Say You're One of Them (Paperback)
Back Bay Books, 9780316086370, 384pp.
Publication Date: September 18, 2009
Other Editions of This Title:
Digital Audiobook (6/8/2008)
Digital Audiobook (6/8/2008)
Digital Audiobook (6/8/2008)
Digital Audiobook (6/8/2008)
Compact Disc (11/1/2009)
, Large Print, Large Print (7/1/2008)
MP3 CD (11/1/2009)
Pre-Recorded Audio Player (11/1/2009)
August 2008 Indie Next List
— Sarah Farnsworth, Briggs Carriage Bookstore, Brandon, VT
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A family living in a makeshift shanty in urban Kenya scurries to find gifts of any kind for the impending Christmas holiday. A Rwandan girl relates her family's struggles to maintain a facade of normalcy amid unspeakable acts. A young brother and sister cope with their uncle's attempt to sell them into slavery. Aboard a bus filled with refugees-a microcosm of today's Africa-a Muslim boy summons his faith to bear a treacherous ride across Nigeria. Through the eyes of childhood friends the emotional toll of religious conflict in Ethiopia becomes viscerally clear.
Uwem Akpan's debut signals the arrival of a breathtakingly talented writer who gives a matter-of-fact reality to the most extreme circumstances in stories that are nothing short of transcendent.
About the Author
Praise For Say You're One of Them…
"[A] startling debut collection... Akpan is not striving for surreal effects. He is summoning miseries that are real.... He fuses a knowledge of African poverty and strife with a conspicuously literary approach to storytelling filtering tales of horror through the wide eyes of the young."—Janet Maslin, New York Times
"Uwem Akpan's searing Say You're One of Them captures a ravaged
"Akpan wants you to see and feel
"Uwem Akpan, a Nigerian Jesuit priest, has said he was inspired to write by the 'humor and endurance of the poor,' and his debut story collection...about the gritty lives of African children--speaks to the fearsome, illuminating truth of that impulse."—Lisa Shea, Elle
"Nigerian-born Jesuit priest Akpan transports the reader into gritty scenes of chaos and fear in his rich debut collection... Akpan's prose is beautiful and his stories are insightful and revealing, made even more harrowing because all the horror-and there is much-is seen through the eyes of children."—Publishers Weekly
"Haunting prose.... A must-read."—Kirkus Reviews
"Uwem Akpan's stunning short story collection, Say You're One of Them, offers a richer, more nuanced view of Africa than the one we often see on the news....Akpan never lets us forget that the resilient youngsters caught up in these extraordinary circumstances are filled with their own hopes and dreams, even as he assuredly illuminates the harsh realities."—Patrik Henry Bass, Essence
"African writer and Jesuit priest Uwem Akpan depicts the plight of African children with the kind of restraint only possible when an author fully inhabits his characters-he manages to be empathetic without being condescending."—The Village Voice
"In the corrupt, war-ravaged
"From the bowels of the most impoverished, war-ravaged continent comes this strong, brave offering from Uwem Akpan, a Jesuit priest. What better lens to view this landscape than through the eyes of children--siblings about to be sold into slavery by their uncle, a Muslim boy trying to pass as a Christian on a bus traversing a religious war. No news report or documentary evokes the desperate straits of the African people so keenly. Like Isaac Babel's Red Calvary stories and Michael Herr's Dispatches, Say You're One of Them has invented a new language-both for horror and the relentless persistence of light in war-torn countries. I can't shake this book, and shouldn't."—Mary Karr, author of The Liars' Club
"Say You're One of Them is a beautiful, bitter, compelling read. The savagely strange juxtapositions in these stories are grounded by the loving relationships between brothers and sisters forced to survive in a world of dreamlike horror. Open the book at any page, as in divination, and a stunning sentence will leap out. Newspaper facts are molded by Akpan's sure touch into fictional works of great power."—Louise Erdrich, author of Love Medicine and The Plague of Doves
"Say You're One of
Them is one of those collections that drops the reader into the midst of
wonderfully rendered worlds, and compellingly so. I hope it
finds the wide readership it merits."
