The Seven or Eight Deaths of Stella Fortuna
May 2019 Indie Next List
— Patricia Moody, Hickory Stick Bookshop, Washington Depot, CT
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Summer 2020 Reading Group Indie Next List
— Matt Stowe, Greenlight Bookstore, Brooklyn, NY
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From Calabria to Connecticut: a sweeping family saga about sisterhood, secrets, Italian immigration, the American dream, and one woman's tenacious fight against her own fate
For Stella Fortuna, death has always been a part of life. Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.
In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.
When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.
In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.
“Witty and deeply felt.” —Entertainment Weekly (New and Notable)
“The Seven or Eight Deaths of Stella Fortuna achieves what no sweeping history lesson about American immigrants could: It brings to life a woman that time and history would have ignored.” —Washington Post
Praise For The Seven or Eight Deaths of Stella Fortuna: A Novel…
“[A] meaty family saga set in Calabria and Connecticut, crossing two centuries and five generations.... In conjuring this absorbing life, Grames has created a satisfying doorstop of a book, rich in detail, tightly written and delightfully easy to get lost in.” — New York Times Book Review
“’The Seven or Eight Deaths of Stella Fortuna’ achieves what no sweeping history lesson about American immigrants could: It brings to life a woman that time and history would have ignored.” — Washington Post
“Epic in scale and richly detailed.... Grames holds the reader under a spell from start to finish as she constructs a puzzle of identity formed against convention.... Grames’s clear and compassionate voice lets the figures of her heritage move freely.” — O, the Oprah Magazine
“If you’re going through Elena Ferrante withdrawals, this is the book for you. A rich, sweeping tale of an Italian-American family and their long-buried secrets.” — Harper's Bazaar
“Grames’ witty and deeply felt family saga begins in a pre-WWII Italian village, where young Stella Fortuna learns the hard truths of life (and death) as she grows up with an abusive father and immigrates with her family to the U.S.” — Entertainment Weekly
“As Stella strives to prove herself among the many messy and aggressive men in her life, Grames uses her heroine’s story to reflect on motherhood, inherited trauma and survival.” — Time
“Remarkable.... A rich tale blending fiction with family history, one that celebrates the Calabrese culture in Italy as well as the immigrant experience of diverse cultures in America.... This compelling intergenerational tale is intelligently written.” — Forbes
“Immersive.” — Newsday
“This debut novel...follows one fascinating family as they make their way from Italy to America on the brink of the Second World War, only to find that some problems—often ones that have to do with who you are and who you’re related to—aren’t so easy to outrun.” — Town & Country
“Unputdownable…. This is a book that cuts to the core of what it means to struggle in a new place, to fight for a family you love…. The writing is so good and the book flows along seamlessly, revealing a mastery of storytelling, sense of place, a touch of magical realism, and unforgettable characters that you will love and hate…. This is a book worth getting lost in.” — Jackson Clarion-Ledger
“This is a novel people will be talking about for years to come.” — Providence Journal
“A poignant debut novel.” — AARP Magazine
“Takes a sprawling approach to several decades of American history, exploring the life of a woman whose proximity to death is far greater than most of her peers. Grames incorporates themes of immigration and inter-generational conflict into her work, creating a powerful and resonant work.” — Vol 1Brooklyn
“A masterwork that will rightfully draw comparisons with Isabel Allende’s The House Of The Spirits and Gabriel Garcia Marquez’s One Hundred Years Of Solitude.... An unflinching portrayal of a truly remarkable woman and the life she builds for herself.” — Criminal Element
“Entrancing.... Grames’ debut will find broad appeal as both an illuminating historical saga and a vivid portrait of a strong woman struggling to break free from the confines of her gender.” — BookPage
“[A] vivid and moving debut.... With her story of an “ordinary” woman who is anything but, Grames explores not just the immigrant experience but the stages of a woman’s life. This is a sharp and richly satisfying novel.” — Publishers Weekly (starred review)
“Fictionalized details from the life of the author’s own grandmother inspire this tale of an Italian American family and the complicated woman at its heart.... Readers who appreciate narratives driven by vivid characterization and family secrets will find much to enjoy here.... [Grames is] an author to watch.” — Booklist
