The Round House (Hardcover)
Harper, 9780062065247, 336pp.
Publication Date: October 2, 2012
The Round House won the National Book Award for fiction.
One of the most revered novelists of our time--a brilliant chronicler of Native-American life--Louise Erdrich returns to the territory of her bestselling, Pulitzer Prize finalist The Plague of Doves with The Round House, transporting readers to the Ojibwe reservation in North Dakota. It is an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
Riveting and suspenseful, arguably the most accessible novel to date from the creator of Love Medicine, The Beet Queen, and The Bingo Palace, Erdrich's The Round House is a page-turning masterpiece of literary fiction--at once a powerful coming-of-age story, a mystery, and a tender, moving novel of family, history, and culture.
Praise For The Round House…
“Erdrich threads a gripping mystery and multilayered portrait of a community through a deeply affecting coming-of-age novel.”
-Karen Holt, O, the Oprah Magazine
“A sweeping, suspenseful outing from this prizewinning, generation-spanning chronicler of her Native American people, the Ojibwe of the northern plains...a sumptuous tale.”
“A stunning and devastating tale of hate crimes and vengeance…Erdrich covers a vast spectrum of history, cruel loss, and bracing realizations. A preeminent tale in an essential American saga.”
-Donna Seaman, Booklist, Starred Review of THE ROUND HOUSE
“The story pulses with urgency as she [Erdrich] probes the moral and legal ramifications of a terrible act of violence.”
-Publishers Weekly, Starred Review of THE ROUND HOUSE
“Erdrich skillfully makes Joe’s coming-of-age both universal and specific…the story is also ripe with detail about reservation life, and with her rich cast of characters, Erdrich provides flavor, humor and depth. Joe’s relationship with his father, Bazil, a judge, has echoes of TO KILL A MOCKINGBIRD.”
-Library Journal, Starred Review of THE ROUND HOUSE
“Moving, complex, and surprisingly uplifting…likely to be dubbed the Native American TO KILL A MOCKINGBIRD”
-Parade, Fall's Best Books
“Riveting…One of Erdrich’s most suspenseful novels.... It vividly portrays both the deep tragedy and crazy comedy of life.”
-BookPage, Cover/Feature Review
“A gripping mystery with a moral twist: Revenge might be the harshest punishment, but only for the victims. A-”
“THE ROUND HOUSE is filled with stunning language that recalls shades of Faulkner, Garcia Marquez and Toni Morrison. Deeply moving, this novel ranks among Erdrich’s best work, and it is impossible to forget.”
“Erdrich never shields the reader or Joe from the truth…She writes simply, without flourish.”
“An artfully balanced mystery, thriller and coming-of-age story…this novel will have you reading at warp speed to see what happens next.”
-Minneapolis Star Tribune
“Emotionally compelling…Joe is an incredibly endearing narrator, full of urgency and radiant candor…the story he tells transforms a sad, isolated crime into a revelation about how maturity alters our relationship with our parents, delivering us into new kinds of love and pain.”
-Ron Charles, Washington Post
“Erdrich’s bittersweet contemplation of love and friendship, morality and generativity…result in a tender, tough coming-of-age tale.”
-Cleveland Plain Dealer
“…a powerful human story…By boring deeply into one person’s darkest episode, Erdrich hits the bedrock truth about a whole community.”
-Maria Russo, New York Times Book Review
“Each new Erdrich novel adds new layers of pathos and comedy, earthiness and spiritual questing, to her priceless multigenerational drama. THE ROUND HOUSE is one of her best -- concentrated, suspenseful, and morally profound.”
-Jane Ciabattari, Boston Globe
“THE ROUND HOUSE is a stunning piece of architecture. It is carefully, lovingly, disarmingly constructed. Even the digressions demand strict attention.”
-Susan Salter Reynolds, Newsday
“One of the most pleasurable aspects of Erdrich’s writing…is that while her narratives are loose and sprawling, the language is always tight and poetically compressed…In the end there’s nothing, not the arresting plot or the shocking ending of THE ROUND HOUSE, that resonates as much as the characters.”
-San Francisco Chronicle
“Wise and suspenseful…Erdrich’s voice as well as her powers of insight and imagination fully infuse this novel…She writes so perceptively and brilliantly about the adolescent passion for justice that one is transported northward to her home territory.”
“Joe may be one of Erdrich’s best-drawn characters; he’s conflicted, feisty one moment, scared and disappointed the next. THE ROUND HOUSE will inevitably draw comparisons to Harper Lee’s TO KILL A MOCKINGBIRD…”
“Louise Erdrich’s prose is spare, precise, smooth as polished stone. Her books are rich with literary muscle.” -Austin American-Statesman
“The story draws the reader unstoppably page by page.”