—Oscar Hijuelos, author of The Mambo Kings Play Songs of Love
"Say You're One of Them is astonishing, triumphantly unique. The stories flow with an eerie Chekhovian ease and understatement-the horrors are evoked with a matter-of-factness that is devastating, and the characters' memories and inner lives are always more real than the appalling events occurring around them. Uwem Akpan has moral greatness--you can never again put out of your mind what he has taken you firmly by the hand to get a close look at. The startling newness of his language gives us no choice but to listen."—Franz Wright, author of Walking to Martha's Vineyard, winner of the 2004 Pulitzer Prize for Poetry
"Uwem Akpan's stories are extraordinary not just for the sheer power of their narratives and the sympathy and affection he lavishes on his child protagonists, but also for their importance in communicating the chaotic, strife-ridden world of
"Uwem Akpan writes with a political fierceness and a humanity so full of compassion it might just change the world. His is a burning talent."—Chris Abani, author of GraceLand and The Virgin of Flames
"Say You're One of Them is not only good advice for surviving ethnic conflict; it's also, in Uwem Akpan's hands, an exercise in empathetic speculation--an exercise that, in this collection's case, seems nearly sacramental in the sobriety and miraculousness of its reach. Repeatedly these stories quietly enable us to imagine the unimaginable, and offer up to our view the unspeakable rendered with clarity and grace."—Jim Shepard, author of Like You'd Understand, Anyway, National Book Award Finalist, 2007, and winner of the Story Prize, 2008
"Say You're One of Them gives voice to
"Here is a truly unforgettable book. Say You're One of Them is an important, well-crafted, and ultimately devastating collection, and Akpan is a writer of rare gifts and deeply humane vision. I can't recommend these stories more highly."—Peter Orner, author of The Second Coming of Mavala Shikongo
"Akpan has the largeness of soul to make his vision of the terrible transcendent. Beside [his stories], other fiction seems to dry up and blow away like dust."—Craig Seligman, Bloomberg News
"All the promise and heartbreak of
"With this heart-stopping collection, which includes the New Yorker piece, "An Ex-Mas Feast," that marked Akpan as a breakout talent, the Nigerian-born Jesuit priest relentlessly personalizes the unstable social conditions of sub-Saharan
"All five of these stories are electrifying."—Maureen Corrigan, NPR's "Fresh Air"
"...a tour de force that takes readers into the lives glimpsed in passing on the
evening news...These are stories that could have been mired in sentimentality. But
the spare, straightforward language--there are few overtly expressed emotions,
few adjectives--keeps the narratives moving, unencumbered and the pages turning
to the end."—Associated Press
"Brilliant...an extraordinary portrait of modern Africa."—Deirdre Donahue, USA TODAY
"This fierce story collection from a Nigerian-born Jesuit priest brings home Africa's most haunting tragedies in tales that take you from the streets of
"Akpan combines the strengths of both fiction and journalism--the dramatic potential of the one and the urgency of the other--to create a work of immense power...He is a gifted storyteller capable of bringing to life myriad characters and points of view...the result is admirable, artistically as well as morally."—Adelle Waldman, Christian Science Monitor
"It is not merely the subject that makes Akpan's...writing so astonishing, translucent, and horrifying all at once; it is his talent with metaphor and imagery, his immersion into character and place....Uwem Akpan has given these children their voices, and for the compassion and art in his stories I am grateful and changed."—Susan Straight, Washington Post Book World (front page review)
"Say You're One of Them is a book that belongs on every shelf."—Sherryl Connelly, New York Daily News
"Searing...In the end, the most enduring image of these disturbing, beautiful and hopeful stories is that of slipping away. Children disappear into the anonymous blur of the big city or into the darkness of the all-encompassing bush. One can only hope that they survive to live another day and tell another tale."—June Sawyers, San Francisco Chronicle
"These stories are complex, full of respect for the characters facing depravity, free of sensationalizing or glib judgments. They are dispatches from a journey, Akpan makes clear, which has only begun. It is to their credit that grim as they are-you cannot but hope these tales have a sequel."—John Freeman, Cleveland Plain-Dealer
"An important literary debut.... The reader discovers that no hiding place is good enough with these stories battering at your mind and heart."—Alan Cheuse, Chicago Tribune
Conversation Starters from ReadingGroupChoices.com
- Each of the stories in Say You’re One of Them is told from the perspective of a child. Do you think this affected your reaction? If the narrators had been adults, might you have felt differently about the stories? Why do you think Akpan chose to depict these events through children’s eyes? How do Akpan’s young characters maintain innocence in the face of corruption and pain?
- In "An Ex-mas Feast," Maisha leaves her family to become a full-time prostitute. Do you think she chose to depart, or did her family’s poverty force her to flee? Is it possible to have complete freedom of will in such a situation? Is it reasonable to judge a person for her actions if her choice is not entirely her own?
- In "Fattening for Gabon" the children’s uncle and caretaker, Fofo Kpee, sells them into slavery. How does Fofo’s poverty and vanity contribute to his unthinkable actions? Do his pangs of conscience redeem him for you? Why or why not?
- In "What Language is That," Hadiya and Selam are kept apart by their parents after the escalation of religious conflict. Have you ever experienced a situation in which friends and family have objected to someone in your life for reasons you didn’t understand? What did you do? How did you feel?
- The bus in "Luxurious Hearses" is a microcosm not only of African hierarchies and religions but also of the continent’s numerous languages and dialects. Discuss how speech is related to class, culture, religion, and heritage. How does dialogue function in the other stories? Do we hold similar attitudes about language in our own culture? What are some examples?
- This book takes its title from instructions given to a Rwandan girl by her mother in "My Parents’ Bedroom." Did the familiar domestic detail in this story—Maman’s perfume, little Jean’s flannel pajamas, toys like Mickey Mouse in the children’s room—intensify for you the horror of what ensued? Is there comparable detail in any of the other stories that helped you to identify with Uwem Akpan’s characters?
- Although the stories in Say You’re One of Them are fictitious, the situations they depict have a basis in reality. How do the emotions you feel when reading these stories compare to your emotions when reading accounts in the news media of similar atrocities? Has reading Say You’re One of Them changed the way you think about these issues?
- Uwem Akpan addressed his other vocation in an interview, saying, "A key Vatican II document makes it very clear that the joys and anguish of the world are the joys and anguish of the Church." While reading these stories, were you ever reminded that this writer is also a Jesuit priest? Does Akpan’s subject matter seem to you to be imbued with religious values? In what ways? Do the drama and power of the Akpan’s fiction call forth any biblical stories for you? If so, which ones?
- Some of the children in Say You’re One of Them are not poor. What are the particular obstacles these children face that are not issues in your own country? Are there challenges other than poverty with which you can identify? Do the family dynamics feel familiar to you?
- The poet and memoirist Mary Karr wrote that Uwem Akpan "has invented a new language—both for horror and for the relentless persistence of light in war-torn countries." Did you find any beauty or goodness in these tragic tales? If so, offer some examples.