The Paris Wife
Other Editions of This Title:
Digital Audiobook (2/21/2011)
Hardcover, Large Print, Large Print (4/1/2011)
Hardcover, Chinese (2/1/2013)
Compact Disc (2/22/2011)
March 2011 Indie Next List
— Jeanne Regentin, Between the Covers, Harbor Springs, MI
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“A beautiful portrait of being in Paris in the glittering 1920s—as a wife and as one’s own woman.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott Fitzgerald.
Though deeply in love, the Hemingways are ill prepared for the hard-drinking, fast-living, and free-loving life of Jazz Age Paris. As Ernest struggles to find the voice that will earn him a place in history and pours himself into the novel that will become The Sun Also Rises, Hadley strives to hold on to her sense of self as her roles as wife, friend, and muse become more challenging. Eventually they find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for.
A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.
Praise For The Paris Wife: A Novel…
“By making the ordinary come to life, McLain has written a beautiful portrait of being in Paris in the glittering 1920s — as a wife and one's own woman.... McLain's vivid, clear-voiced novel is a conjecture, an act of imaginary autobiography on the part of the author. Yet her biographical and geographical research is so deep, and her empathy for the real Hadley Richardson so forthright (without being intrusively femme partisan), that the account reads as very real indeed.” —Entertainment Weekly
“Written much in the style of Nancy Horan's Loving Frank ... Paula McLain's fictional account of Hemingway's first marriage beautifully captures the sense of despair and faint hope that pervaded the era and their marriage.” —Associated Press
“Lyrical and exhilarating . . . McLain offers a raw and fresh look at the prolific Hemingway. In this mesmerizing and helluva-good-time novel, McLain inhabits Richardson’s voice and guides us from Chicago—Richardson and Hemingway’s initial stomping ground—to the place where their life together really begins: Paris.” —Elle
“McLain’s vivid account of the couple’s love affair and expat adventures will leave you feeling sad yet dazzled.” —Parade
“Told in the voice of Ernest Hemingway’s first wife, The Paris Wife, by Paula McLain, is a richly imagined portrait of bohemian 1920s Paris, and of America literature’s original bad boy.” —Town & Country
“Novelist and memoirist Paula McLain traces the life of Hadley Hemingway, first wife of Ernest Hemingway, in this evocative novel set largely in Paris in the Jazz Age.” —Christian Science Monitor
“McLain's novel not only gives Hadley a voice, but one that seems authentic and admirable.... A certain amount of bravery is required in writing a novel that channels a giant of American literature. Yet McLain pulls it off convincingly, conveying Hemingway's interior life and his profound struggles. She makes a compelling case that Hadley was a crucial (and long-lasting) influence on Hemingway's writing life: a partner as well as a cheerleader. She also revisits, with remarkable detail, a singular era in history, one that would produce some of the greatest literary works of the 20th century.” —Newsday
“Engrossing and heartbreaking.... McLain is masterful at mining Hadley's confusion and pain, her crushing realization that she cannot fight for a love that has already disappeared.” —Cleveland Plain Dealer
“A well-crafted novel ... Paula McLain is a master at creating narratives that are so lively, they seem to leap from the printed page.” —Tucson Citizen
“One of the most important books of this year. McLain is a novelist to watch.” —Naples Daily News
"The Paris Wife is mesmerizing. Hadley Hemingway’s voice, lean and lyrical, kept me in my seat, unable to take my eyes and ears away from these young lovers. Paula McLain is a first-rate writer who creates a world you don’t want to leave. I loved this book." —Nancy Horan, New York Times bestselling author of Loving Frank
"After nearly a century, there is a reason that the Lost Generation and Paris in the 1920’s still fascinate. It was a unique intersection of time and place, people and inspiration, romance and intrigue, betrayal and tragedy. The Paris Wife brings that era to life through the eyes of Hadley Richardson Hemingway, who steps out of the shadows as the first wife of Ernest, and into the reader’s mind, as beautiful and as luminous as those extraordinary days in Paris after the Great War." —Mary Chapin Carpenter, singer and songwriter
“Despite all that has been written about Hemingway by others and by the man himself, the magic of The Paris Wife is that this Hemingway and this Paris, as imagined by Paula McLain, ring so true I felt as if I was eavesdropping on something new. As seen by the sure and steady eye of his first wife, Hadley, here is the spectacle of the man becoming the legend set against the bright jazzed heat of Paris in the 20s. As much about life and how we try and catch it as it is about love even as it vanishes, this is an utterly absorbing novel.” —Sarah Blake, New York Times bestselling author of The Postmistress
"McLain offers a vivid addition to the complex-woman-behind-the-legendary-man genre, bringing Ernest Hemingway and his first wife, Hadley Richardson, to life.... The heart of the story--Ernest and Hadley's relationship--gets an honest reckoning, most notably the waves of elation and despair that pull them apart." —Publishers Weekly
Ballantine Books, 9780345521309, 336pp.
