But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: they can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets. From award-winning author Naomi Alderman, The Power is speculative fiction at its most ambitious and provocative, at once taking us on a thrilling journey to an alternate reality, and exposing our own world in bold and surprising ways.
Praise For The Power…
a classic, in the way that it's hard to imagine it ever wasn't there."
"Alderman has written our era's Handmaid's Tale, and, like Margaret Atwood's classic, The Power is one of those essential feminist works that terrifies and illuminates, enrages and encourages....This book sparks with such electric satire that you should read it wearing insulated gloves."—Ron Charles, Washington Post
and gorgeously rendered."
"Alderman's writing is beautiful, and her intelligence seems almost limitless. She also has a pitch-dark sense of humor that she wields perfectly."—Michael Schaub, NPR
is immersive and, well, electric, and I felt a closed circuit humming between
the book and me as I read."
"An instant classic of speculative fiction... Smart, readable and joyously achieved."
—Justine Jordan, Guardian
"Bold and disturbing...it's not just a book of the moment. The Power is a major innovation in the overlapping genres of feminist dystopia/utopia, science fiction, and speculative fiction."—Elaine Showalter, New York Review of Books
of speculative fiction (see also: Margaret Atwood and Ben Marcus) about
empowered youth will be struck by Alderman's speedy and thorough inhabitation
of a world just different enough from ours to jolt the imagination. Mothers,
lock up your boys."
eschew go-girl uplift in favor of terrifying and complex dystopia."
"A suspenseful thrill ride filled with deep, contrasting female leads on a scaffolding of philosophical questions about how different men and women are at heart....Reminiscent of the work of Alderman's mentor Margaret Atwood, The Power is perfect for book clubs, where readers will undoubtedly debate the finer points of nature versus nurture."—Jaclyn Fulwood, Shelf Awareness
"The Power is stupendous. It's gorgeously written, endlessly exciting, fun, and frightening."
—Ayelet Waldman, author of A Really Good Day
"The Hunger Games crossed with The Handmaid's Tale."
"What starts out as a fantasy of female empowerment deepens and darkens into an interrogation of power itself, its uses and abuses and what it does to the people who have it... Alderman's breakout work."
—Claire Armitstead, Guardian
"Outstanding... Alderman imagines a world much like ours, with one difference: teenage girls suddenly have the ability to electrocute people. This is the perfect read if you've been itching for something to get you through to season two of The Handmaid's Tale."—Melissa Ragsdale, Bustle
"The Power is at once as streamlined as a 90-minute action film and as weirdly resonant as one of Atwood's own early fictions... Alderman has conducted a brilliant thought experiment in the nature of power itself...Turning the world inside out, she reveals how one of the greatest hallmarks of power is the chance to create a mythology around how that power was used."—John Freeman, Boston Globe
lingering tingle that's part discomfort and part exhilaration. Easy to read,
hard to put down, difficult to forget."
"The Power is a subtly funny, lyrical and utterly subversive vision of an impossible future. As all the best visionaries do, Alderman shines a penetrating and yet merciful light on to our present and the so many cruelties in which we may be complicit."—A.L. Kennedy
"Please, please, PLEASE read Naomi Alderman's The Power. It'll crack your brain open in all the right ways. Such an important, timely book."
—Literary Death Match
results of a movement that seeks rather than interrogates power: That if
feminism has become a means for domination, it has lost its way."
"Ingenious....Deserves to be read by every woman (and, for that matter, every man)."
—Francesca Steele, The Times UK
"A page-turning thriller and timely exploration of gender roles, censorship and repressive political regimes, The Power is a must-read for today's times."—Lauren Bufferd, BookPage
"Gripping and disturbing, it pushes the reader -- even the confidently feminist reader -- to question the assumptions underlying many of the mechanisms that drive relationships between women and men."
—Harper's Bazaar UK
"Alderman's storytelling is visceral and brave; you'll stay up all night reading after a thousand deals with the clock that you'll put it down after just a few more pages. Gleeful, intelligent, clever, and unflinching, The Power is the kind of book to keep a person going."—Fiona Zublin, Ozy
"By gleefully replacing the protocols of one gender with another, Alderman has created a thrilling narrative stuffed with provocative scenarios and thought experiments. The Power is a blast."
—Suzi Feay, Financial Times UK
"When we say that The Power is profoundly disturbing and you may well want to argue with it as you read, we mean that in a good way."
—SFX, Five Stars
Little, Brown and Company, 9780316547611, 400pp.
Publication Date: October 10, 2017
About the Author
Alderman was selected for Granta's once-a-decade list of Best of Young British Novelists and was chosen by Margaret Atwood as part of the Rolex Mentor and Protégé Arts Initiative. She is the cocreator and lead writer of the bestselling smartphone audio adventure app Zombies, Run! She contributes regularly to The Guardian and presents Science Stories on BBC Radio 4. She lives in London.
Conversation Starters from ReadingGroupChoices.com
1. Why do you think the author bookends the novel with the correspondence between Neil and Naomi? What is the tone of their exchange? Did it color your impression of the rest of the story?
2. What is the role of the epigraph that begins “The people came to Samuel” at the beginning of the book (7) and the passages from the “Book of Eve” that appear throughout? What did you think was the significance of the artwork that appears between some chapters?
3. Why do you think the author chose to depict the central events of the book through three female characters and one male? And why through four characters of different age groups, from adolescent to young adult to adult? Was there a perspective you would have liked to see depicted as a main character? What might that person’s experience of the world of the Power have been like?
4. The part titles in the book seem to indicate a countdown. Before the end of the book, did you have an idea of what it was counting down to? When do you think the main storyline takes place in relation to our present day? When in relation to Neil and Naomi’s time?
5. What would you do with the Power if you had it? Do you think you would feel and behave differently than you do now? Would you adapt quickly or have some difficulty?
6. What do you think is the nature of the voice that speaks to Allie? Did you believe it was of divine or supernatural origin? Does she believe it?
7. Both Allie and Margot are told, at different points in the book, “You can’t get there from here” (133, 330, 364). What do you think this means in context? Do you agree with this assessment?
8.What are some of the ways boys and men react as girls and women begin to manifest the Power? Do you think their choices are understandable under the circumstances? Is there a scenario that wasn’t explored in the book but that you think would also be plausible in this altered world?
9. In one scene, Tunde wonders, “When did he get so jumpy? And he knows when. It wasn’t this last thing that made it happen. This fear has been building up in him… It has been a long time since he’s felt comfort in a night walk” (337). What do you think accounts for his dread? Is it specific to him or somehow symptomatic of the world as it has evolved in the book?
10. Neil writes, “Gender is a shell game. What is a man? Whatever a woman isn’t. What is a woman? Whatever a man is not. Tap on it and it’s hollow. Look under the shells: it’s not there” (381) Do you agree with this idea? If so, why? If not, how would you rebut Neil’s argument?
11. “When does power exist? Only in the moment it is exercised. To the woman with a skein, everything looks like a fight.” Do you this this is true? What is the problem with the idea? Are there other forms of power?