Juan Luna's Revolver (Ernest Sandeen Prize for Poetry) (Paperback)
University of Notre Dame Press, 9780268031787, 98pp.
Publication Date: January 1, 2009
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The poems in Juan Luna''s Revolver both address history and attempt to transcend it through their exploration of the complexity of diaspora. Attending to the legacy of colonial and postcolonial encounters, Luisa A. Igloria has crafted poems that create links of sympathetic human understanding, even as they revisit difficult histories and pose necessary questions about place, power, displacement, nostalgia, beauty, and human resilience in conditions of alienation and duress. Igloria traces journeys made by Filipinos in the global diaspora that began since the encounter with European and American colonial power. Her poems allude to historical figures such as the Filipino painter Juan Luna and the novelist and national hero Jose Rizal, as well as the eleven hundred indigenous Filipinos brought to serve as live exhibits in the 1904 Missouri World's Fair. The image of the revolver fired by Juan Luna reverberates throughout the collection, raising to high relief how separation and exile have shaped concepts of identity, nationality, and possibility. Suffused with gorgeous imagery and nuanced emotion, Igloria's poetry achieves an intimacy fostered by gem-like phrases set within a politically-charged context speaking both to the personal and the collective.
About the Author
Luisa A. Igloria is an associate professor in the MFA creative writing program at Old Dominion University. The winner of numerous national and international creative writing awards, she is the author of nine books.
Praise For Juan Luna's Revolver (Ernest Sandeen Prize for Poetry)…
"Igloria's triumph is that, beyond the cinematic beauty of her verse, she places her audience squarely in the situation of cultural strangers, putting a face upon the 'foreigner' that mirrors our own. When we witness the Other in extremis, we also see ourselves.” —Virginian Pilot
“The poems in ‘Juan Luna’s Revolver’ are captivating, incisive, and at times, deceivingly pointed. But this is for the best. When you read Igloria’s verses, you feel that your existence is imbued with some rich and resonant meaning once again. This is especially true for her fellow Filipinos who are eternally it seems, searching for a higher relevance in what is a forbidding life landscape.” —Allen Gaborro, Philippine News