Everything I Never Told You
Other Editions of This Title:
Digital Audiobook (5/27/2015)
Digital Audiobook (6/25/2014)
Paperback, Large Print (9/28/2016)
Hardcover, Large Print (10/1/2014)
Paperback, Chinese (11/30/2015)
Paperback, Korean (8/25/2016)
MP3 CD (6/26/2014)
“A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine
“Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly
“Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
Praise For Everything I Never Told You: A Novel…
“Both a propulsive mystery and a profound examination of a mixed-race family, Ng’s explosive debut chronicles the plight of Marilyn and James Lee after their favored daughter is found dead in a lake.” —Entertainment Weekly
“Excellent . . . an accomplished debut . . . heart-wrenching . . . Ng deftly pulls together the strands of this complex, multigenerational novel. Everything I Never Told You is an engaging work that casts a powerful light on the secrets that have kept an American family together—and that finally end up tearing it apart.” —Los Angeles Times
"Tender and merciless all at once . . . Vital in all the essential ways." —Jesmyn Ward
“Wonderfully moving . . . Emotionally precise . . . A beautifully crafted study of dysfunction and grief . . . [This book] will resonate with anyone who has ever had a family drama.” —Boston Globe
“A powerhouse of a debut novel, a literary mystery crafted out of shimmering prose and precise, painful observation about racial barriers, the burden of familial expectations, and the basic human thirst for belonging . . . Ng’s novel grips readers from page one with the hope of unraveling the mystery behind Lydia’s death—and boy does it deliver, on every front.” —Huffington Post
“A subtle meditation on gender, race and the weight of one generation’s unfulfilled ambitions upon the shoulders—and in the heads—of the next . . . Ng deftly and convincingly illustrates the degree to which some miscommunications can never quite be rectified.” —San Francisco Chronicle
“Cleverly crafted, emotionally perceptive . . . Ng sensitively dramatizes issues of gender and race that lie at the heart of the story . . . Ng’s themes of assimilation are themselves deftly interlaced into a taut tale of ever deepening and quickening suspense.” —O, The Oprah Magazine
“Ng moves gracefully back and forth in time, into the aftermath of the tragedy as well as the distant past, and into the consciousness of each member of the family, creating a series of mysteries and revelations that lead back to the original question: what happened to Lydia? . . . Ng is masterful in her use of the omniscient narrator, achieving both a historical distance and visceral intimacy with each character’s struggles and failures . . . On the surface, Ng’s storylines are nothing new. There is a mysterious death, a family pulled apart by misunderstanding and grief, a struggle to fit into the norms of society, yet in the weaving of these threads she creates a work of ambitious complexity. In the end, this novel movingly portrays the burden of difference at a time when difference had no cultural value . . . Compelling.” —Los Angeles Review of Books
“The mysterious circumstances of 16-year-old Lydia Lee’s tragic death have her loved ones wondering how, exactly, she spent her free time. This ghostly debut novel calls to mind The Lovely Bones.” —Marie Claire
“The first chapter of Celeste Ng’s debut novel is difficult—the oldest daughter in a family is dead—but what follows is a brilliantly written, surprisingly uplifting exploration of striving in the face of alienation and of the secrets we keep from others. This could be my favorite novel of the year.” —Chris Schluep, Parade
“The emotional core of Celeste Ng’s debut is what sets it apart. The different ways in which the Lee family handles Lydia’s death create internal friction, and most impressive is the way Ng handles racial politics. With a deft hand, she loads and unpacks the implications of being the only Chinese American family in a small town in Ohio.” —Kevin Nguyen, Grantland
“Beautiful and poignant . . . deftly drawn . . . . It’s hard to believe that this is a debut novel for Celeste Ng. She tackles the themes of family dynamics, gender and racial stereotyping, and the weight of expectations, all with insight made more powerful through understatement. She has an exact, sophisticated touch with her prose. The sentences are straightforward. She evokes emotions through devastatingly detailed observations.” —Cleveland Plain-Dealer
“Perceptive . . . a skillful and moving portrayal of a family in pain . . . It is to Ng’s credit that it is sometimes difficult for the reader to keep going; the pain and unhappiness is palpable. But it is true to the Lees, and Ng tells all.” —Minneapolis Star Tribune
“Impressive . . . In its evocation of a time and place and society largely gone but hardly forgotten, Everything I Never Told You tells much that today’s reader should learn, ponder and appreciate.” —St. Louis Post-Dispatch
Penguin Books, 9780143127550, 336pp.
Publication Date: May 12, 2015
About the Author
Conversation Starters from ReadingGroupChoices.com
1. Discuss the relationships between Nath, Lydia, and Hannah. How do the siblings both understand and mystify one another?
2. Why do you think Lydia is the favorite child of James and Marilyn? How does this pressure affect Lydia, and what kind of impact do you think it has on Nath and Hannah? Do you think it is more difficult for Lydia to be the favorite, or for Nath and Hannah, who are often overlooked by their parents?
3. “So part of him wanted to tell Nath that he knew: what it was like to be teased, what it was like to never fit in. The other part of him wanted to shake his son, to slap him. To shape him into something different. . . . When Marilyn asked what happened, James said merely, with a wave of the hand, ‘Some kids teased him at the pool yesterday. He needs to learn to take a joke.’” How did you react to the “Marco Polo” pool scene with James and Nath? What do you think of James’s decision?
4. Discuss a situation in which you’ve felt like an outsider. How do the members of the Lee family deal with being measured against stereotypes and others’ perceptions?
5. What is the meaning of the novel’s title? To whom do the “I” and “you” refer?
6. What would have happened if Lydia had reached the dock? Do you think she would have been able to change her parents’ views and expectations of her?
7. This novel says a great deal about the influence our parents can have on us. Do you think the same issues will affect the next generation of Lees? How did your parents influence your childhood?
8. “It struck her then, as if someone had said it aloud: her mother was dead, and the only thing worth remembering about her, in the end, was that she cooked. Marilyn thought uneasily of her own life, of hours spent making breakfasts, serving dinners, packing lunches into neat paper bags.” Discuss the relationship Marilyn and her mother have to cooking and their roles as stay-at-home mothers. Do you think one is happier or more satisfied?
9. The footprint on the ceiling brings Nath and Lydia closer when they are young, and later, Hannah and James discover it together and laugh. What other objects bring the characters closer together or drive them further apart?
10. There’s so much that the characters keep to themselves. What do you wish they had shared with one another? Do you think an ability to better express themselves would have changed the outcome of the book?