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<title><![CDATA[Syzygy23's Wish List]]></title>

<description><![CDATA[]]></description>

<link><![CDATA[http://www.indiebound.org/users/syzygy23/wishlist]]></link>

<language><![CDATA[en-us]]></language>

<item>
<title><![CDATA[The Leftovers]]></title>
<link>http://www.indiebound.org/book/9780312358341</link>
<description><![CDATA[A New York Times Notable Book for 2011 A Washington Post Notable Fiction Book for 2011A USA Today 10 Books We Loved Reading in 2011 TitleOne of NPR’s 10 Best Novels of 2011  What if—whoosh, right now, with no explanation—a number of us simply vanished?  Would some of us collapse? Would others of us go on, one foot in front of the other, as we did before the world turned upside down?That’s what the bewildered citizens of Mapleton, who lost many of their neighbors, friends and lovers in the event known as the Sudden Departure, have to figure out. Because nothing has been the same since it happened—not marriages, not friendships, not even the relationships between parents and children.  Kevin Garvey, Mapleton’s new mayor, wants to speed up the healing process, to bring a sense of renewed hope and purpose to his traumatized community. Kevin’s own family has fallen apart in the wake of the disaster: his wife, Laurie, has left to join the Guilty Remnant, a homegrown cult whose members take a vow of silence; his son, Tom, is gone, too, dropping out of college to follow a sketchy prophet named Holy Wayne.  Only Kevin’s teenaged daughter, Jill, remains, and she’s definitely not the sweet “A” student she used to be.  Kevin wants to help her, but he’s distracted by his growing relationship with Nora Durst, a woman who lost her entire family on October 14th and is still reeling from the tragedy, even as she struggles to move beyond it and make a new start.With heart, intelligence and a rare ability to illuminate the struggles inherent in ordinary lives, Tom Perrotta has written a startling, thought-provoking novel about love, connection and loss.]]></description>
<dc:title><![CDATA[The Leftovers]]></dc:title>
<dc:creator><![CDATA[Tom Perrotta]]></dc:creator>
<dc:publisher><![CDATA[St. Martin's Press]]></dc:publisher>
<dc:identifier><![CDATA[9780312358341]]></dc:identifier>
<dc:description><![CDATA[A New York Times Notable Book for 2011 A Washington Post Notable Fiction Book for 2011A USA Today 10 Books We Loved Reading in 2011 TitleOne of NPR’s 10 Best Novels of 2011  What if—whoosh, right now, with no explanation—a number of us simply vanished?  Would some of us collapse? Would others of us go on, one foot in front of the other, as we did before the world turned upside down?That’s what the bewildered citizens of Mapleton, who lost many of their neighbors, friends and lovers in the event known as the Sudden Departure, have to figure out. Because nothing has been the same since it happened—not marriages, not friendships, not even the relationships between parents and children.  Kevin Garvey, Mapleton’s new mayor, wants to speed up the healing process, to bring a sense of renewed hope and purpose to his traumatized community. Kevin’s own family has fallen apart in the wake of the disaster: his wife, Laurie, has left to join the Guilty Remnant, a homegrown cult whose members take a vow of silence; his son, Tom, is gone, too, dropping out of college to follow a sketchy prophet named Holy Wayne.  Only Kevin’s teenaged daughter, Jill, remains, and she’s definitely not the sweet “A” student she used to be.  Kevin wants to help her, but he’s distracted by his growing relationship with Nora Durst, a woman who lost her entire family on October 14th and is still reeling from the tragedy, even as she struggles to move beyond it and make a new start.With heart, intelligence and a rare ability to illuminate the struggles inherent in ordinary lives, Tom Perrotta has written a startling, thought-provoking novel about love, connection and loss.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-08-30T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Night Circus]]></title>
<link>http://www.indiebound.org/book/9780385534635</link>
<description><![CDATA[The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.   But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.  True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per­formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.  Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.]]></description>
<dc:title><![CDATA[The Night Circus]]></dc:title>
<dc:creator><![CDATA[Erin Morgenstern]]></dc:creator>
<dc:publisher><![CDATA[Doubleday]]></dc:publisher>
<dc:identifier><![CDATA[9780385534635]]></dc:identifier>
<dc:description><![CDATA[The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.   But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.  True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per­formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.  Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-09-13T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Family Fang]]></title>
<link>http://www.indiebound.org/book/9780061579035</link>
<description><![CDATA[ Mr. and Mrs. Fang called it art.   Their children called it mischief.   Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist?s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents? madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents? strange world.   When the lives they?ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance?their magnum opus?whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what?s ultimately more important: their family or their art.   Filled with Kevin Wilson?s endless creativity, vibrant prose, sharp humor, and keen sense of the complex performances that unfold in the relationships of people who love one another, The Family Fang is a masterfully executed tale that is as bizarre as it is touching. ]]></description>
<dc:title><![CDATA[The Family Fang]]></dc:title>
<dc:creator><![CDATA[Kevin Wilson]]></dc:creator>
<dc:publisher><![CDATA[Ecco]]></dc:publisher>
<dc:identifier><![CDATA[9780061579035]]></dc:identifier>
<dc:description><![CDATA[ Mr. and Mrs. Fang called it art.   Their children called it mischief.   Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist?s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents? madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents? strange world.   When the lives they?ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance?their magnum opus?whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what?s ultimately more important: their family or their art.   Filled with Kevin Wilson?s endless creativity, vibrant prose, sharp humor, and keen sense of the complex performances that unfold in the relationships of people who love one another, The Family Fang is a masterfully executed tale that is as bizarre as it is touching. ]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-08-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Ready Player One]]></title>
<link>http://www.indiebound.org/book/9780307887436</link>