“While Erdrich is known as a brilliant chronicler of the American Indian experience, her insights into our family, community, and spiritual lives transcend any category.”
“The novel showcases her [Erdrich’s] extraordinary ability to delineate the ties of love, resentment, need, duty and sympathy that bind families together…[a] powerful novel worth reading.”
-Michiko Kakutani, New York Times
“Erdrich has given us a multitude of narrative voices and stories. Never before has she given us a novel with a single narrative voice so smart, rich and full of surprises as she has in The Round House…and, I would argue, her best so far.”
-NPR/All Thing's Considered
“Haunting…a bittersweet coming-of-age tale…tender but unsentimental and buoyed by subtle wit”
“Poignant and surprisingly funny, it’s the acclaimed writer’s best book yet.”
-O, the Oprah Magazine, "Our Favorite Reads of 2012"
Conversation Starters from ReadingGroupChoices.com
- The Round House opens with the sentence: "Small trees had attacked my parents' house at the foundation." How do these words relate to the complete story that unfolds?
- Though he is older as he narrates the story, Joe is just thirteen when the novel opens. What is the significance of his age? How does that impact the events that occur and his actions and reactions?
- Describe Joe's family, and his relationship with his parents. In talking about his parents, Joe says, "I saw myself as different, though I didn't know how yet." Why, at thirteen, did he think this? Do you think the grown-up Joe narrating the story still believes this?
- Joe's whole family is rocked by the attack on his mother. How does it affect the relationship between his mother and father, and between him and his mother? Does it alter Joe's view of them? Can trauma force a child to grow up "overnight"? What impact does it have on Joe? How does it transform his family?
- "My mother's job was to know everybody's secrets," Joe tells us. How does this knowledge empower Geraldine and how does it make her life more difficult?
- Joe is inseparable from his three friends, especially his best friend, Cappy. Talk about their bond. How does their closeness influence unfolding events?
- What is the significance of The Round House? What is the importance of the Obijwe legends that are scattered through the novel? How do they reflect and deepen the main story? What can we learn from the old ways of people like the Ojibwe? Is Joe proud of his heritage? Discuss the connection between the natural and animal world and the tribe's spirituality.
- After the attack, Joe's mother, Geraldine, isn't sure exactly where it happened, whether it was technically on Reservation land or not. How does the legal relationship between the U.S. and the Ojibwe complicate the investigation? Why can't she lie to make it easier?
- Secondary characters, including Mooshum, Linda Wishkob, Sonja, Whitey, Clemence, and Father Travis, play indelible roles in the central story. Talk about their interactions with Joe and his friends and parents. What do their stories tell about the wider world of the reservation and about relations between white and Native Americans?
- Towards the novel's climax, Father Travis tells Joe, "in order to purify yourself, you have to understand yourself. Everything out in the world is also in you. Good, bad, evil, perfection, death, everything. So we study our souls." Would you say this is a good characterization of humanity? How is each of these things visible in Joe's personality?
- He also tells Joe about the different types of evil—the material version, which we cannot control, and the moral one, which is harm deliberately caused by humans. How does this knowledge influence Joe?
- When Joe makes his fateful decision concerning his mother's attacker, he says it is about justice, not vengeance. What do you think? How does that decision change him? Why doesn't he share the information he has with the people who love him?
- What do you think about the status of Native Americans? Should we have reservations in modern America? How does the Reservation preserve their heritage and culture and how does it set them apart from their fellow Americans?
- Could the American West have been settled without the conflicts between white Europeans and native peoples? Do you think we, as Americans, have changed significantly today?
- We hear a great deal about reparations and atonement for slavery. What about America's history with the Native American population—should these same issues be raised? Racism is often seen in terms of black and white. How does this view impact prejudices against others who aren't white, including people like the Ojibwe? Do you think there is prejudice against Native Americans? How is this portrayed in the book? Contrast these with examples of kindness and fairness.
- "My father remembered that of course an Ojibwe person's clan meant everything at one time, and no one didn't have a clan; thus, you know your place in the world and your relationship to all other beings." How has modernity—and westward expansion—transformed this? Has our rush to the future, and our restless need to move, impacted us as a society and as individuals?
- Race, politics, injustice, religion, superstition, magic, and the boundary between childhood and adulthood are explored in The Round House. Choose a theme or two and trace how it is demonstrated in a character's life throughout the novel.
- The only thing that God can do, and does all the time, is to draw good from any evil situation," the priest advised Joe. What good does Joe—and also his family—draw from the events of the summer? What life lessons did Joe learn that summer of 1988?