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<title><![CDATA[Book Club]]></title>

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<link><![CDATA[http://www.indiebound.org/user/15782/list/2]]></link>

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<item>
<title><![CDATA[]]></title>
<link>http://www.indiebound.org/book/9781595404299</link>
<description><![CDATA[]]></description>
<dc:title><![CDATA[]]></dc:title>
<dc:creator><![CDATA[]]></dc:creator>
<dc:publisher><![CDATA[]]></dc:publisher>
<dc:identifier><![CDATA[9781595404299]]></dc:identifier>
<dc:description><![CDATA[]]></dc:description>
<dc:format><![CDATA[]]></dc:format>
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<item>
<title><![CDATA[Still Missing]]></title>
<link>http://www.indiebound.org/book/9780312595678</link>
<description><![CDATA[On the day she was abducted, Annie O’Sullivan, a thirty-two-year-old Realtor, had three goals—sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever-patient boyfriend. The open house is slow, but when her last visitor pulls up in a van as she’s about to leave, Annie thinks it just might be her lucky day after all. Interwoven with the story of the year Annie spent captive in a remote mountain cabin—which unfolds through sessions with her psychiatrist—is the second narrative recounting the nightmare that follows her escape: her struggle to piece her shattered life back together, the ongoing police investigation into the identity of her captor, and the disturbing sense that things are far from over.  Still Missing is a shocking, visceral, brutal, and beautifully crafted novel about surviving the unsurvivable—and living to bear witness.]]></description>
<dc:title><![CDATA[Still Missing]]></dc:title>
<dc:creator><![CDATA[Chevy Stevens]]></dc:creator>
<dc:publisher><![CDATA[St. Martin's Griffin]]></dc:publisher>
<dc:identifier><![CDATA[9780312595678]]></dc:identifier>
<dc:description><![CDATA[On the day she was abducted, Annie O’Sullivan, a thirty-two-year-old Realtor, had three goals—sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever-patient boyfriend. The open house is slow, but when her last visitor pulls up in a van as she’s about to leave, Annie thinks it just might be her lucky day after all. Interwoven with the story of the year Annie spent captive in a remote mountain cabin—which unfolds through sessions with her psychiatrist—is the second narrative recounting the nightmare that follows her escape: her struggle to piece her shattered life back together, the ongoing police investigation into the identity of her captor, and the disturbing sense that things are far from over.  Still Missing is a shocking, visceral, brutal, and beautifully crafted novel about surviving the unsurvivable—and living to bear witness.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-05-24T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Murderer's Daughters]]></title>
<link>http://www.indiebound.org/book/9780312576981</link>
<description><![CDATA[Lulu and Merry's childhood was never ideal, but on the day before Lulu's tenth birthday their father propels them into a nightmare. He's always hungered for the love of the girls’ self-obsessed mother; after she throws him out, their troubles turn deadly. Lulu had been warned not let her father in, but when he shows up drunk, he's impossible to ignore. He bullies his way past Lulu, who then listens in horror as her parents struggle. She runs for help, but discovers upon her return that he's murdered her mother, stabbed her five-year-old sister, Merry, and tried, unsuccessfully, to kill himself.Lulu and Merry are effectively orphaned by their mother’s death and father’s imprisonment. The girls’ relatives refuse to care for them and abandon them to a terrifying group home. Even as they plot to be taken in by a well-to-do family, they come to learn they’ll never really belong anywhere or to anyone—that all they have to hold onto is each other. For thirty years, the sisters try to make sense of what happened. Their imprisoned father is a specter in both their lives, shadowing every choice they make. One spends her life pretending he's dead, while the other feels compelled--by fear, by duty--to keep him close. Both dread the day his attempts to win parole may meet with success.A beautifully written, compulsively readable debut, The Murderer's Daughters is a testament to the power of family and the ties that bind us together and tear us apart.]]></description>
<dc:title><![CDATA[The Murderer's Daughters]]></dc:title>
<dc:creator><![CDATA[Randy Susan Meyers]]></dc:creator>
<dc:publisher><![CDATA[St. Martin's Press]]></dc:publisher>
<dc:identifier><![CDATA[9780312576981]]></dc:identifier>
<dc:description><![CDATA[Lulu and Merry's childhood was never ideal, but on the day before Lulu's tenth birthday their father propels them into a nightmare. He's always hungered for the love of the girls’ self-obsessed mother; after she throws him out, their troubles turn deadly. Lulu had been warned not let her father in, but when he shows up drunk, he's impossible to ignore. He bullies his way past Lulu, who then listens in horror as her parents struggle. She runs for help, but discovers upon her return that he's murdered her mother, stabbed her five-year-old sister, Merry, and tried, unsuccessfully, to kill himself.Lulu and Merry are effectively orphaned by their mother’s death and father’s imprisonment. The girls’ relatives refuse to care for them and abandon them to a terrifying group home. Even as they plot to be taken in by a well-to-do family, they come to learn they’ll never really belong anywhere or to anyone—that all they have to hold onto is each other. For thirty years, the sisters try to make sense of what happened. Their imprisoned father is a specter in both their lives, shadowing every choice they make. One spends her life pretending he's dead, while the other feels compelled--by fear, by duty--to keep him close. Both dread the day his attempts to win parole may meet with success.A beautifully written, compulsively readable debut, The Murderer's Daughters is a testament to the power of family and the ties that bind us together and tear us apart.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2010-01-19T00:00:00-05:00</dc:date>
</item>

