Why Trilling Matters (Hardcover)
Yale University Press, 9780300152692, 208pp.
Publication Date: October 25, 2011
Other Editions of This Title:
Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence and to overcoming it.
By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling's original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling's major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today's concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, Trilling's essays are not exactly literary criticism but, like all literature, ends in themselves.
About the Author
Praise For Why Trilling Matters…
“Why Trilling Matters is not simply the best book yet written
“Eminently readable...a brief, enthusiastic rejuvenation of Trilling’s work.”—Michael Washburn, Boston Globe
“An attractive account of a powerful critic.”—Jacques Barzun, Wall Street Journal
"Kirsch deftly untangles [Trilling’s] intellectual journey, freeing Trilling from the collective opinions of a generation."—Gerald Russello, Wilson Quarterly
"If any contemporary mind can be said to be Lionel Trilling’s inheritor and indispensable successor, both in imaginative breadth and cultural comprehensiveness, it is Adam Kirsch. As Matthew Arnold served Trilling, so does Trilling serve Kirsch—as a model of literary and humanist heroism. And though Kirsch arrives on the scene some three generations afterward, he sees into the older critic’s complex, strenuous, yet unassuming sensibility as no one before him has succeeded in doing. Why Trilling Matters is a small but elastic masterwork that enlarges, with crucial immediacy, our own understanding of why literature itself must matter."—Cynthia Ozick
"This is a masterful book by a carefully attentive critic in close touch with his subject. Kirsch stresses the dialectical, experiential character of Trilling's writing, his perpetual shifting dialogue with himself and his times. A splendid and genuinely illuminating piece of work."—Morris Dickstein, author of Dancing in the Dark: A Cultural History of the Great Depression
"Adam Kirsch has given us an inspiring invitation to the life of alert freedom that Lionel Trilling showed literature enables, a life of questioning the self in order to become one."—Mark Lilla, Columbia University
"This finely reflective reconsideration of Trilling argues persuasively for his enduring relevance, not as an interpreter of literature but as a critic forging a self through the restless engagement with literature."—Robert Alter, author of Pen of Iron: American Prose and the King James Bible
“In the compass of a short book, Kirsch manages to convey the spirit of [Trilling’s] writings . . . giving his work the same kind of subtle and nuanced reading that Trilling gave to others.”—Gertrude Himmelfarb, New Criterion
"In Why Trilling Matters, Kirsch has turned his considerable gifts to the mind he most resembles in comprehensive literary and cultural understanding. . . . Lionel Trilling, like Adam Kirsch himself, illustrates that reading deeply and wisely is not a credential for critics only, but everyone’s last best hope of being better."—William Giraldi, The Daily Beast
"Remarkable . . . Adam Kirsch has brought [Trilling] back to us with a balance that his subject would appreciate.”—Alan Cooper, Jewish Book World
“Adam Kirsch’s clear-headed book about the esteemed American critic Lionel Trilling comes at a propitious time. . . . the volume suggests Trilling’s writing could be of use in refurbishing criticism today and in the future.”—Bill Marx, Arts Fuse
"[T]o read Kirsch is to be brought into the dialogue between literature and its best readers . . . The best critics help us understand and even shape our own characters. Like Trilling. Like Kirsch."—David Wolpe, The Jewish Journal