<description><![CDATA[At once wildly original and stuffed with irresistible nostalgia, READY PLAYER ONE is a spectacularly genre-busting, ambitious, and charming debut—part quest novel, part love story, and part virtual space opera set in a universe where spell-slinging mages battle giant Japanese robots, entire planets are inspired by Blade Runner, and flying DeLoreans achieve light speed.It’s the year 2044, and the real world is an ugly place. Like most of humanity, Wade Watts escapes his grim surroundings by spending his waking hours jacked into the OASIS, a sprawling virtual utopia that lets you be anything you want to be, a place where you can live and play and fall in love on any of ten thousand planets. And like most of humanity, Wade dreams of being the one to discover the ultimate lottery ticket that lies concealed within this virtual world. For somewhere inside this giant networked playground, OASIS creator James Halliday has hidden a series of fiendish puzzles that will yield massive fortune—and remarkable power—to whoever can unlock them.   For years, millions have struggled fruitlessly to attain this prize, knowing only that Halliday’s riddles are based in the pop culture he loved—that of the late twentieth century. And for years, millions have found in this quest another means of escape, retreating into happy, obsessive study of Halliday’s icons. Like many of his contemporaries, Wade is as comfortable debating the finer points of John Hughes’s oeuvre, playing Pac-Man, or reciting Devo lyrics as he is scrounging power to run his OASIS rig.And then Wade stumbles upon the first puzzle.Suddenly the whole world is watching, and thousands of competitors join the hunt—among them certain powerful players who are willing to commit very real murder to beat Wade to this prize. Now the only way for Wade to survive and preserve everything he knows is to win. But to do so, he may have to leave behind his oh-so-perfect virtual existence and face up to life—and love—in the real world he’s always been so desperate to escape.  A world at stake.A quest for the ultimate prize.Are you ready?]]></description>
<dc:title><![CDATA[Ready Player One]]></dc:title>
<dc:creator><![CDATA[Ernest Cline]]></dc:creator>
<dc:publisher><![CDATA[Crown]]></dc:publisher>
<dc:identifier><![CDATA[9780307887436]]></dc:identifier>
<dc:description><![CDATA[At once wildly original and stuffed with irresistible nostalgia, READY PLAYER ONE is a spectacularly genre-busting, ambitious, and charming debut—part quest novel, part love story, and part virtual space opera set in a universe where spell-slinging mages battle giant Japanese robots, entire planets are inspired by Blade Runner, and flying DeLoreans achieve light speed.It’s the year 2044, and the real world is an ugly place. Like most of humanity, Wade Watts escapes his grim surroundings by spending his waking hours jacked into the OASIS, a sprawling virtual utopia that lets you be anything you want to be, a place where you can live and play and fall in love on any of ten thousand planets. And like most of humanity, Wade dreams of being the one to discover the ultimate lottery ticket that lies concealed within this virtual world. For somewhere inside this giant networked playground, OASIS creator James Halliday has hidden a series of fiendish puzzles that will yield massive fortune—and remarkable power—to whoever can unlock them.   For years, millions have struggled fruitlessly to attain this prize, knowing only that Halliday’s riddles are based in the pop culture he loved—that of the late twentieth century. And for years, millions have found in this quest another means of escape, retreating into happy, obsessive study of Halliday’s icons. Like many of his contemporaries, Wade is as comfortable debating the finer points of John Hughes’s oeuvre, playing Pac-Man, or reciting Devo lyrics as he is scrounging power to run his OASIS rig.And then Wade stumbles upon the first puzzle.Suddenly the whole world is watching, and thousands of competitors join the hunt—among them certain powerful players who are willing to commit very real murder to beat Wade to this prize. Now the only way for Wade to survive and preserve everything he knows is to win. But to do so, he may have to leave behind his oh-so-perfect virtual existence and face up to life—and love—in the real world he’s always been so desperate to escape.  A world at stake.A quest for the ultimate prize.Are you ready?]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-08-16T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Ender's Game]]></title>
<link>http://www.indiebound.org/book/9780812550702</link>
<description><![CDATA[Winner of the Hugo and Nebula AwardsIn order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut—young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.Ender's skills make him a leader in school and respected in the Battle Room, where children play at mock battles in zero gravity. Yet growing up in an artificial community of young soldiers Ender suffers greatly from isolation, rivalry from his peers, pressure from the adult teachers, and an unsettling fear of the alien invaders. His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister. Is Ender the general Earth needs? But Ender is not the only result of the genetic experiments. The war with the Buggers has been raging for a hundred years, and the quest for the perfect general has been underway for almost as long. Ender's two older siblings are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world. If, that is, the world survives. Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.]]></description>
<dc:title><![CDATA[Ender's Game]]></dc:title>
<dc:creator><![CDATA[Orson Scott Card]]></dc:creator>
<dc:publisher><![CDATA[Tor Science Fiction]]></dc:publisher>
<dc:identifier><![CDATA[9780812550702]]></dc:identifier>
<dc:description><![CDATA[Winner of the Hugo and Nebula AwardsIn order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut—young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.Ender's skills make him a leader in school and respected in the Battle Room, where children play at mock battles in zero gravity. Yet growing up in an artificial community of young soldiers Ender suffers greatly from isolation, rivalry from his peers, pressure from the adult teachers, and an unsettling fear of the alien invaders. His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister. Is Ender the general Earth needs? But Ender is not the only result of the genetic experiments. The war with the Buggers has been raging for a hundred years, and the quest for the perfect general has been underway for almost as long. Ender's two older siblings are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world. If, that is, the world survives. Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.]]></dc:description>
<dc:format><![CDATA[Mass Market Paperback]]></dc:format>
<dc:date>1994-07-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Magicians]]></title>
<link>http://www.indiebound.org/book/9780452296299</link>
