Art, New Media, and Social Memory (Leonardo)
How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work.
New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion. Rinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete.
Praise For Re-collection: Art, New Media, and Social Memory (Leonardo)…
As curators, Ippolito's and Rinehart's sense of passion for saving digital art and our social memory is evident in Re-Collection and their book is a manifesto for museum professionals who are feeling the anxieties over how to best hold on to a sense of our collective, cultural heritage in the digital age.—Hyperrhiz—
Part informational overview, part professional manual, and part preliminary theoretical dialogue, this useful, thought-provoking book collates and calibrates information about the emergent field of cultural technology preservation.—Choice—
Although the focus of the book is on new media art, it is of interest for anybody who deals with the preservation of non-traditional media in museums – which also include digital exhibitions.—Uncommon Culture—
The MIT Press, 9780262027007, 312pp.
Publication Date: June 13, 2014
About the Author
Jon Ippolito is Associate Professor of New Media and Codirector of the Still Water Lab and Digital Curation Program at the University of Maine.