“Juliet Grames has written a magnificent debut, creating a deeply felt, richly imagined world based upon her family history. The dark beauty of Calabria and the promise of America sets the stage for Stella’s volatile life.... Moody, original and profound.” — Adriana Trigiani, bestselling author of Tony’s Wife
“Reading The Seven or Eight Deaths of Stella Fortuna is like listening to the rollicking stories of your Italian grandmother— full of memorable characters and speckled with fascinating bits of history. This is a fantastic and timely family story.” — Jessica Shattuck, bestselling author of The Women in the Castle
“Juliet Grames has delved into the family secrets of an Italian American family and the ways in which those secrets, as well as slights and injustices, can both cross oceans and trickle down through the generations. This quintessential American immigrant story feels important right now, and I highly recommend it.” — Lisa See, author of Snow Flower and the Secret Fan and The Tea Girl of Hummingbird Lane
“The Seven or Eight Deaths of Stella Fortuna is a novel you can’t put down. Above all, I envied its sureness, an effortless control remarkable in a debut novel, in which the shrewd and humorous confidence of the narrator’s voice powers a breakout saga of immigration and familial love.” — Gina Apostol, author of Insurrecto
Ecco, 9780062862822, 464pp.
Publication Date: May 7, 2019
About the Author
Juliet Grames was born in Hartford, Connecticut, and grew up in a tight-knit Italian-American family. A book editor, she has spent the last decade at Soho Press, where she is associate publisher and curator of the Soho Crime imprint. This is her first novel.
Conversation Starters from ReadingGroupChoices.com
1. Do you think that any of Stella’s near-deaths was her own fault? Which one(s), and why? Do you think Stella ever secretly blamed herself for a bad thing that happened to her? What about her family—do you think they ever believed that she had it coming?
2. The longer she is married, the more Assunta struggles with her oath to God that she will obey her husband. What individual events reshape her attitude, and how? Do you think she makes mistakes about when she should be obedient and when she should push back, or do you think in her shoes you would make the same choices?
3. Do you—or could you—believe in the Evil Eye? Do you think other people’s jealousy can take form and negatively affect us?
4. Is Stella a religious person? How does her religiosity differ from her mother’s?
5. Does Stella Fortuna’s life have a love story? Why do you think there is never a more traditional romance during the course of her long life? Who does Stella love most? Who loves Stella most?
6. If Antonio Fortuna lived today instead of a century ago, would he be considered a sociopath? Or is he more complicated? Why do you think he does the abusive and grotesque things he does? Are they symptoms of a single underlying reason, or are they random acts of an undisciplined and naturally cruel man?
7. When Stella first experiences her nightmare, she distracts her family from what really happened by blaming an imaginary black man for an assault that happened only in her dream. Why do you think she does this? How might the situation have escalated? The Italian American community has had a reputation for anti-African American racism, which is often represented in media, like Quentin Tarantino’s True Romance or in the episode of The Sopranos entitled “Unidentified Black Males.” Do you think Stella’s instinct to blame a black man is a product of the time in which she lived, or do you think she’d do the same today? Do you think that in America, where successive waves of immigrants from different places make up the majority of the population, racism is more of a problem than it is in more homogenous populations? Do the simultaneous pressures to Americanize and preserve traditions pit groups against each other and create confrontations? Or is the truth the opposite, that the mixing of so many different groups means more open-mindedness and acceptance than the same immigrants would have felt in their home country?
8. Stella knows that her father, although strict, would not want to be identified as one of the “old world” un-Americanized Italians in Hartford, and Stella uses this knowledge to convince him to let the sisters cut their hair short. In your opinion, do the Fortunas Americanize, or do they ghettoize themselves among other Italians? Which of the family members do you imagine felt more of a moral imperative to modernize or preserve traditions? Have you observed similar tensions of identity among immigrant groups you may be a part of?
9. Is Carmelo Maglieri a good man?
10. After her Accident, when Stella turns on Tina, what do you think Tina thinks? Do you think she is baffled and heartbroken, or do you think on some level she feels guilty over things that have happened between the sisters over the last sixty-plus years?