<description><![CDATA[The New York Times bestselling novel about a young man practicing magic in the real world      Like everyone else, precocious high school senior Quentin Coldwater assumes that magic isn't real, until he finds himself admitted to a very secretive and exclusive college of magic in upstate New York. There he indulges in joys of college-friendship, love, sex, and booze- and receives a rigorous education in modern sorcery. But magic doesn't bring the happiness and adventure Quentin thought it would. After graduation, he and his friends stumble upon a secret that sets them on a remarkable journey that may just fulfill Quentin's yearning. But their journey turns out to be darker and more dangerous than they'd imagined. Psychologically piercing and dazzlingly inventive, The Magicians, the prequel to the New York Times bestselling book The Magician King, is an enthralling coming-of-age tale about magic practiced in the real world-where good and evil aren't black and white, and power comes at a terrible price.]]></description>
<dc:title><![CDATA[The Magicians]]></dc:title>
<dc:creator><![CDATA[Lev Grossman]]></dc:creator>
<dc:publisher><![CDATA[Plume]]></dc:publisher>
<dc:identifier><![CDATA[9780452296299]]></dc:identifier>
<dc:description><![CDATA[The New York Times bestselling novel about a young man practicing magic in the real world      Like everyone else, precocious high school senior Quentin Coldwater assumes that magic isn't real, until he finds himself admitted to a very secretive and exclusive college of magic in upstate New York. There he indulges in joys of college-friendship, love, sex, and booze- and receives a rigorous education in modern sorcery. But magic doesn't bring the happiness and adventure Quentin thought it would. After graduation, he and his friends stumble upon a secret that sets them on a remarkable journey that may just fulfill Quentin's yearning. But their journey turns out to be darker and more dangerous than they'd imagined. Psychologically piercing and dazzlingly inventive, The Magicians, the prequel to the New York Times bestselling book The Magician King, is an enthralling coming-of-age tale about magic practiced in the real world-where good and evil aren't black and white, and power comes at a terrible price.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2010-05-25T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Windup Girl]]></title>
<link>http://www.indiebound.org/book/9781597801584</link>
<description><![CDATA[Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko. Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" (Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.]]></description>
<dc:title><![CDATA[The Windup Girl]]></dc:title>
<dc:creator><![CDATA[Paolo Bacigalupi]]></dc:creator>
<dc:publisher><![CDATA[Night Shade Books]]></dc:publisher>
<dc:identifier><![CDATA[9781597801584]]></dc:identifier>
<dc:description><![CDATA[Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko. Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" (Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2010-05-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Damned]]></title>
<link>http://www.indiebound.org/book/9780385533027</link>
<description><![CDATA[“Are you there, Satan? It’s me, Madison,” declares the whip-tongued thirteen-year-old narrator of Damned, Chuck Palahniuk’s subversive new work of fiction. The daughter of a narcissistic film star and a billionaire, Madison is abandoned at her Swiss boarding school over Christmas, while her parents are off touting their new projects and adopting more orphans. She dies over the holiday of a mari­juana overdose—and the next thing she knows, she’s in Hell. Madison shares her cell with a motley crew of young sinners that is almost too good to be true: a cheerleader, a jock, a nerd, and a punk rocker, united by fate to form the six-feet-under version of everyone’s favorite detention movie. Madison and her pals trek across the Dandruff Desert and climb the treacherous Mountain of Toenail Clippings to confront Satan in his citadel. All the popcorn balls and wax lips that serve as the currency of Hell won’t buy them off. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno where The English Patient plays on end­less repeat, roaming demons devour sinners limb by limb, and the damned interrupt your dinner from their sweltering call center to hard-sell you Hell. He makes eternal torment, well, simply divine.]]></description>
<dc:title><![CDATA[Damned]]></dc:title>
<dc:creator><![CDATA[Chuck Palahniuk]]></dc:creator>
<dc:publisher><![CDATA[Doubleday]]></dc:publisher>
<dc:identifier><![CDATA[9780385533027]]></dc:identifier>
<dc:description><![CDATA[“Are you there, Satan? It’s me, Madison,” declares the whip-tongued thirteen-year-old narrator of Damned, Chuck Palahniuk’s subversive new work of fiction. The daughter of a narcissistic film star and a billionaire, Madison is abandoned at her Swiss boarding school over Christmas, while her parents are off touting their new projects and adopting more orphans. She dies over the holiday of a mari­juana overdose—and the next thing she knows, she’s in Hell. Madison shares her cell with a motley crew of young sinners that is almost too good to be true: a cheerleader, a jock, a nerd, and a punk rocker, united by fate to form the six-feet-under version of everyone’s favorite detention movie. Madison and her pals trek across the Dandruff Desert and climb the treacherous Mountain of Toenail Clippings to confront Satan in his citadel. All the popcorn balls and wax lips that serve as the currency of Hell won’t buy them off. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno where The English Patient plays on end­less repeat, roaming demons devour sinners limb by limb, and the damned interrupt your dinner from their sweltering call center to hard-sell you Hell. He makes eternal torment, well, simply divine.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-10-18T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[1Q84]]></title>
<link>http://www.indiebound.org/book/9780307593313</link>
<description><![CDATA[“Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.” —The New York Times Book Review   The year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.  As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.]]></description>
<dc:title><![CDATA[1Q84]]></dc:title>
<dc:creator><![CDATA[Haruki Murakami; Jay Rubin; Philip Gabriel]]></dc:creator>
<dc:publisher><![CDATA[Knopf]]></dc:publisher>
<dc:identifier><![CDATA[9780307593313]]></dc:identifier>
<dc:description><![CDATA[“Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.” —The New York Times Book Review   The year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.  As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-10-25T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Divergent]]></title>
<link>http://www.indiebound.org/book/9780062024022</link>
<description><![CDATA[ In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue?Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is?she can't have both. So she makes a choice that surprises everyone, including herself.   During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are?and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.   Debut author Veronica Roth bursts onto the literary scene with the first book in the Divergent series?dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance. ]]></description>
