New York Times Bestseller
Reading List Selection by American Library Association
Lifetime original movie, starring Jacqueline Bissett and Kelen Coleman
“Sex and the City meets Moonstruck…this first in a new trilogy from Trigiani is sly, sensual and dripping in style.” — People
Poignant, funny, warm, and red hot, Very Valentine is a wonderful treat for Adriana Trigiani fans—a “delightful” (Boston Globe), “romance-soaked novel” (Marie Claire) from much adored playwright, screenwriter, documentary filmmaker, and New York Times bestselling author of The Shoemaker's Wife, All the Stars in the Heavens and The Supreme Macaroni Company. The adventures of an extraordinary and unforgettable woman as she attempts to rescue her family’s struggling shoe business and find love at the same time, Very Valentine sweeps the reader from the streets of Manhattan to the picturesque hills of Italy. Here is yet another novel from the incomparable Trigiani that will steal your heart.
Praise For Very Valentine: A Novel…
“ Sex and the City meets Moonstruck … this first in a new trilogy from Trigiani is sly, sensual and dripping in style.” — People, Lead Review
May be [Triginai’s] best work to date… Delightful, energetic… Trigiani is a seemingly effortless storyteller.” — Boston Globe
“Well-crafted work with sometime lyrical, sometimes flat-out-funny writing.” — Fort Worth Star-Telegram
“Trigiani has certainly not lost her ability to breathe life into everything she writes.” — Roanoke Times
“Adriana Trigiani listens to her readers, then gives them what they want. That’s why they’ll be ecstatic about her newest novel…” — Richmond Times-Dispatch
“No one ever reads just one of Trigiani’s wonderfully quirky tales. Once you pick up the first, you are hooked..... Trigiani fills her pages with snappy dialogue and luscious descriptions.... Reading Very Valentine is like tucking into a plate of homemade manicotti: irresistible and delicious.” — BookPage
“Load up on cappuccino and biscotti before getting lost in the super froth of Adriana Trigiani’s romance-soaked novel, Very Valentine” — Marie Claire
“[Very Valentine] will have readers who love romantic novels...swooning. Trigiani’s closing is satisfying, even as it paves the way for the lovable heroine to reappear in a planned sequel.” — Booklist
“This genteel and lush tale of soles and souls has loads of charm and will leave readers eager for the sequel.” — Publishers Weekly
“Trigiani offers plenty of reasons to stick around for part two.” — Kirkus Reviews
Harper Perennial, 9780061257063, 416pp.
Publication Date: January 5, 2010
About the Author
Beloved by millions of readers around the world for her "dazzling" novels (USA Today), Adriana Trigiani is “a master of palpable and visual detail” (Washington Post) and “a comedy writer with a heart of gold” (New York Times). She is the New York Times bestselling author of twenty books of fiction and nonfiction, including her latest, The Good Left Undone- an instant New York Times best seller, Book of the Month pick and People’s Book of the Week. Her work is published in 38 languages around the world. An award-winning playwright, television writer/producer and filmmaker, Adriana’s screen credits include writer/director of the major motion picture of her debut novel, Big Stone Gap, the adaptation of her novel Very Valentine and director of Then Came You. Adriana grew up in the Blue Ridge Mountains of Virginia where she co-founded The Origin Project, an in-school writing program serving over 1,700 students in Appalachia. She is at work on her next novel for Dutton at Penguin Random House.
Follow Adriana on Facebook and Instagram @AdrianaTrigiani and on TikTok @AdrianaTrigianiAuthor or visit her website: AdrianaTrigiani.com.
Join Adriana’s Facebook LIVE show, Adriana Ink, in conversation with the world’s greatest authors- Tuesdays at 3 PM EST! For more from Adriana’s interviews, you can subscribe to her Meta “Bulletin” column, Adriana Spills the Ink: adrianatrigiani.bulletin.com/subscribe.
Conversation Starters from ReadingGroupChoices.com
Valentine Roncalli begins her tale with the words, “I am not the pretty sister. I’m not the smart sister either. I am the funny one.” How does her outlook color her actions? What do you think of Valentine? Do you agree with her assessment or do you think she might be selling herself short?
One of the major themes of Very Valentine is family. Describe the Roncalli family. How does their bond enrich Valentine’s life? How might it affect her adversely, both in her romantic and professional endeavors? Offer some examples from the novel.
What defines family for the Roncallis? How would you fit into Valentine’s family? What defines family for you? What is your family life like now and what were your experiences growing up?
Compare Valentine with her mother, Michelina (“Mike”), and her grandmother, Teodora. What elements of her personality does Valentine get from both women? Does she take after one more than the other?
Valentine’s sister-in-law, Pam, has a difficult time fitting into the Roncalli family. How much of this is the result of her own actions? Are the Roncalli sisters responsible as well?
Tradition is another them of Very Valentine. Her sister Tess calls Valentine traditional, yet Valentine disagrees. “I guess I appear to be one of my tribe, but the truth is, whenever I have the opportunity to walk the hard line of tradition, I balk.” Is Tess right, does Valentine represent tradition? How does she balk at it, as she claims? Which sister has the more realistic view?
Valentine ponders the question: “How do we survive in a contemporary world without losing everything my great-grandfather built?” Is there a role for tradition and traditional craftsmen and artisans in our technologically dependent modern world?
What does tradition mean for your life? Are there any you particularly cherish that have been handed down through past generations? How do you keep traditions alive? How can you start new ones?
Romantic love and the yearning for it infuse the novel. Valentine is a single woman in a world seemingly defined by marriage. Can a woman be fulfilled and yet remain single? Can she be happy without a man?
Describe Valentine’s love interests, Roman and Gianluca. What does each man provide that the other doesn’t? Did you prefer one to the other? Do you think she could be happy with either of them—or someone like either of them?
When Roman tells her that he will be few days late meeting her in Capri, what do you think about her reaction to his news? What about when he cancels on her?
What role did the trip to Capri play in Valentine and Roman’s relationship?
The Roncalli family offers numerous insights, both profound and humorous for Valentine. Her mother tells, “You see, that’s when you know for sure somebody loves you. They figure out what you need and they give it to you—without you asking.” What do you think of this view of love?
Mike also advises her daughter, “I believe in setting goals that one can achieve. Low expectations make for a happy life.” Can not expecting much make you happy? How? What would happen to Valentine if she followed this advice?
When talking to her father, Valentine discovers that he has a spiritual philosophy: “What about me is eternal?” How would you answer this question? Besides children, what might you leave to future generations?
Throughout the novel, Valentine works hard to save the Angelini Shoe Company. If she is successful, she gains stability. What do you think will happen if she fails?
Valentine describes the art of making shoes: “My grandmother has taught me that the palette for leather and suede is limitless, like musical notes.” What do our shoes say about ourselves? How is Valentine’s passion, making shoes, a metaphor for her life?
In Adriana Trigiani’s vivid prose, New York City and Italy are like “characters” in the book. Describe Valentine’s New York. How does “her” city compare to the New York you might know of—or have imagined? What is Italy like through her eyes? What does each place offer Valentine?
What does Valentine learn about herself in Italy? How do those lessons affect her?
What do you think of Teodora’s news? Why do you think she kept her relationship a secret all those years?
At the end of the novel, Valentine turns away from both Roman and Gianluca. “In this moment, I choose art.” Is this the right choice for her? What might it mean for her and for the Angelini Shoe Company? Does she have to choose love and career?
What did you learn from Valentine’s experiences? What advice would you give her about her love life and her career?