Letters to Véra
Other Editions of This Title:
The letters of the great writer to his wife—gathered here for the first time—chronicle a decades-long love story and document anew the creative energies of an artist who was always at work.
No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight in life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra form a narrative arc that tells a half-century-long love story, one that is playful, romantic, pithy and memorable. At the same time, the letters tell us much about the man and the writer. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, the landscapes and cityscapes he encountered—and learn of the poems, plays, stories, novels, memoirs, screenplays and translations on which he worked ceaselessly. This delicious volume contains twenty-one photographs, as well as facsimiles of the letters themselves and the puzzles and doodles Vladimir often sent to Véra.
Praise For Letters to Véra…
“A self-portrait of the young Vladimir unvarnished by Nabokovian irony. The earliest letters, intoxicated with language and desire, are intoxicating to read . . . A lifetime of scholarship informs this massive tome.” —Judith Thurman, The New Yorker
“Letters to Véra, a five-decade epistolary love story, is like being handed a celebrity's unlocked iPhone. Pry away . . . I still hope for Nabokovian romance.” —Keziah Weir, Elle
“A fascinating collection of correspondence . . . A wife—and indeed, a son—who could inspire such caring and creative letters as these deserve to be included in Nabokov’s literary legacy.” —Peter Tonguette, The Christian Science Monitor
“Letters to Véra opens the workshop door and shows us Vladimir not in his accredited hard-shell case of genius but as a soft, vulnerable practicing writer . . . Again and again, we see what Charles Kinbote, in Pale Fire, calls the magic of a mind ‘perceiving and transforming the world, taking it in and taking it apart, re-combining its elements.’” —David Lipsky, Harper’s Magazine
Knopf, 9780307593368, 864pp.
Publication Date: November 3, 2015
About the Author
OLGA VORONINA was deputy director of the Nabokov Museum in St. Petersburg and was the Nabokov Estate representative in Russia before receiving a PhD in Slavic languages and literatures from Harvard University. She is now assistant professor of Russian and director of the Russian and Eurasian Studies Program at Bard College.
BRIAN BOYD, University Distinguished Professor of English, University of Auckland, wrote an MA thesis that Vladimir Nabokov called “brilliant” and a PhD thesis that Véra Nabokov thought the best thing written about her husband to date. His biography of Nabokov won awards on four continents; his criticism has been translated into eighteen languages. He has edited Nabokov's English-language novels, autobiography, butterfly writings, and translations from Russian poetry.