<dc:title><![CDATA[Divergent]]></dc:title>
<dc:creator><![CDATA[Veronica Roth]]></dc:creator>
<dc:publisher><![CDATA[Katherine Tegen Books]]></dc:publisher>
<dc:identifier><![CDATA[9780062024022]]></dc:identifier>
<dc:description><![CDATA[ In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue?Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is?she can't have both. So she makes a choice that surprises everyone, including herself.   During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are?and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.   Debut author Veronica Roth bursts onto the literary scene with the first book in the Divergent series?dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance. ]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-05-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Emerald Atlas]]></title>
<link>http://www.indiebound.org/book/9780375868702</link>
<description><![CDATA[Called “A new Narnia for the tween set” by the New York Times and perfect for fans of the His Dark Materials series, The Emerald Atlas brims with humor and action as it charts Kate, Michael, and Emma's extraordinary adventures through an unforgettable, enchanted world. These three siblings have been in one orphanage after another for the last ten years, passed along like lost baggage. Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about. Until now. Before long, Kate, Michael, and Emma are on a journey through time to dangerous and secret corners of the world...a journey of allies and enemies, of magic and mayhem.  And—if an ancient prophesy is correct—what they do can change history, and it is up to them to set things right.]]></description>
<dc:title><![CDATA[The Emerald Atlas]]></dc:title>
<dc:creator><![CDATA[John Stephens]]></dc:creator>
<dc:publisher><![CDATA[Knopf Books for Young Readers]]></dc:publisher>
<dc:identifier><![CDATA[9780375868702]]></dc:identifier>
<dc:description><![CDATA[Called “A new Narnia for the tween set” by the New York Times and perfect for fans of the His Dark Materials series, The Emerald Atlas brims with humor and action as it charts Kate, Michael, and Emma's extraordinary adventures through an unforgettable, enchanted world. These three siblings have been in one orphanage after another for the last ten years, passed along like lost baggage. Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about. Until now. Before long, Kate, Michael, and Emma are on a journey through time to dangerous and secret corners of the world...a journey of allies and enemies, of magic and mayhem.  And—if an ancient prophesy is correct—what they do can change history, and it is up to them to set things right.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2011-04-05T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Pure]]></title>
<link>http://www.indiebound.org/book/9781455503063</link>
<description><![CDATA[We know you are here, our brothers and sisters . . . Pressia barely remembers the Detonations or much about life during the Before. In her sleeping cabinet behind the rubble of an old barbershop where she lives with her grandfather, she thinks about what is lost-how the world went from amusement parks, movie theaters, birthday parties, fathers and mothers . . . to ash and dust, scars, permanent burns, and fused, damaged bodies. And now, at an age when everyone is required to turn themselves over to the militia to either be trained as a soldier or, if they are too damaged and weak, to be used as live targets, Pressia can no longer pretend to be small. Pressia is on the run.Burn a Pure and Breathe the Ash . . . There are those who escaped the apocalypse unmarked. Pures. They are tucked safely inside the Dome that protects their healthy, superior bodies. Yet Partridge, whose father is one of the most influential men in the Dome, feels isolated and lonely. Different. He thinks about loss-maybe just because his family is broken; his father is emotionally distant; his brother killed himself; and his mother never made it inside their shelter. Or maybe it's his claustrophobia: his feeling that this Dome has become a swaddling of intensely rigid order. So when a slipped phrase suggests his mother might still be alive, Partridge risks his life to leave the Dome to find her. When Pressia meets Partridge, their worlds shatter all over again.]]></description>
<dc:title><![CDATA[Pure]]></dc:title>
<dc:creator><![CDATA[Julianna Baggott]]></dc:creator>
<dc:publisher><![CDATA[Grand Central Publishing]]></dc:publisher>
<dc:identifier><![CDATA[9781455503063]]></dc:identifier>
<dc:description><![CDATA[We know you are here, our brothers and sisters . . . Pressia barely remembers the Detonations or much about life during the Before. In her sleeping cabinet behind the rubble of an old barbershop where she lives with her grandfather, she thinks about what is lost-how the world went from amusement parks, movie theaters, birthday parties, fathers and mothers . . . to ash and dust, scars, permanent burns, and fused, damaged bodies. And now, at an age when everyone is required to turn themselves over to the militia to either be trained as a soldier or, if they are too damaged and weak, to be used as live targets, Pressia can no longer pretend to be small. Pressia is on the run.Burn a Pure and Breathe the Ash . . . There are those who escaped the apocalypse unmarked. Pures. They are tucked safely inside the Dome that protects their healthy, superior bodies. Yet Partridge, whose father is one of the most influential men in the Dome, feels isolated and lonely. Different. He thinks about loss-maybe just because his family is broken; his father is emotionally distant; his brother killed himself; and his mother never made it inside their shelter. Or maybe it's his claustrophobia: his feeling that this Dome has become a swaddling of intensely rigid order. So when a slipped phrase suggests his mother might still be alive, Partridge risks his life to leave the Dome to find her. When Pressia meets Partridge, their worlds shatter all over again.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-02-01T00:00:00-05:00</dc:date>
</item>

<item>
<title><![CDATA[The Book of Lost Fragrances]]></title>
<link>http://www.indiebound.org/book/9781451621303</link>
<description><![CDATA[A Secret Worth Dying For … Jac L’Etoile has always been haunted by visions of the past, her earliest memories infused with the exotic scents that she grew up with as the heir to a storied French perfume company. These worsened after her mother’s suicide until she finally found a doctor who helped her, teaching her to explore the mythological symbolism in her visions and thus lessen their painful impact. This ability led Jac to a wildly successful career as a mythologist, television personality and author. When her brother, Robbie—who’s taken over the House of L’Etoile from their father—contacts Jac about a remarkable discovery in the family archives, she’s skeptical. But when Robbie goes missing before he can share the secret—leaving a dead body in his wake—Jac is plunged into a world she thought she’d left behind. Traveling back to Paris to investigate Robbie’s disappearance, Jac discovers that the secret is a mysterious scent developed in Cleopatra’s time. Could the rumors swirling be true? Can this ancient perfume hold the power to unlock the ability to remember past lives and conclusively prove reincarnation? If this possession has the power to change the world, then it’s not only worth living for . . . it’s worth killing for, too. The Book of Lost Fragrances fuses history, passion and suspense in an intoxicating web that moves  from Cleopatra’s Egypt and the terrors of revolutionary France to Tibet’s battle with China and the glamour of modern-day Paris. This marvelous, spellbinding novel mixes the sensory allure of Perfume with the heartbreaking beauty of The Time Traveler’s Wife, coming to life as richly as our most wildly imagined dreams.]]></description>
