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Cover for The Joy Luck Club

The Joy Luck Club

A Novel

Amy Tan


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Other Editions of This Title:
Paperback (6/27/2008)
Paperback (10/18/2016)
Hardcover (3/22/1989)
Hardcover (4/23/2014)
Prebound (9/1/2006)
Prebound (9/21/2006)


The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

Amy Tan’s beloved, New York Times bestselling tale of mothers and daughters, now the focus of a new documentary Amy Tan: Unintended Memoir on Netflix

Four mothers, four daughters, four families whose histories shift with the four winds depending on who's "saying" the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money. "To despair was to wish back for something already lost. Or to prolong what was already unbearable." Forty years later the stories and history continue.

With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

Praise For The Joy Luck Club: A Novel

"Powerful as myth." —The Washington Post Book World

"Beautifully written...a jewel of a book." —The New York Times Book Review

"Powerful...full of won't be doing anything of importance until you have finished this book." —Los Angeles Times

"Wonderful...a significant lesson in what storytelling has to do with memory and inheritance." —San Francisco Chronicle

“This Beloved Novel Is the Kind of Book We Need Right Now. Mothers and daughters lay at the heart of Amy Tan’s The Joy Luck Club but in bridging the generational gap—and crisscrossing the globe—this 1989 novel imparts key lessons for forging ahead in trying times” —Martha Cheng, Wall Street Journal

The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.” Margaret Cho

Penguin Books, 9780143038092, 352pp.

Publication Date: September 21, 2006

About the Author

Amy Tan is the author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, The Opposite of Fate: Memories of a Writing Life, Saving Fish from Drowning, The Valley of Amazement, Where the Past Begins: Memory and Imagination, and two children’s books, The Moon Lady and The Chinese Siamese Cat, which was adapted into a PBS television series. Tan was also a coproducer and coscreenwriter of the film version of The Joy Luck Club and was librettist for the opera version of The Bonesetter’s Daughter. Her essays and stories have appeared in numerous magazines and anthologies, and her work has been translated into thirty-five languages. She lives with her husband in San Francisco and New York.

Conversation Starters from

  1. Although the women in The Joy Luck Club are Chinese or Chinese American, and their heritage plays an important part in their lives, they also have experiences that all of us face, regardless of culture, even today. They struggle with raising their children, contend with unhappy marriages, cope with difficult financial circumstances, and are disheartened by bad luck. Which of the eight main characters did you identify with the most? Why?
  2. When Jing-mei’s aunties tell her about her sisters, they insist that she travel to China to see them, to tell them about their mother. They are taken aback when Jing-mei responds. “What will I say? What can I tell them about my mother? I don’t know anything. She was my mother” (p. 36). Jing-mei thinks that the reason this upsets the aunties is that it makes them fear that they may not know their own daughters either. How does this exchange set the stage for the stories that follow? To what extent do you think that Jing-mei is right? How well do any of the mothers and daughters know each other in this book?
  3. Discuss the topic of marriage as it is represented in The Joy Luck Club. Each of the women faces difficult choices when it comes to marrying—whether it be Lindo Jong being forced into an early union with a man she loathes, Ying-Ying St. Clair starting life over with an American man after being abandoned by her first husband, or Rose Hsu Jordan, who is facing divorce from a man whose family never understood her. How are the daughters’ romantic choices influenced, if at all, by their mothers, who had fewer choices of their own?
  4. When she is young, Waverly Jong is a chess prodigy. It is a common conception in the United States that young Asian children are more driven than their peers and more likely to excel because their parents demand more of them. However, it is Waverly’s mother who influences Waverly to quit chess, due to a hurtful argument. What do you think of mother and daughter’s reactions to this event? Find other examples that challenge American stereotypes of Chinese culture in The Joy Luck Club.
  5. While Waverly was a prodigy and grew up to be successful in her career, Jing-mei (or “June” as she is called in America) has had more difficulty. Her parents also wished for her to be a “genius,” as if hard work alone could will it. Using Jing-mei Woo’s chapter “Best Quality” (p. 221) as a platform, discuss the differences between the daughters of the members of the Joy Luck Club. What does the dinner scene between Waverly and June say about each of their characters? How is their behavior influenced by family and culture?
  6. Throughout their stories, the women in The Joy Luck Club and their daughters exhibit many signs, at different moments, of both strength and weakness. On page 170, when Lena St. Clair is describing her relationship with Harold, she claims that “I think I deserve someone like Harold, and I mean in the good sense and not like bad karma. We’re equals.” Knowing what you do about Lena and Harold’s relationship, do you think that’s true? Does a thought like this represent strength or weakness on Lena’s part? What are some other moments of strength and weakness, both major and minor, that you can identify in the women in this book?
  7. The title of the book, The Joy Luck Club, is taken from Suyuan Woo’s establishment of a gathering between women, first in China, and later in San Francisco. The club has been maintained for many years and undergone many changes since its inception—for instance, the husbands of the women now attend, and they pool their money to buy stock instead of relying only on their mahjong winnings. What do you think is the significance of these meetings to the women who attend them? Why do you think these four families have continued to come together like this after so much time has passed? Can you think of any rituals that you have with friends that are similar to this?
  8. In Rose Hsu Jordan’s story, “Half and Half,” a terrible tragedy befalls her youngest brother Bing while she is watching him. At first she is fearful that her parents will be angry with her, but instead her mother relies on both her Christian faith and Chinese beliefs in ancestor worship. On page 140, Rose says the following: “I think about Bing, about how I knew he was in danger, how I let it happen. I think about my marriage, how I had seen the signs, I really had. But I just let it happen. And I think now that fate is shaped half by faith, half by inattention.” What does she mean by this? Do you agree with her? Do you think that Rose’s mother, An-mei, truly lost her faith that day when they lost Bing?
  9. Suyuan Woo is the only member of the Joy Luck Club who does not have her own voice in this book—she died a few months before the story begins. Why do you think the author made that choice? Why is it significant that her daughter is the main narrator, and that it is the story of her lost daughters in Kweilin that serve as a beginning and end to the book?
  10. When Jing-mei visits China with her father toward the end of the book, she is constantly struck by the signs of capitalism everywhere: in the hotel she finds “a wet bar stocked with Heineken beer, Coke Classic, and Seven-Up, mini-bottles of Johnnie Walker Red, Bacardi rum and Smirnoff vodka, and packets of M&M’s, honey roasted cashews, and Cadbury chocolate bars. And again I say out loud, ‘This is communist China?’ ” (p. 319). What does she mean by this observation and question? What do you think she was expecting when she made the trip? In this scene, Jing-mei is also visiting her parents’ homeland for the first time, after hearing so many stories about it. Have you ever visited a foreign place and found it to be very different from what you had imagined?
  11. What are your thoughts on the structure of The Joy Luck Club? It is not a traditional novel told by one narrator, but the stories are very intricately connected. How did that affect your reading experience? What were some of the differences you noticed in the way that you read this book as opposed to other novels or collections of stories?
  12. Amy Tan’s work has been highly anthologized for students, and her books, especially The Joy Luck Club, are read in more than thirty countries around the world. Why do you think this book has such a universal appeal? What are some of the elements of the plot and aspects of the characters that make so many different kinds of people want to read it?