Vintage, 9780307388599, 432pp.
Publication Date: July 10, 2012
As a young girl growing up in Spain, Ana Larragoity Cubillas is powerfully drawn to Puerto Rico by the diaries of an ancestor who traveled there with Ponce de Leon. And in handsome twin brothers Ramon and Inocente—both in love with Ana—she finds a way to get there. Marrying Ramon at the age of eighteen, she travels across the ocean to Hacienda los Gemelos, a remote sugar plantation the brothers have inherited. But soon the Civil War erupts in the United States, and Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs her wealth has been built: the hacienda’s slaves, whose richly drawn stories unfold alongside her own in this epic novel of love, discovery and adventure.
About the Author
Praise For Conquistadora…
“An author in full command. . . . In Santiago’s hands, Ana is a woman to remember and Puerto Rico a country to cherish.” —The Miami Herald
“A splendid expedition into colonial history complete with enrapturing suspense to the very end.” —O, The Oprah Magazine
“Ana [is] an unconventional, ambitious woman whose attitudes toward children, slaves and lovers perplex and engross. . . . A guided tour of the history of sugar and empire.” —The New York Times Book Review
“An enthralling family saga. . . . Four stars.” —People
“If, as the proverb goes, history is written by the hunters, then Esmeralda Santiago has imagined history as written from the point of view of the lions. A remarkable story for its detail, imagination, meticulous research, and wisdom, this is history written by a lion at the height of her powers.” —Sandra Cisneros, author of The House on Mango Street
“Conquistadora is an expertly researched novel that fuses Antillean/Puerto Rican history and a spellbinding and action-packed storyline that will surprise and dazzle its readers. . . . A crown jewel of Puerto Rican literature.” —Being Latino
“Lusty, ambitious women are staples of epic fiction, and in these pages Santiago has created a ferociously seductive character. . . . Read this absorbing, impeccably researched novel for its lush history and for the way Santiago’s narrative constantly surprises—just as its protagonist does, confronting the gender limitations of her day.” —More
“Conquistadora is a wonderful and richly drawn novel. . . . A grand achievement from one of our finest writers.” —Oscar Hijuelos, Pulitzer Prize–winning author of The Mambo Kings Play Songs of Love and Beautiful Maria of My Soul
“Part romance, part portrait of a woman struggling against the constraints of her time and class. Santiago’s writing often surprises with its sly humor.” —The Dallas Morning News
“Extraordinary. . . . . An outstanding story, full of pathos, tropical sensuality, and violence—but it also poses uncomfortable moral questions readers are forced to consider . . . Storytelling genius . . . Conquistadora is a book-group must.” —Booklist (starred review)
“Ana will inevitably bring to mind thoughts of that other imperious plantation dweller, Scarlett O’Hara. . . . Conquistadora can be enjoyed as a grand romantic adventure tale, complete with plenty of sex and violence. But author Esmerelda Santiago . . . doesn’t ignore the political and economic realities of Ana’s life.” —The Columbus Dispatch
“Readers may not sympathize with Ana . . . but her unflinching devotion to her dream of living with the valor and beauty of her conqueror ancestors is compelling.” —BookPage
“An epic beach read.” —Marie Claire
“Santiago brings passion, color, and historical detail to this Puerto Rican Gone with the Wind, featuring a hard-as-nails heroine more devoted to her plantation than to any of the men in her life. . . . The richness of [Santiago’s] imagination and the lushness of her language will serve saga enthusiasts well.” —Publishers Weekly (starred review)
“An enthralling epic that not only illuminates the life of one extraordinary woman, but of the great sweep of Puerto Rican history. . . . Conquistadora will seduce readers heart and soul.” —Cristina García, author of Dreaming in Cuban
“The multitalented author of When I Was Puerto Rican offers a big, bold novel about life on a Caribbean sugar plantation in the mid-19th century. . . . With drama, adventure, and even a bit of magical realism, Conquistadora may remind readers of Isabel Allende’s novels of Latin America.” —Library Journal
“Impressive . . . . Conquistadora is a story of epic dimensions, one which demands to be taken seriously—and at the same time is just a tremendous amount of fun. Hats off to Esmeralda Santiago, for a delicious novel that instructs as easily as it pleases.” —Madison Smartt Bell, author of All Souls’ Rising
“A powerful new novel that is colorful, sexy, and shimmering with magical writing as lush as the tropical island on which it takes place. Alive with all their passions and flaws, here are characters so boldly imagined they feel real, and in a story so transporting you can almost smell the sugar cane.” —Terry McMillan, author of Getting to Happy and Waiting to Exhale
“I loved this novel from the first sentence, and wept with emotion by the end. . . . Esmeralda Santiago has given voice to a history that has eluded me. Here is a haunting, visceral epic that satisfies on every level and yet leaves you hungry for more. Bravo, Conquistadora!” —Daisy Martinez, host of Viva Daisy! and author of Daisy’s Holiday Cooking
Conversation Starters from ReadingGroupChoices.com
- Santiago’s epigraph is an excerpt from “Adam” by William Carlos Williams: “Underneath the whisperings/of tropic nights/there is a darker whispering/that death invents especially/for northern men/whom the tropics/ have come to hold.” Why do you think she chose this passage?