<dc:title><![CDATA[The Book of Lost Fragrances]]></dc:title>
<dc:creator><![CDATA[M. J. Rose]]></dc:creator>
<dc:publisher><![CDATA[Atria Books]]></dc:publisher>
<dc:identifier><![CDATA[9781451621303]]></dc:identifier>
<dc:description><![CDATA[A Secret Worth Dying For … Jac L’Etoile has always been haunted by visions of the past, her earliest memories infused with the exotic scents that she grew up with as the heir to a storied French perfume company. These worsened after her mother’s suicide until she finally found a doctor who helped her, teaching her to explore the mythological symbolism in her visions and thus lessen their painful impact. This ability led Jac to a wildly successful career as a mythologist, television personality and author. When her brother, Robbie—who’s taken over the House of L’Etoile from their father—contacts Jac about a remarkable discovery in the family archives, she’s skeptical. But when Robbie goes missing before he can share the secret—leaving a dead body in his wake—Jac is plunged into a world she thought she’d left behind. Traveling back to Paris to investigate Robbie’s disappearance, Jac discovers that the secret is a mysterious scent developed in Cleopatra’s time. Could the rumors swirling be true? Can this ancient perfume hold the power to unlock the ability to remember past lives and conclusively prove reincarnation? If this possession has the power to change the world, then it’s not only worth living for . . . it’s worth killing for, too. The Book of Lost Fragrances fuses history, passion and suspense in an intoxicating web that moves  from Cleopatra’s Egypt and the terrors of revolutionary France to Tibet’s battle with China and the glamour of modern-day Paris. This marvelous, spellbinding novel mixes the sensory allure of Perfume with the heartbreaking beauty of The Time Traveler’s Wife, coming to life as richly as our most wildly imagined dreams.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-03-13T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Flatscreen]]></title>
<link>http://www.indiebound.org/book/9780062090331</link>
<description><![CDATA[ Flatscreen tells the story of Eli Schwartz as he endures the loss of his home, the indifference of his parents, the success of his older brother, and the cruel and frequent dismissal of the opposite sex. He is a loser par excellence?pasty, soft, and high?who struggles to become a new person in a world where nothing is new.   Into this scene of apathy rolls Seymour J. Kahn. Former star of the small screen and current paraplegic sex addict, Kahn has purchased Eli?s old family home. The two begin a dangerous friendship, one that distracts from their circumstances but speeds their descent into utter debasement and, inevitably, YouTube stardom.   By story?s end, through unlikely acts of courage and kindness, roles will be reversed, reputations resurrected, and charges (hopefully) dropped. Adam Wilson writes mischief that moves the heart, and Flatscreen marks the wondrous debut of a truth-telling comic voice. ]]></description>
<dc:title><![CDATA[Flatscreen]]></dc:title>
<dc:creator><![CDATA[Adam Wilson]]></dc:creator>
<dc:publisher><![CDATA[Harper Perennial]]></dc:publisher>
<dc:identifier><![CDATA[9780062090331]]></dc:identifier>
<dc:description><![CDATA[ Flatscreen tells the story of Eli Schwartz as he endures the loss of his home, the indifference of his parents, the success of his older brother, and the cruel and frequent dismissal of the opposite sex. He is a loser par excellence?pasty, soft, and high?who struggles to become a new person in a world where nothing is new.   Into this scene of apathy rolls Seymour J. Kahn. Former star of the small screen and current paraplegic sex addict, Kahn has purchased Eli?s old family home. The two begin a dangerous friendship, one that distracts from their circumstances but speeds their descent into utter debasement and, inevitably, YouTube stardom.   By story?s end, through unlikely acts of courage and kindness, roles will be reversed, reputations resurrected, and charges (hopefully) dropped. Adam Wilson writes mischief that moves the heart, and Flatscreen marks the wondrous debut of a truth-telling comic voice. ]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2012-02-01T00:00:00-05:00</dc:date>
</item>

<item>
<title><![CDATA[Until the Next Time]]></title>
<link>http://www.indiebound.org/book/9781565129931</link>
<description><![CDATA[With the appeal of "The Time Traveler's Wife" and the classic "Time and Again," this novel is a romance cloaked in mystery and suspense that takes readers inside the rich heritage of Irish history and faith.]]></description>
<dc:title><![CDATA[Until the Next Time]]></dc:title>
<dc:creator><![CDATA[Kevin Fox]]></dc:creator>
<dc:publisher><![CDATA[Algonquin Books of Chapel Hill]]></dc:publisher>
<dc:identifier><![CDATA[9781565129931]]></dc:identifier>
<dc:description><![CDATA[With the appeal of "The Time Traveler's Wife" and the classic "Time and Again," this novel is a romance cloaked in mystery and suspense that takes readers inside the rich heritage of Irish history and faith.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2012-02-01T00:00:00-05:00</dc:date>
</item>

<item>
<title><![CDATA[Some Kind of Fairy Tale]]></title>
<link>http://www.indiebound.org/book/9780385535786</link>
<description><![CDATA[Acclaimed author Graham Joyce's mesmerizing new novel centers around the disappearance of a young girl from a small town in the heart of England. Her sudden return twenty years later, and the mind-bending tale of where she's been, will challenge our very perception of truth. For twenty years after Tara Martin disappeared from her small English town, her parents and her brother, Peter, have lived in denial of the grim fact that she was gone for good. And then suddenly, on Christmas Day, the doorbell rings at her parents' home and there, disheveled and slightly peculiar looking, Tara stands. It's a miracle, but alarm bells are ringing for Peter. Tara's story just does not add up. And, incredibly, she barely looks a day older than when she vanished.  Award-winning author Graham Joyce is a master of exploring new realms of understanding that exist between dreams and reality, between the known and unknown. Some Kind of Fairy Tale is a unique journey every bit as magical as its title implies, and as real and unsentimental as the world around us.]]></description>