<item>
<title><![CDATA[Half Broke Horses]]></title>
<link>http://www.indiebound.org/book/9781416586289</link>
<description><![CDATA[Jeannette Walls's The Glass Castle was "nothing short of spectacular" (Entertainment Weekly). Now she brings us the story of her grandmother -- told in a voice so authentic and compelling that the book is destined to become an instant classic.    "Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, in Jeannette Walls's magnificent, true-life novel based on her no-nonsense, resourceful, hard working, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town -- riding five hundred miles on her pony, all alone, to get to her job. She learned to drive a car ("I loved cars even more than I loved horses. They didn't need to be fed if they weren't working, and they didn't leave big piles of manure all over the place") and fly a plane, and, with her husband, ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.   Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds -- against women, Native Americans, and anyone else who didn't fit the mold. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. It will transfix readers everywhere.]]></description>
<dc:title><![CDATA[Half Broke Horses]]></dc:title>
<dc:creator><![CDATA[Jeannette Walls]]></dc:creator>
<dc:publisher><![CDATA[Scribner]]></dc:publisher>
<dc:identifier><![CDATA[9781416586289]]></dc:identifier>
<dc:description><![CDATA[Jeannette Walls's The Glass Castle was "nothing short of spectacular" (Entertainment Weekly). Now she brings us the story of her grandmother -- told in a voice so authentic and compelling that the book is destined to become an instant classic.    "Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, in Jeannette Walls's magnificent, true-life novel based on her no-nonsense, resourceful, hard working, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town -- riding five hundred miles on her pony, all alone, to get to her job. She learned to drive a car ("I loved cars even more than I loved horses. They didn't need to be fed if they weren't working, and they didn't leave big piles of manure all over the place") and fly a plane, and, with her husband, ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.   Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds -- against women, Native Americans, and anyone else who didn't fit the mold. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. It will transfix readers everywhere.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2009-10-06T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Empire Falls]]></title>
<link>http://www.indiebound.org/book/9780679432470</link>
<description><![CDATA[Richard Russo—from his first novel, Mohawk, to his most recent, Straight Man—has demonstrated a peerless affinity for the human tragicomedy, and with this stunning new novel he extends even further his claims on the small-town, blue-collar heart of the country.Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up.Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his daily and future life. Called back from college and set to work by family obligations—his mother ailing, his father a loose cannon—Miles never left home again. Even so, his own obligations are manifold: a pending divorce; a troubled younger brother; and, not least, a peculiar partnership in the failing grill with none other than Mrs. Whiting. All of these, though, are offset by his daughter, Tick, whom he guides gently and proudly through the tribulations of adolescence.A decent man encircled by history and dreams, by echoing churches and abandoned mills, by the comforts and feuds provided by lifelong friends and neighbors, Miles is also a patient, knowing guide to the rich, hardscrabble nature of Empire Falls: fathers and sons and daughters, living and dead, rich and poor alike. Shot through with the mysteries of generations and the shattering visitations of the nation at large, it is a social novel of panoramic ambition, yet at the same time achingly personal. In the end, Empire Falls reveals our worst and best instincts, both our most appalling nightmares and our simplest hopes, with all the vision, grace and humanity of truly epic storytelling.]]></description>
<dc:title><![CDATA[Empire Falls]]></dc:title>
<dc:creator><![CDATA[Richard Russo]]></dc:creator>
<dc:publisher><![CDATA[Knopf]]></dc:publisher>
<dc:identifier><![CDATA[9780679432470]]></dc:identifier>
<dc:description><![CDATA[Richard Russo—from his first novel, Mohawk, to his most recent, Straight Man—has demonstrated a peerless affinity for the human tragicomedy, and with this stunning new novel he extends even further his claims on the small-town, blue-collar heart of the country.Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up.Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his daily and future life. Called back from college and set to work by family obligations—his mother ailing, his father a loose cannon—Miles never left home again. Even so, his own obligations are manifold: a pending divorce; a troubled younger brother; and, not least, a peculiar partnership in the failing grill with none other than Mrs. Whiting. All of these, though, are offset by his daughter, Tick, whom he guides gently and proudly through the tribulations of adolescence.A decent man encircled by history and dreams, by echoing churches and abandoned mills, by the comforts and feuds provided by lifelong friends and neighbors, Miles is also a patient, knowing guide to the rich, hardscrabble nature of Empire Falls: fathers and sons and daughters, living and dead, rich and poor alike. Shot through with the mysteries of generations and the shattering visitations of the nation at large, it is a social novel of panoramic ambition, yet at the same time achingly personal. In the end, Empire Falls reveals our worst and best instincts, both our most appalling nightmares and our simplest hopes, with all the vision, grace and humanity of truly epic storytelling.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2001-05-08T00:00:00-04:00</dc:date>
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