Gustave Moreau (Hardcover)
History Painting, Spirituality, and Symbolism
Yale University Press, 9780300204339, 252pp.
Publication Date: September 9, 2014
List Price: 70.00*
* Individual store prices may vary.
The acclaimed French painter Gustave Moreau (1826–1898) strove to renew history painting by creating epic art in a nonacademic manner. In this thought-provoking book, Peter Cooke explains how Moreau essentially created pictorial Symbolism through his novel approach to the genre of history painting. In the process, the author closely examines the artist through some of his major paintings, his ideology and aesthetic, and, for the first time, in relation to other artists of his time and of the previous generations. The narrative follows Moreau’s career from his Neoclassical and academic training through his conversion to Romanticism, his studies in Italy, his experiences as an exhibitor at the Paris Salon, and his subsequent years as a professor at the École des Beaux-Arts and as the founder of his own museum. By drawing on unpublished manuscripts from the Musée Gustave Moreau in Paris, Cooke presents fresh insights into how Moreau’s art reflects his spiritualist ideology, as well as his controversial effect on the art world of his time.
About the Author
Peter Cooke is a senior lecturer in French studies at the University of Manchester.
Praise For Gustave Moreau: History Painting, Spirituality, and Symbolism…
‘Peter Cooke’s excellent new monograph […] answers a basic but critical historiographical need. A masterly synthesis representing the culmination of more than two decades of research […] it integrates previously published work with new archival material and fresh lines of argument. The result, well edited and handsomely illustrated, is a lucid and balanced account that advances our understanding of Moreau’s artistic theory and production even as it offers the non-specialist a compelling overview of his career and legacy.’—Scott C. Allan, Burlington Magazine.
— Scott C. Allan
‘This book is an exemplary analysis of a difficult artist whose work has suffered from simplistic characterisations. Moreau is consistently shown to be integrated within and reacting to changing artistic and political circumstances. Cooke provides us with a perfect illustration of history painting’s expansive versatility in the later nineteenth century, which embraces extreme contrasts of narrative texture and technical realisation, and an idiosyncratic array of imagery.’—Richard Wrigley, Oxford Art Journal.
— Richard Wrigley
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