<dc:title><![CDATA[Some Kind of Fairy Tale]]></dc:title>
<dc:creator><![CDATA[Graham Joyce]]></dc:creator>
<dc:publisher><![CDATA[Doubleday]]></dc:publisher>
<dc:identifier><![CDATA[9780385535786]]></dc:identifier>
<dc:description><![CDATA[Acclaimed author Graham Joyce's mesmerizing new novel centers around the disappearance of a young girl from a small town in the heart of England. Her sudden return twenty years later, and the mind-bending tale of where she's been, will challenge our very perception of truth. For twenty years after Tara Martin disappeared from her small English town, her parents and her brother, Peter, have lived in denial of the grim fact that she was gone for good. And then suddenly, on Christmas Day, the doorbell rings at her parents' home and there, disheveled and slightly peculiar looking, Tara stands. It's a miracle, but alarm bells are ringing for Peter. Tara's story just does not add up. And, incredibly, she barely looks a day older than when she vanished.  Award-winning author Graham Joyce is a master of exploring new realms of understanding that exist between dreams and reality, between the known and unknown. Some Kind of Fairy Tale is a unique journey every bit as magical as its title implies, and as real and unsentimental as the world around us.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-07-10T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Growing Up Dead in Texas]]></title>
<link>http://www.indiebound.org/book/9781849821544</link>
<description><![CDATA[It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it's still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas's cotton.Stephen Graham Jones was twelve that year. What he remembers best, what's stuck with him all this time, is that nobody ever came forward to claim that destruction.And nobody was ever caught.Greenwood just leaned forward into next year’s work, and the year after that, pretending that the fire had never happened. But it had.This fire, it didn't start twenty-five years ago. It had been smoldering for years by then. And everybody knew it. Getting them to say anything about it's another thing, though. Some secrets were buried on purpose.Now Stephen's going back the only way he knows how: with a pen. His first time back since he graduated high school. There's questions to be asked, there's stories to be recorded, and pieces of other stories that can be put together.Packed with small-town paranoia, mystery, and more secrets than your average graveyard, Growing Up Dead in Texas is Stephen Graham Jones' breakout novel. It's a story about farming. It's a story about Texas. It's a story about finally standing up from the dead, and walking away. And then going back one more time, when it's supposed to have been long enough ago already that you can deal with it as just events, as just facts.In the tradition of Robert McCammon's A Boy's Life and Tobias Wolff's This Boy's Life, Growing up Dead in Texas is a narrative lens onto the past, to see where things started. And where they keep starting again and again.]]></description>
<dc:title><![CDATA[Growing Up Dead in Texas]]></dc:title>
<dc:creator><![CDATA[Stephen Graham Jones]]></dc:creator>
<dc:publisher><![CDATA[MP Publishing]]></dc:publisher>
<dc:identifier><![CDATA[9781849821544]]></dc:identifier>
<dc:description><![CDATA[It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it's still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas's cotton.Stephen Graham Jones was twelve that year. What he remembers best, what's stuck with him all this time, is that nobody ever came forward to claim that destruction.And nobody was ever caught.Greenwood just leaned forward into next year’s work, and the year after that, pretending that the fire had never happened. But it had.This fire, it didn't start twenty-five years ago. It had been smoldering for years by then. And everybody knew it. Getting them to say anything about it's another thing, though. Some secrets were buried on purpose.Now Stephen's going back the only way he knows how: with a pen. His first time back since he graduated high school. There's questions to be asked, there's stories to be recorded, and pieces of other stories that can be put together.Packed with small-town paranoia, mystery, and more secrets than your average graveyard, Growing Up Dead in Texas is Stephen Graham Jones' breakout novel. It's a story about farming. It's a story about Texas. It's a story about finally standing up from the dead, and walking away. And then going back one more time, when it's supposed to have been long enough ago already that you can deal with it as just events, as just facts.In the tradition of Robert McCammon's A Boy's Life and Tobias Wolff's This Boy's Life, Growing up Dead in Texas is a narrative lens onto the past, to see where things started. And where they keep starting again and again.]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2012-06-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Age of Miracles]]></title>
<link>http://www.indiebound.org/book/9780812992977</link>
<description><![CDATA[NAMED ONE OF THE BEST BOOKS OF THE YEAR BYPeople ? O: The Oprah Magazine ? Financial Times ? Kansas City Star ? BookPage ? Kirkus Reviews ? Publishers Weekly ? BooklistWith a voice as distinctive and original as that of The Lovely Bones, and for the fans of the speculative fiction of Margaret Atwood, Karen Thompson Walker’s The Age of Miracles is a luminous, haunting, and unforgettable debut novel about coming of age set against the backdrop of an utterly altered world.NEW YORK TIMES BESTSELLER“It still amazes me how little we really knew. . . . Maybe everything that happened to me and my family had nothing at all to do with the slowing. It’s possible, I guess. But I doubt it. I doubt it very much.”On a seemingly ordinary Saturday in a California suburb, Julia and her family awake to discover, along with the rest of the world, that the rotation of the earth has suddenly begun to slow. The days and nights grow longer and longer, gravity is affected, the environment is thrown into disarray. Yet as she struggles to navigate an ever-shifting landscape, Julia is also coping with the normal disasters of everyday life—the fissures in her parents’ marriage, the loss of old friends, the hopeful anguish of first love, the bizarre behavior of her grandfather who, convinced of a government conspiracy, spends his days obsessively cataloging his possessions. As Julia adjusts to the new normal, the slowing inexorably continues.Praise for The Age of Miracles   “A stunner.”—Justin Cronin   “A genuinely moving tale that mixes the real and surreal, the ordinary and the extraordinary, with impressive fluency and flair.”—Michiko Kakutani, The New York Times   “Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post   “If you begin this book, you’ll be loath to set it down until you’ve reached its end.”—San Francisco Chronicle   “Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld]]></description>
<dc:title><![CDATA[The Age of Miracles]]></dc:title>
<dc:creator><![CDATA[Karen Thompson Walker]]></dc:creator>
<dc:publisher><![CDATA[Random House]]></dc:publisher>
