The Good Daughters (Paperback)
William Morrow & Company, 9780061994326, 304pp.
Publication Date: August 23, 2011
September 2010 Indie Next List
— Joe Eichman, Tattered Cover Bookstore, Denver, CO
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--Luanne Rice, author of The Deep Blue Sea for Beginners"Joyce Maynard has outdone herself in this beautifully written story you'll find hard to put down and impossible to forget."
-- Elizabeth Berg, author of The Last Time I Saw You Bestselling author of the critically acclaimed Labor Day, Joyce Maynard now brings us The Good Daughters, a spellbinding novel about friendship, family secrets, and the strange, unexpected twists of fate that shape our lives. The story of two women born the same day in the same hospital, but raised in vastly different emotional environments, The Good Daughters is another high note in Maynard's already distinguished writing career.
Praise For The Good Daughters…
“Maynard’s spare prose packs a rich emotional punch...a can’t put-it-down mystery.”
-People on THE GOOD DAUGHTERS
“[Maynard] weav(es) a knotty tale of family secrets, told in the alternating voices of her likable main characters.”
-Entertainment Weekly on THE GOOD DAUGHTERS
“I am hard pressed to think of anything I’ve read that more honestly and eloquently expresses both the perils and the pleasures of love. Joyce Maynard has outdone herself in this beautifully written story you’ll find hard to put down, and impossible to forget.”
-Elizabeth Berg, author of The Last Time I Saw You
“ THE GOOD DAUGHTERS, weaves a story of choices and events so intimate I felt I was part of it. The novel is wrenching, the emotions radiant, and will leave readers transformed.”
-Luanne Rice, New York Times bestselling author of The Deep Blue Sea for Beginners
“Joyce Maynard is in top-notch form with Labor Day. From the perfect pitch of a teenaged boy narrator to the eloquent message of how loneliness can bind people together, this is simply a novel you cannot miss.”
-Jodi Picoult, New York Times bestselling author of My Sister's Keeper and Handle With Care
“Labor Day is suffused with tenderness, dreaminess and love . . . first and foremost a page-turner . . . [it] puts back together the world that it destroys . . . .you definitely need to get a box of tissues.”
“[The] story is moving and fast-moving, affirming Maynard’s reputation as a master storyteller and showing her to be a passionate humanist with a gifted ear and heart. . . . Maynard illuminates the human experience.”
-People (Four Stars)
“Riveting and disturbing.”
-Katha Pollitt, New York Times Book Review on At Home in the World
“But apart from being a successful thriller, this book is a fascinating portrait of what causes a family to founder, and how much it can cost to put it back on the right path. ”
-New Orleans Times-Picayune
“A sometimes painful tale, but captivating and surprisingly moving.”
“It is a testament to Maynard’s skill that she makes this ominous setup into a convincing and poignant coming-of-age tale.”
“Maynard expertly tugs heartstrings in a tidy tale. ”
“Maynard details Henry’s roller-coaster emotions for Frank – he is both jealous and grateful – and his mother’s emotional journeys – with skill and tenderness for the uncertain willingness of broken hearts to mend. The poignant results are revealing of our ability to forgive and to grow.”
“Maynard deftly pulls the reader into the fragile lives of these three vulnerable characters and their preordained march toward the novel’s denouement. A marvelous read––perfect for one long sitting––this novel leaves the reader wishing it didn’t ever have to end.”
“Labor Day is both a coming-of-age story and a love story- a tale of profound loss, redemption and soul searching that is not to be missed.”
“Labor Day is a startling novel of love, friendship, trust, treachery, betrayal, and the deep lessons that we learn in life.... It’s a powerful, poignant mix in the hands of author Joyce Maynard and a novel no one should miss.”
“Maynard spins a fascinating story of damaged people seeking the one thing they long for – love. ”
-Wichita Falls, TX, Times Record News
“Maynard offers fresh insight into what constitutes family.”
“Maynard is in top form in this tale of love, betrayal, and forgiveness.”
“Maynard has created an ensemble of characters that will sneak into your heart, and warm it while it breaks.”
