Dona Barbara (Paperback)
University of Chicago Press, 9780226279206, 440pp.
Publication Date: May 3, 2012
Romulo Gallegos is best known for being Venezuela's first democratically elected president. But in his native land he is equally famous as a writer responsible for one of Venezuela's literary treasures, the novel "Dona Barbara." Published in 1929 and all but forgotten by Anglophone readers, "Dona Barbara "is one of the first examples of magical realism, laying the groundwork for later authors such as Gabriel Garcia Marquez and Mario Vargas Llosa.
Following the epic struggle between two cousins for an estate in Venezuela, "Dona Barbara "is an examination of the conflict between town and country, violence and intellect, male and female. Dona Barbara is a beautiful and mysterious woman rumored to be a witch with a ferocious power over men. When her cousin Santos Luzardo returns to the plains in order to reclaim his land and cattle, he reluctantly faces off against Dona Barbara, and their battle becomes simultaneously one of violence and seduction. All of the action is set against the stunning backdrop of the Venezuelan prairie, described in loving detail. Gallegos's plains are filled with dangerous ranchers, intrepid cowboys, and damsels in distress, all broadly and vividly drawn. A masterful novel with an important role in the inception of magical realism, "Dona Barbara "is a suspenseful tale that blends fantasy, adventure, and romance.
Hailed as the Bovary of the "llano" by Larry McMurtry in his new foreword to this book, Dona Barbarais a magnetic and memorable heroine, who has inspired numerous adaptations on the big and small screens, including a recent television show that aired on Telemundo.
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Praise For Dona Barbara…
“Remarkable. . . . From its first pages it reveals . . . why it made Gallegos famous. . . . If Señor Gallegos is one-half as good a President as he is a novelist, Venezuela is a lucky land.”—New York Times
“An exciting heroic tale of the life of Venezuelan plainsmen, master and peons, ranchers and cowboys and horse thieves.”—New Republic