<dc:identifier><![CDATA[9780812992977]]></dc:identifier>
<dc:description><![CDATA[NAMED ONE OF THE BEST BOOKS OF THE YEAR BYPeople ? O: The Oprah Magazine ? Financial Times ? Kansas City Star ? BookPage ? Kirkus Reviews ? Publishers Weekly ? BooklistWith a voice as distinctive and original as that of The Lovely Bones, and for the fans of the speculative fiction of Margaret Atwood, Karen Thompson Walker’s The Age of Miracles is a luminous, haunting, and unforgettable debut novel about coming of age set against the backdrop of an utterly altered world.NEW YORK TIMES BESTSELLER“It still amazes me how little we really knew. . . . Maybe everything that happened to me and my family had nothing at all to do with the slowing. It’s possible, I guess. But I doubt it. I doubt it very much.”On a seemingly ordinary Saturday in a California suburb, Julia and her family awake to discover, along with the rest of the world, that the rotation of the earth has suddenly begun to slow. The days and nights grow longer and longer, gravity is affected, the environment is thrown into disarray. Yet as she struggles to navigate an ever-shifting landscape, Julia is also coping with the normal disasters of everyday life—the fissures in her parents’ marriage, the loss of old friends, the hopeful anguish of first love, the bizarre behavior of her grandfather who, convinced of a government conspiracy, spends his days obsessively cataloging his possessions. As Julia adjusts to the new normal, the slowing inexorably continues.Praise for The Age of Miracles   “A stunner.”—Justin Cronin   “A genuinely moving tale that mixes the real and surreal, the ordinary and the extraordinary, with impressive fluency and flair.”—Michiko Kakutani, The New York Times   “Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post   “If you begin this book, you’ll be loath to set it down until you’ve reached its end.”—San Francisco Chronicle   “Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-06-26T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Albert of Adelaide]]></title>
<link>http://www.indiebound.org/book/9781455509621</link>
<description><![CDATA[At once an old-fashioned-buddy-novel-shoot-'em-up and a work of deliciously imagined fantasy, Howard L. Anderson's dazzling debut presents the haunting story of a world where something has gone horribly awry . . .   Having escaped from Australia's Adelaide Zoo, an orphaned platypus named Albert embarks on a journey through the outback in search of "Old Australia," a rumored land of liberty, promise, and peace. What he will find there, however, away from the safe confinement of his enclosure for the first time since his earliest memories, proves to be a good deal more than he anticipated.   Alone in the outback, with an empty soft drink bottle as his sole possession, Albert stumbles upon pyromaniacal wombat Jack, and together they spend a night drinking and gambling in Ponsby Station, a rough-and-tumble mining town. Accused of burning down the local mercantile, the duo flees into menacing dingo territory and quickly go their separate ways-Albert to pursue his destiny in the wastelands, Jack to reconcile his past. Encountering a motley assortment of characters along the way-a pair of invariably drunk bandicoots, a militia of kangaroos, hordes of the mercurial dingoes, and a former prize-fighting Tasmanian devil-our unlikely hero will discover a strength and skill for survival he never suspected he possessed.   Told with equal parts wit and compassion, ALBERT OF ADELAIDE shows how it is often the unexpected route, and the most improbable companions, that lead us on the path to who we really are. Who you journey with, after all, is far more important than wherever it is you are going.]]></description>
<dc:title><![CDATA[Albert of Adelaide]]></dc:title>
<dc:creator><![CDATA[Howard Anderson]]></dc:creator>
<dc:publisher><![CDATA[Twelve]]></dc:publisher>
<dc:identifier><![CDATA[9781455509621]]></dc:identifier>
<dc:description><![CDATA[At once an old-fashioned-buddy-novel-shoot-'em-up and a work of deliciously imagined fantasy, Howard L. Anderson's dazzling debut presents the haunting story of a world where something has gone horribly awry . . .   Having escaped from Australia's Adelaide Zoo, an orphaned platypus named Albert embarks on a journey through the outback in search of "Old Australia," a rumored land of liberty, promise, and peace. What he will find there, however, away from the safe confinement of his enclosure for the first time since his earliest memories, proves to be a good deal more than he anticipated.   Alone in the outback, with an empty soft drink bottle as his sole possession, Albert stumbles upon pyromaniacal wombat Jack, and together they spend a night drinking and gambling in Ponsby Station, a rough-and-tumble mining town. Accused of burning down the local mercantile, the duo flees into menacing dingo territory and quickly go their separate ways-Albert to pursue his destiny in the wastelands, Jack to reconcile his past. Encountering a motley assortment of characters along the way-a pair of invariably drunk bandicoots, a militia of kangaroos, hordes of the mercurial dingoes, and a former prize-fighting Tasmanian devil-our unlikely hero will discover a strength and skill for survival he never suspected he possessed.   Told with equal parts wit and compassion, ALBERT OF ADELAIDE shows how it is often the unexpected route, and the most improbable companions, that lead us on the path to who we really are. Who you journey with, after all, is far more important than wherever it is you are going.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-07-01T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Last Policeman]]></title>
<link>http://www.indiebound.org/book/9781594745768</link>
<description><![CDATA[What’s the point in solving murders if we’re all going to die soon, anyway?   Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact.   The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares.    The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?]]></description>
<dc:title><![CDATA[The Last Policeman]]></dc:title>
<dc:creator><![CDATA[Ben H. Winters]]></dc:creator>
<dc:publisher><![CDATA[Quirk Books]]></dc:publisher>
<dc:identifier><![CDATA[9781594745768]]></dc:identifier>
<dc:description><![CDATA[What’s the point in solving murders if we’re all going to die soon, anyway?   Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact.   The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares.    The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?]]></dc:description>
<dc:format><![CDATA[Paperback]]></dc:format>
<dc:date>2012-07-10T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Gone Girl]]></title>
<link>http://www.indiebound.org/book/9780307588364</link>
<description><![CDATA[Marriage can be a real killer.    One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.    On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?    As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?   With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.]]></description>
<dc:title><![CDATA[Gone Girl]]></dc:title>
<dc:creator><![CDATA[Gillian Flynn]]></dc:creator>