- How familiar were you with the history Santiago provides in the opening section of the novel—El Encuentro/The Encounter: November 19, 1493?
- Santiago’s first book was the best-selling memoir When I Was Puerto Rican, which told an entirely different sort of history: that of her own journey from Puerto Rico to the United States. Yet Conquistadora also makes the personal historical. How do fact and fiction play off each other in this story? How is reading historical fiction different from reading a nonfiction historical account of a time period?
- As the book begins, how do you feel about Ana? Is she a likable character? What one word would you use to describe her?
- What draws Ana to Puerto Rico? What opportunities exist for her there—as a woman of a certain class, a señorita de buena familia—that weren’t available in Spain? What about Severo? What brings him to Puerto Rico, and what is he able to accomplish there that might have been impossible in Spain?
- How does Ana’s attitude toward slavery, and her own slaves, change over the course of the novel? How does she change in general and why?
- Discuss Ana’s relationship with Elena. What draws these women together—and what drives them apart? How do their motivations for getting married differ?
- Why do you think Ana agrees to sleep with both Ramón and Inocente? Does she have a choice in the matter?
- On page 73, Ana considers a phrase: “We are all a bit of a poet, a bit of a musician, a bit mad, she agreed. But she thought that Severo Fuentes, who could quote Cervantes with uncanny precision, was perhaps the maddest of them all.” Do you agree with Ana about Severo? Why or why not? How are “madness” and a sense of mission linked for Severo, and for Ana?
- Why does Los Gemelos become so important to Ana? Why won’t she leave—and why would she be willing to go so far as to trade her son for the plantation? Did you understand her motivation for this? Why or why not?
- Why does Ana refer to her slaves as “nuestra gente” (“our people”)?
- Discuss the characters of Conciencia and Meri and their relationships with Ana. How does Conciencia function as a conscience for Ana? Why does Ana feel that she must save Meri from her burns? And why do you think Ana is able to act maternally toward her slaves in some ways, but is unable to be a mother to her own son?
- Why does Severo want Ana as his wife, although it is Consuelo who makes him happy? Do you think he can love these two women at once?
- What is the significance of the house Severo builds for Ana? Why does he name it El Destino?
- On page 319, Santiago tells us that, three generations later, Miguel’s paintings would wind up stored in a warehouse and forgotten. How do you think this connects to the larger story of Puerto Rican history, and Ana’s endeavors at Hacienda los Gemelos?
- Discuss Miguel’s fate. What do you think he would have said to Ana, had he had the chance?
- As the novel ends, the American Civil War has already begun to change life in Puerto Rico—perhaps especially for the hacienda’s slaves, who are inspired by “el libertador Abrámlincon.” How is the history of slavery in Puerto Rico similar to, or different from, the history of slavery in America? What surprised you most about Santiago’s depiction of the slaves’ daily lives?
- How does Conquistadora compare to other postcolonial literature you’ve read—stories that take place in Africa, Asia, and the Americas?
- Does Ana earn the designation conquistadora? If she were alive today, what do you think she would do for a living?
- What do you think lies ahead for Ana and Severo? What about Segundo, who will inherit their land and the hacienda? And the slaves at the hacienda?
- Read "Ana’s Legacy: Abuse of Power, a Book Club Discussion" by Reading Group Choices' Neely Kennedy for discussible topics and themes!