questions this luminous novel asks. At once a coming-of-age tale, a family saga, and a love story of erotic longing, The Story Sisters sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them. It confirms Alice Hoffman’s reputation as "a writer whose keen ear for the measure struck by the beat of the human heart is unparalleled" (The Chicago Tribune).]]></description>
<dc:title><![CDATA[The Story Sisters]]></dc:title>
<dc:creator><![CDATA[Alice Hoffman]]></dc:creator>
<dc:publisher><![CDATA[Crown Publishing Group]]></dc:publisher>
<dc:identifier><![CDATA[9780307459930]]></dc:identifier>
<dc:description><![CDATA[From the New York Times Bestselling Author of The Third AngelAlice Hoffman’s previous novel, The Third Angel, was hailed as "an unforgettable portrait of the depth of true love" (USA Today), "stunning" (Jodi Picoult), and "spellbinding" (Miami Herald). Her new novel, The Story Sisters, charts the lives of three sisters–Elv, Claire, and Meg. Each has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart’s desire, and a demon who will not let go.What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you? These are the questions this luminous novel asks. At once a coming-of-age tale, a family saga, and a love story of erotic longing, The Story Sisters sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them. It confirms Alice Hoffman’s reputation as "a writer whose keen ear for the measure struck by the beat of the human heart is unparalleled" (The Chicago Tribune).]]></dc:description>
<dc:format><![CDATA[eBook]]></dc:format>
<dc:relation><![CDATA[1]]></dc:relation>
</item>

<item>
<title><![CDATA[City of Thieves]]></title>
<link>http://www.indiebound.org/book/9780452295292</link>
<description><![CDATA[From the critically acclaimed author of The 25th Hour, a captivating novel about war, courage, survival--and a remarkable friendship that ripples across a lifetime. During the Nazis' brutal siege of Leningrad, Lev Beniov is arrested for looting and thrown into the same cell as a handsome deserter named Kolya. Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter's wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible. By turns insightful and funny, thrilling and terrifying, City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.]]></description>
<dc:title><![CDATA[City of Thieves]]></dc:title>
<dc:creator><![CDATA[David  Benioff]]></dc:creator>
<dc:publisher><![CDATA[Plume]]></dc:publisher>
<dc:identifier><![CDATA[9780452295292]]></dc:identifier>
<dc:description><![CDATA[From the critically acclaimed author of The 25th Hour, a captivating novel about war, courage, survival--and a remarkable friendship that ripples across a lifetime. During the Nazis' brutal siege of Leningrad, Lev Beniov is arrested for looting and thrown into the same cell as a handsome deserter named Kolya. Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter's wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible. By turns insightful and funny, thrilling and terrifying, City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2009-04-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Faithful Place]]></title>
<link>http://www.indiebound.org/book/9780670021871</link>
<description><![CDATA[The hotly anticipated third novel of the Dublin murder squad from the New York Times bestselling author   Back in 1985, Frank Mackey was nineteen, growing up poor in Dublin's inner city, and living crammed into a small flat with his family on Faithful Place. But he had his sights set on a lot more. He and Rosie Daly were all ready to run away to London together, get married, get good jobs, break away from factory work and poverty and their old lives.  But on the winter night when they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again.  Neither did Rosie. Everyone thought she had gone to England on her own and was over there living a shiny new life. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank is going home whether he likes it or not.  Getting sucked in is a lot easier than getting out again. Frank finds himself straight back in the dark tangle of relationships he left behind. The cops working the case want him out of the way, in case loyalty to his family and community makes him a liability. Faithful Place wants him out because he's a detective now, and the Place has never liked cops. Frank just wants to find out what happened to Rosie Daly-and he's willing to do whatever it takes, to himself or anyone else, to get the job done.]]></description>
<dc:title><![CDATA[Faithful Place]]></dc:title>
<dc:creator><![CDATA[Tana  French]]></dc:creator>
<dc:publisher><![CDATA[Viking Adult]]></dc:publisher>
<dc:identifier><![CDATA[9780670021871]]></dc:identifier>
<dc:description><![CDATA[The hotly anticipated third novel of the Dublin murder squad from the New York Times bestselling author   Back in 1985, Frank Mackey was nineteen, growing up poor in Dublin's inner city, and living crammed into a small flat with his family on Faithful Place. But he had his sights set on a lot more. He and Rosie Daly were all ready to run away to London together, get married, get good jobs, break away from factory work and poverty and their old lives.  But on the winter night when they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again.  Neither did Rosie. Everyone thought she had gone to England on her own and was over there living a shiny new life. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank is going home whether he likes it or not.  Getting sucked in is a lot easier than getting out again. Frank finds himself straight back in the dark tangle of relationships he left behind. The cops working the case want him out of the way, in case loyalty to his family and community makes him a liability. Faithful Place wants him out because he's a detective now, and the Place has never liked cops. Frank just wants to find out what happened to Rosie Daly-and he's willing to do whatever it takes, to himself or anyone else, to get the job done.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2010-07-13T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Likeness]]></title>
<link>http://www.indiebound.org/book/9780143115625</link>
<description><![CDATA[The haunting follow up to the Edgar Award-winning debut In the WoodsTana French astonished critics and readers alike with her mesmerizing debut novel, In the Woods. Now both French and Detective Cassie Maddox return to unravel a case even more sinister and enigmatic than the first. Six months after the events of In the Woods, an urgent telephone call beckons Cassie to a grisly crime scene. The victim looks exactly like Cassie and carries ID identifying herself as Alexandra Madison, an alias Cassie once used. Suddenly, Cassie must discover not only who killed this girl, but, more importantly, who is this girl? A disturbing tale of shifting identities, The Likeness firmly establishes Tana French as an important voice in suspense fiction.]]></description>
<dc:title><![CDATA[The Likeness]]></dc:title>
<dc:creator><![CDATA[Tana  French]]></dc:creator>
<dc:publisher><![CDATA[Penguin (Non-Classics)]]></dc:publisher>
<dc:identifier><![CDATA[9780143115625]]></dc:identifier>
<dc:description><![CDATA[The haunting follow up to the Edgar Award-winning debut In the WoodsTana French astonished critics and readers alike with her mesmerizing debut novel, In the Woods. Now both French and Detective Cassie Maddox return to unravel a case even more sinister and enigmatic than the first. Six months after the events of In the Woods, an urgent telephone call beckons Cassie to a grisly crime scene. The victim looks exactly like Cassie and carries ID identifying herself as Alexandra Madison, an alias Cassie once used. Suddenly, Cassie must discover not only who killed this girl, but, more importantly, who is this girl? A disturbing tale of shifting identities, The Likeness firmly establishes Tana French as an important voice in suspense fiction.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2009-05-01T00:00:00-04:00</dc:date>
</item>

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