<dc:publisher><![CDATA[Crown]]></dc:publisher>
<dc:identifier><![CDATA[9780307588364]]></dc:identifier>
<dc:description><![CDATA[Marriage can be a real killer.    One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.    On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?    As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?   With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-06-05T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Angelmaker]]></title>
<link>http://www.indiebound.org/book/9780307595959</link>
<description><![CDATA[A Wall Street Journal and Booklist Best Mystery of 2012 From the acclaimed author of The Gone-Away World, blistering gangster noir meets howling absurdist comedy as the forces of good square off against the forces of evil, and only an unassuming clockwork repairman and an octogenarian former superspy can save the world from total destruction. Joe Spork spends his days fixing antique clocks. The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun . . .]]></description>
<dc:title><![CDATA[Angelmaker]]></dc:title>
<dc:creator><![CDATA[Nick Harkaway]]></dc:creator>
<dc:publisher><![CDATA[Knopf]]></dc:publisher>
<dc:identifier><![CDATA[9780307595959]]></dc:identifier>
<dc:description><![CDATA[A Wall Street Journal and Booklist Best Mystery of 2012 From the acclaimed author of The Gone-Away World, blistering gangster noir meets howling absurdist comedy as the forces of good square off against the forces of evil, and only an unassuming clockwork repairman and an octogenarian former superspy can save the world from total destruction. Joe Spork spends his days fixing antique clocks. The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun . . .]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2012-03-20T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Red Moon]]></title>
<link>http://www.indiebound.org/book/9781455501663</link>
<description><![CDATA[They live among us. They are our neighbors, our mothers, our lovers.They change.When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is. Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero. Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.]]></description>
<dc:title><![CDATA[Red Moon]]></dc:title>
<dc:creator><![CDATA[Benjamin Percy]]></dc:creator>
<dc:publisher><![CDATA[Grand Central Publishing]]></dc:publisher>
<dc:identifier><![CDATA[9781455501663]]></dc:identifier>
<dc:description><![CDATA[They live among us. They are our neighbors, our mothers, our lovers.They change.When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is. Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero. Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2013-05-07T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[Z]]></title>
<link>http://www.indiebound.org/book/9781250028655</link>
<description><![CDATA[I wish I could tell everyone who thinks we’re ruined, Look closer…and you’ll see something extraordinary, mystifying, something real and true. We have never been what we seemed.When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the “ungettable” Zelda has fallen for him despite his unsuitability: Scott isn’t wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner’s, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick’s Cathedral and take the rest as it comes.What comes, here at the dawn of the Jazz Age, is unimagined attention and success and celebrity that will make Scott and Zelda legends in their own time. Everyone wants to meet the dashing young author of the scandalous novel—and his witty, perhaps even more scandalous wife. Zelda bobs her hair, adopts daring new fashions, and revels in this wild new world. Each place they go becomes a playground: New York City, Long Island, Hollywood, Paris, and the French Riviera—where they join the endless party of the glamorous, sometimes doomed Lost Generation that includes Ernest Hemingway, Sara and Gerald Murphy, and Gertrude Stein.Everything seems new and possible. Troubles, at first, seem to fade like morning mist. But not even Jay Gatsby’s parties go on forever. Who is Zelda, other than the wife of a famous—sometimes infamous—husband? How can she forge her own identity while fighting her demons and Scott’s, too? With brilliant insight and imagination, Therese Anne Fowler brings us Zelda’s irresistible story as she herself might have told it.    ]]></description>
<dc:title><![CDATA[Z]]></dc:title>
<dc:creator><![CDATA[Therese Anne Fowler]]></dc:creator>
<dc:publisher><![CDATA[St. Martin's Press]]></dc:publisher>
<dc:identifier><![CDATA[9781250028655]]></dc:identifier>
<dc:description><![CDATA[I wish I could tell everyone who thinks we’re ruined, Look closer…and you’ll see something extraordinary, mystifying, something real and true. We have never been what we seemed.When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the “ungettable” Zelda has fallen for him despite his unsuitability: Scott isn’t wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner’s, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick’s Cathedral and take the rest as it comes.What comes, here at the dawn of the Jazz Age, is unimagined attention and success and celebrity that will make Scott and Zelda legends in their own time. Everyone wants to meet the dashing young author of the scandalous novel—and his witty, perhaps even more scandalous wife. Zelda bobs her hair, adopts daring new fashions, and revels in this wild new world. Each place they go becomes a playground: New York City, Long Island, Hollywood, Paris, and the French Riviera—where they join the endless party of the glamorous, sometimes doomed Lost Generation that includes Ernest Hemingway, Sara and Gerald Murphy, and Gertrude Stein.Everything seems new and possible. Troubles, at first, seem to fade like morning mist. But not even Jay Gatsby’s parties go on forever. Who is Zelda, other than the wife of a famous—sometimes infamous—husband? How can she forge her own identity while fighting her demons and Scott’s, too? With brilliant insight and imagination, Therese Anne Fowler brings us Zelda’s irresistible story as she herself might have told it.    ]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2013-03-26T00:00:00-04:00</dc:date>
</item>

<item>
<title><![CDATA[The Golem and the Jinni]]></title>
<link>http://www.indiebound.org/book/9780062110831</link>
<description><![CDATA[A marvelous and absorbing debut novel, an enchanting combination of vivid historical fiction and magical fable about two supernatural creatures in turn-of-the-century immigrant New York.]]></description>
<dc:title><![CDATA[The Golem and the Jinni]]></dc:title>
<dc:creator><![CDATA[Helene Wecker]]></dc:creator>
<dc:publisher><![CDATA[Harper]]></dc:publisher>
<dc:identifier><![CDATA[9780062110831]]></dc:identifier>
<dc:description><![CDATA[A marvelous and absorbing debut novel, an enchanting combination of vivid historical fiction and magical fable about two supernatural creatures in turn-of-the-century immigrant New York.]]></dc:description>
<dc:format><![CDATA[Hardcover]]></dc:format>
<dc:date>2013-04-01T00:00:00-04:00</dc:date>
</item>

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