All the Flowers in Shanghai (Paperback)
William Morrow Paperbacks, 9780062081605, 320pp.
Publication Date: December 20, 2011
Other Editions of This Title:
Paperback, Large Print, Large Print (12/1/2011)
January 2012 Indie Next List
— Karen Briggs, Great Northern Books and Hobbies, Oscoda, MI
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“Duncan Jepson magically inhabits the life of a young Chinese woman in 1930s Shanghai….I thoroughly enjoyed this book.”
—Janice Y. K. Lee, New York Times bestselling author of The Piano Teacher
“Breathtaking….A great work that will move its readers.”
—Hong Ying, international bestselling author of Daughter of the River
Readers previously enchanted by Memoirs of a Geisha, Empress, and the novels of Lisa See will be captivated by Duncan Jepson’s marvelous debut, All the Flowers in Shanghai. Evocative, sweeping, yet intimate historical fiction, Jepson’s novel transports us to a China on the brink of revolution, and witnesses this colorful, tumultuous world through the eyes of a woman forced into a life not of her choosing and driven to seek a bitter revenge. This epic journey into the heart of Asia is sure to mesmerize fans of Shanghai Girls and Snow Flower and the Secret Fan.
About the Author
Duncan Jepson is the award-winning director and producer of five feature films. He has also produced documentaries for Discovery Channel Asia and National Geographic Channel. He was the editor of the Asia-based fashion magazine West East and is a founder and managing editor of the Asia Literary Review. A lawyer by profession, he lives in Hong Kong.
Praise For All the Flowers in Shanghai: A Novel…
“[Jepson] does a solid job of voicing a female character.”
— Library Journal
“Strong on detail and emotional intensity.”
— Kirkus Reviews
“[A] riveting storyline.”
— Publishers Weekly
“Poignant and elegantly written.”
— Romantic Times
“An accomplished first novel. Duncan Jepson magically inhabits the life of a young Chinese woman in 1930s Shanghai, following Feng’s unlikely evolution from neglected second daughter to first wife of the rich and powerful Sang family and her unexpected epilogue. I thoroughly enjoyed this book.”
— Janice Y. K. Lee, New York Times bestselling author of The Piano Teacher
“This story is breathtaking. Like a poem or a painting, it reveals the old Shanghai. It’s a great work that will move its readers.”
— Hong Ying, international bestselling author of Daughter of the River
“The life of this novel’s main character is splintered into thousands of pieces, each of them reflecting the changes of Chinese history, yet all of them coming out in Duncan Jepson’s poetic, passionate writing.”
— Qiu Xiaolong, author of the Inspector Chen mysteries
“A beautifully poetic story. Duncan Jepson creates a poignant set of characters and follows the journey of one woman who attempts to stop the cycle of history in the only way she knows how, but with dire consequences.”
— Geling Yan, author of The Banquet Bug
Conversation Starters from ReadingGroupChoices.com
- What is Feng’s relationship like with her parents compared to her grandfather? What important lessons does her grandfather teach her?
- Why is Feng attracted to Bi? What kind of background does he come from, and why is it considered unacceptable for Feng to associate with him?
- Describe the hierarchy in the Sang family. Where does Feng fit in? How does she learn to manipulate these relationships to her own advantage?
- What is Feng’s sister and mother’s view of an ideal life? How is this different from what Feng wants? Does Feng finally achieve this life, and if so, how does it make her feel?
- Do you think Xiong Fa is a good or bad husband? Is he also a victim of society’s expectations of him?
- Why does Feng feel like she has to give up her daughter? Even if you may not agree with her decision, can you sympathize with her reasons for doing it?
- Do you think the suffering that Feng endures during the Cultural Revolution is enough to atone for the mistakes she has made? Why or why not?
- How does Feng change throughout the novel? Has she learned anything about herself?
- Based on this novel, what do you feel is the prevailing attitude toward daughters in China? Is it very different from how daughters are perceived in the West?
- Are you surprised that the author is a man, given the book’s first-person perspective and subject matter? Do you think that men can write about these things?