Disappearance at Devil's Rock (Paperback)
William Morrow Paperbacks, 9780062363275, 368pp.
Publication Date: March 14, 2017
Other Editions of This Title:
Digital Audiobook (6/20/2016)
Compact Disc (6/21/2016)
Library Binding, Large Print (1/1/2017)
Pre-Recorded Audio Player (6/21/2016)
MP3 CD (6/21/2016)
Compact Disc (6/21/2016)
July 2016 Indie Next List
— William Carl (E), Wellesley Books, Wellesley, MA
View the List
A family is shaken to its core after the mysterious disappearance of a teenage boy in this eerie tale, a blend of literary fiction, psychological suspense, and supernatural horror from the author of A Head Full of Ghosts.
“A Head Full of Ghosts scared the living hell out of me, and I’m pretty hard to scare,” raved Stephen King about Paul Tremblay’s previous novel. Now, Tremblay returns with another disturbing tale sure to unsettle readers.
Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her thirteen-year-old son, Tommy, has vanished without a trace in the woods of a local park.
The search isn’t yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy’s disappearance. Feeling helpless and alone, their sorrow is compounded by anger and frustration: the local and state police have uncovered no leads. Josh and Luis, the friends who were the last to see Tommy before he vanished, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out a landmark the local teens have renamed Devil’s Rock.
Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connects them.
As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.
About the Author
Paul Tremblay has won the Bram Stoker, British Fantasy, and Massachusetts Book awards and is the author of Growing Things, The Cabin at the End of the World, Disappearance at Devil’s Rock, A Head Full of Ghosts, and the crime novels The Little Sleep and No Sleep Till Wonderland. His essays and short fiction have appeared in the Los Angeles Times, Entertainment Weekly online, and numerous year’s-best anthologies. He has a master’s degree in mathematics and lives outside Boston with his family.
Praise For Disappearance at Devil's Rock: A Novel…
— Megan Abbott, author of The Fever and Dare Me
“Paul Tremblay is an astonishingly talented writer, but even better, he’s twisted, and fun. A Head Full of Ghosts is mind-bending—scary, sad, sweet, funny, sick. ... . Terrifying, hilarious, smart, and satisfying.”
— Stewart O'Nan, author of The Speed Queen, The Night Country, and A Prayer for the Dying
“Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.”
— Kirkus Reviews
— Library Journal
“The novel is stylishly written and well-conceived.”
“Gripping and truly scary, this book feels of the moment in a way few thrillers do.”
— B&N Reads
“[A] scary story, indeed.”
“A mind-bending tale of psychological horror is unleashed, raising disturbing questions about memory and reality, science and religion, and the very nature of evil.”
“…progressively gripping and suspenseful — (Tremblay’s) ultimate, bloodcurdling revelation is as sickeningly satisfying as it is masterful.”
— NPR Books
“[A] creepy, interesting read, great for horror fans.”
“Loved it. Highly recommended for anyone who loves engrossing literary horror-undertones of The House of Leaves (but far more accessible) and The Exorcist, and redolent of Shirley Jackson.”
— Ellen Datlow
“Dark, brilliant, and impossible to predict, [this] is more than a perfect horror story. It’s a smart and savage look at American culture in all its madness, and the price girls are forced to pay by a society obsessed with spectacle and sin.”
— Cara Hoffman, author of So Much Pretty and Be Safe I Love You
“A Head Full of Ghosts doesn’t end just because you close the book. Some horror, it bleeds through the pages, gets onto your hands, stays with you. You’ll be thinking about this one long after you’ve read it.”
— Stephen Graham Jones, author of Demon Theory and Ledfeather
“A genuinely scary, post-modern homage to classic horror that invokes Stanley Kubrik and Shirley Jackson in equal measure, but also manages to innovate on nearly every page. [It] is unlike any horror novel you’ve read, and yet hauntingly, frighteningly familiar.”
— Sara Gran, author of Claire DeWitt and the City of the Dead and Come Closer
“Part psychological thriller, part demonic possession horror, this book is a juicy, fast-paced genre bombshell that just happens to be one of the smartest novels you’ll read this year.”
— The Life Sentence
“A Head Full of Ghosts is one of the best novels released this year. ...Paul Tremblay confirms what we already knew: he’s one of the greatest horror writers today.”
— This is Horror (UK)
“By turns horrifying, very funny, melancholy, ironic and, with each page, dazzlingly original, A Head Full of Ghosts is a one-book rocket ride through contemporary society where, if Evil doesn’t actually exist in a Biblical sense, we’re just the folks to invent it on our own.”
— The Day newspaper
“This will easily be remembered as one of the most powerfully disquieting and deeply unsettling novels of the year, and may mark something of a turning point in the mainstream horror genre.”
— Shock Totem
“Paul Tremblay’s terrific A Head Full of Ghosts generates a haze of an altogether more serious kind: the pleasurable fog of calculated, perfectly balanced ambiguity.”
— New York Times Book Review