In the Woods
A Novel (Dublin Murder Squad #1)
“Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting.” —The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours.
Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox—his partner and closest friend—find themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past.
Richly atmospheric and stunning in its complexity, In the Woods is utterly convincing and surprising to the end.
Praise For In the Woods: A Novel (Dublin Murder Squad #1)…
—The Washington Post
“Part whodunit, part psychological thriller, and wholly successful...French’s plot twists and turns will bamboozle even the most astute reader...A well-written, expertly plotted thriller.”
“In the Woods is as creepily imaginative as it gets.”
“Drawn by the grim nature of her plot and the lyrical ferocity of her writing, even smart people who should know better will be able to lose themselves in these dark woods.”
—The New York Times Book Review
Praise for Tana French
“When you read Ms. French — and she has become required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting — make only one assumption: All of your initial assumptions are wrong”
—The New York Times
"Tana French is the most interesting, most important crime novelist to emerge in the past 10 years."
—The Washington Post
"[Tana French] inspires cultic devotion in readers…most crime fiction is diverting; French's is consuming."
—The New Yorker
“To say Tana French is one of the great thriller writers is really too limiting. Rather she’s simply this: a truly great writer.”
“French is a poet of mood and a master builder of plots.”
—The Washington Post
“One of the most distinct and exciting new voices in crime writing.”
—The Wall Street Journal
“French does something fresh with every novel, each one as powerful as the last but in a very different manner. Perhaps she has superpowers of her own? Whatever the source of her gift, it’s only growing more miraculous with every book.”
Penguin Books, 9780143113492, 464pp.
Publication Date: May 27, 2008
About the Author
Conversation Starters from ReadingGroupChoices.com
What do the woods represent symbolically in Tana French’s novel? Does their significance change as the story progresses?
The loss or absence of stable families is a recurring motif in In the Woods. How do French’s characters, particularly Ryan, attempt to compensate for this absence?
Does the Irish setting of In the Woods contribute significantly to the telling of the story, or do you find French’s novel to be about humanity on a more universal level?
How does Ryan’s experience in the woods at the age of twelve affect his ability to function as a detective? Is it always a hindrance to him, or are there ways in which it improves and deepens his insights?
Cassie Maddox, Ryan’s partner, is perhaps the most consistently appealing character in the novel. What are her most attractive qualities? What are the weaker points of her personality? Does Ryan ever fully appreciate her?
After sleeping together, Ryan and Cassie cease to be friends. Why do you think the experience of physical intimacy is so damaging to their relationship? Are there other reasons why their friendship falls apart?
Ryan states that he both craves truth and tells lies. How reliable to you find him as a narrator? In what ways does the theme of truth and misrepresentation lie at the heart of In the Woods?
Imagine that you are Ryan’s therapist. With what aspects of his personality would you most want to help him come to terms? Do you think there would be any way to lead him out of “the woods?”
How convincing is French’s explanation of the motivating forces that lead to Katy’s murder—forces that come close to a definition of pure evil? Are such events and motivations ever truly explicable?
The plan to build the new motorway, trampling as it does on a past that some regard as sacred, is an outrage to the archaeologists who are trying to preserve an ancient legacy. How does this conflict fit thematically with Ryan’s own contradictory desires to unearth and to pave over his past?
Do you have your own theories about the mysteries that remain unsolved at the end of In the Woods? What are they?
What were your thoughts and emotions upon finishing In the Woods? If this book affected you differently from other mysteries you have read, why do you think this was true?