-St. Petersburg Times
“Maynard gets inside the head of an adolescent boy who is grappling with his own identity and the mysteries of sex (while revealing the secrets of making perfect pie crust). ”
-Salt Lake City Tribune
-Newark Star Ledger
“Maynard’s inventive coming-of-age tale indelibly captures the anxiety and confusion inherent in adolescence, while the addition of a menacing element of suspense makes this emotionally fraught journey that much more harrowing.”
“Maynard...is in top form in this tale of love, betrayal and forgiveness.”
-Record Searchlight (Redding, CA)
“Unique and chilling.”
“The novel is an extended meditation on the nature of love, grief and loneliness.... Maynard has created an ensemble of characters that will sneak into your heart, and warm it while it breaks. ”
-St. Petersburg Times
“A haunting and hopeful story.”
-More Magazine on THE GOOD DAUGHTERS
“Maynard is a clever storyteller.”
-Seattle Times on THE GOOD DAUGHTERS
-Tampa Tribune on THE GOOD DAUGHTERS
“An impressive writer...with a fine sense of time, of place, of humor.”
-Buffalo News on THE GOOD DAUGHTERS
“Unexpected and heartbreaking…. Arguably [Maynard’s] best work yet.”
-Minneapolis Star Tribune on THE GOOD DAUGHTERS
“In addition to being a beautiful and engaging story, Maynard deftly captures Dana’s struggle to come to terms with her sexuality in the midst of her family’s instability. And her relationship with Clarice is one of the strongest in the novel. Highly recommended. ”
-AfterEllen.com on THE GOOD DAUGHTERS
“The Good Daughters shows Maynard’s strengths once again—particularly in vivid descriptions of farm life, geographies, and relationships of all kinds. Passions and psychological changes in a character over time ring most true.”
“Rich and realistic . . . touching.”
“An evocative story . . . [Maynard] consistently brings emotional authenticity to the long arc of her characters’ lives and to the joy and loss they experience. A profoundly moving chronicle of the primacy of family connection.”
-Booklist on THE GOOD DAUGHTERS
“Exquisite . . . . [A] beautifully written book.”
-Publishers Weekly (starred review) on THE GOOD DAUGTHERS
Conversation Starters from ReadingGroupChoices.com
- The novel opens with a terrible storm. How does this beginning portend the events of the ensuing story?
- Discuss the "birthday sisters" Dana and Ruth. What is each like? What kind of households are they raised in? Each represents an opposing side of nature: one is scientific and practical, the other an artist and dreamer. How do their opposite personalities affect who they are and how they make their way in the world?
- What are your impressions of Edwin Plank, Connie Plank, and Valerie Dickerson? If this story were set today, would the outcome be the same? Why?
- Both girls share a special relationship with Edwin Plank. In what ways are they similar in the eyes of this kind man one girl calls father and the other calls friend? What life lessons did they learn from him?
- Think about Valerie Dickerson and Connie Plank. How did their personalities affect their views on family and childrearing? Analyze their relationships with their daughters. What did each girl share with these very different women?
- Why didn’t the adults correct the mistake that changed everyone’s lives? Why didn’t they tell the girls? How might events have been different if the girls had known what had happened? How did the girls’ unawareness of the truth affect how they saw each other through childhood and beyond? Were the girls cheated in any way?
- What made Dana’s brother, Ray, so attractive to Ruth? Was not telling Ruth the truth sooner cruel?
- What role did the Planks’ farm play in the story? How are Dana and Ruth tied to the land when they are children? Does this change once they become adults?
- When Ruth is living in Boston, Edwin comes to visit and they talk about her art and the nude models she draws. He says, "Back in my day, they made such a big deal about all of that, it made you a little crazy. If people could have talked about it and not acted like the whole thing was so sinful, maybe we wouldn’t have gotten into so much trouble." What is Edwin referring to? Do you think he’s correct?
- After her breakup with Ray, Ruth forgave her father but not her mother. Why? What made her eventually forgive Connie?
- Why didn’t Ruth call Dana immediately when she discovered the truth about the past? Why didn’t Dana tell Ruth after she’d figured it out? How did the truth set them free to be themselves?
- What is the significance of the title The Good Daughters? How does this gardening term perfectly capture the story and its characters?