The Beekeeper's Apprentice (Paperback)

By Laurie R. King

Picador USA, 9780312427368, 346pp.

Publication Date: October 2, 2007

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Description

An Agatha Award Best Novel Nominee

Named One of the Century's Best 100 Mysteries by the Independent

Mystery Booksellers Association

From "New York Times" bestselling author Laurie R. King comes the book that introduced us to the ingenious Mary Russell Sherlock Holmes mysteries, "The Beekeeper's Apprentice."

In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees when a young woman literally stumbles into him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes--and match him wit for wit. Under his reluctant tutelage, this very modern twentieth-century woman proves a deft protegee and a fitting partner for the Victorian detective. In their first case together, they must track down a kidnapped American senator's daughter and confront a truly cunning adversary--a bomber who has set trip wires for the sleuths and who will stop at nothing to end their partnership. Full of brilliant deductions, disguises, and dangers, this first book of the Mary Russell--Sherlock Holmes mysteries is "wonderfully original and entertaining . . . absorbing from beginning to end" ("Booklist").



About the Author

Laurie R. King is the Edgar Award winning author of the Kate Martinelli novels and the acclaimed Mary Russell-Sherlock Holmes mysteries, as well as a few stand-alone novels. "The Beekeeper's Apprentice," the first in her Mary Russell series, was nominated for an Agatha Award and was named one of the Century's Best 100 Mysteries by the Independent Mystery Booksellers Association. "A Monstrous Regiment of Women" won the Nero Wolfe Award. She has degrees in theology, and besides writing she has also managed a coffee store and raised children, vegetables and the occasional building. She lives in northern California."


Praise For The Beekeeper's Apprentice

"Wonderfully original and entertaining . . . absorbing from beginning to end."—Booklist
 
"King has stepped onto the sacred literary preserve of Sir Arthur Conan Doyle, poached Holmes, and brilliantly brought him to life again."—The Washington Post Book World

"Remarkably beguiling."—The Boston Globe

"A fascinating and often moving account of a friendship so unusual and so compelling that one almost accepts it as being historically real."—The Denver Post

"Enchanting . . . The Beekeeper's Apprentice is real Laurie R. King, not faux Conan Doyle, and for my money, it's better than the original."—San Jose Mercury News

"Rousing . . . Riveting . . . Suspenseful."—Chicago Sun-Times



Conversation Starters from ReadingGroupChoices.com

  1. In an Editor's Preface, King playfully discloses the "true" origin of the story at hand: that what follows will be the actual memoirs of Mary Russell, which were mysteriously sent to her out of the blue, along with a trunk full of odds and ends. Why does King begin with this anecdote, essentially including herself in the story? Does it bring the world of the novel closer to our own? Have you read any other books (Lolita, for example) which begin with a false-preface, and what effect does this device have on the rest of the novel? Were you fooled?
  2. It is 1915, the Great War is raging through Europe and the men of England are in the trenches. How does this particular period in history allow a character like Mary Russell to take the stage in areas of post-Victorian society usually reserved for men? In what significant ways does she seize these opportunities? Would she have thrived if born into a different, more oppressive social climate, say, one hundred years earlier? 
  3. How would you characterize Mary Russell based on her first opinion of bees? Does her disdain for their mindless busy-work and adherence to hive social structure reflect a particular attitude toward the social landscape of England at the time? Do you agree with Mary?
  4. Holmes uses the game of chess to sharpen Mary Russell's strategic thinking and intuition. How does chessand, in particular, the Queenserve as a metaphor throughout the story? In what ways does King herself use the game to comment upon the master-apprentice relationship?
  5. Russell and Holmes don disguises throughout The Beekeeper's Apprentice, and their work sometimes requires them to cross dress. Discuss each point in the novel where either Russell or Holmes takes cover in the opposite sex; what special access does this method of disguise give them to the other characters? Is gender reversal necessary in order to win the confidence of certain people? How does Mary Russell's world change when she dresses as a man?
  6. Watson is eternally known as the great detective's sidekick. Who, in your opinion, is a more effective foil for Holmes, Watson or Russell? What different aspects of Holmes's personality emerge in the presence of each? What would happen if Holmes were paired with a different partner, one more timid or less tenacious?
  7. At Oxford, Mary Russell concludes that theology and detective work are one and the same. In your opinion, how are the two subjects related?
  8. The art of deduction is constantly at play in The Beekeeper's Apprentice. Even when Mary notices that Watson has shaven off his mustache, she cares to look closer at the skin and imagine that it was done "very recently." Is Laurie King training the reader's perceptions to be more acute throughout the novel? Does every detail of our lives hold a mystery and a story?
  9. What are some crucial differences between the training Patricia Donleavy received from Moriarty and the training Mary Russell received from Holmes? What mental and emotional strengths do both women have in common, and what separates them? Holmes comments: "A quick mind is worthless unless you can control the emotions with it as well." How does this maxim apply?
  10. At what point in the novel did you suspect that Russell's adversary was a woman? When you read a mystery, what assumptions do you typically make about the gender of the villain? In what ways does King toy with the reader's assumptions about gender throughout the novel?
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