Publication Date: February 22, 2011
About the Author
Conversation Starters from ReadingGroupChoices.com
- In many ways, Hadley's girlhood in St. Louis was a difficult and repressive experience. How do her early years prepare her to meet and fall in love with Ernest? What does life with Ernest offer her that she hasn't encountered before? What are the risks?
- Hadley and Ernest don't get a lot of encouragement from their friends and family when they decided to marry. What seems to draw the two together? What are some of the strengths of their initial attraction and partnership? The challenges?
- The Ernest Hemingway we meet in The Paris Wife—through Hadley's eyes—is in many ways different from the ways we imagine him when faced with the largeness of his later persona. What do you see as his character strengths? Can you see what Hadley saw in him?
- The Hemingways spontaneously opt for Paris over Rome when the get key advice from Sherwood Anderson. What was life like for them when they first arrived? How did Hadley's initial feelings about Paris differ from Ernest's and why?
- Throughout The Paris Wife, Hadley refers to herself as "Victorian" as opposed to "modern." What are some of the ways she doesn't feel like she fits into life in bohemian Paris? How does this impact her relationship with Ernest? Her self-esteem? What are some of the ways Hadley's "old-fashioned" quality can be seen as a strength and not a weakness?
- Hadley and Ernest's marriage survived for many years in Jazz-Age Paris, an environment that had very little patience for monogamy and other traditional values. What in their relationship seems to sustain them? How does their marriage differ from those around them? Pound's and Shakespeare's? Scott and Zelda's?
- Most of The Paris Wife is written in Hadley's voice, but a few select passages come to us from Ernest's point of view. What impact does getting Ernest's perspective have on our understanding of their marriage? How does it affect your ability to understand him and his motivations in general?
- What was the role of literary spouses in 1920's Paris? How is Hadley challenged and restricted by her gender? Would those restrictions have changed if she had been an artist and not merely a "wife"?
- At one point, Ezra Pound warns Hadley that it would be a dire mistake to let parenthood change Ernest. Is there a nugget of truth behind his concern? What are some of the ways Ernest is changed by Bumby's birth? What about Hadley? What does motherhood bring to her life, for better or worse?
- One of the most wrenching scenes in the book is when Hadley loses a valise containing all of Ernest's work to date. What kind of turning point does this mark for the Hemingway's marriage? Do you think Ernest ever forgives her?
- When the couple moves to Toronto to have Bumby, Ernest tries his best to stick it out with a regular "nine-to-five" reporter's job, and yet he ultimately finds this impossible. Why is life in Toronto so difficult for Ernest? Why does Hadley agree to go back to Paris earlier than they planned, even though she doesn't know how they'll make it financially? How does she benefit from supporting his decision to make a go at writing only fiction?
- Hadley and Ernest had similar upbringings in many ways. What are the parallels, and how do these affect the choices Hadley makes as a wife and mother?
- In The Paris Wife , when Ernest receives his contract for In Our Time, Hadley says, "He would never again be unknown. We would never again be this happy." How did fame affect Ernest and his relationship with Hadley?
- The Sun Also Rises is drawn from the Hemingways' real-life experiences with bullfighting in Spain. Ernest and his friends are clearly present in the book, but Hadley is not. Why? In what ways do you think Hadley is instrumental to the book regardless, and to Ernest's career in general?
- How does the time and place—Paris in the 20's—affect Ernest and Hadley's marriage? What impact does the war, for instance, have on the choices and behavior of the expatriate artists surrounding the Hemingways? Do you see Ernest changing in response to the world around him? How, and how does Hadley feel about those changes?
- What was the nature of the relationship between Hadley and Pauline Pfeiffer? Were they legitimately friends? How do you see Pauline taking advantage of her intimate position in the Hemingway's life? Do you think Hadley is naïve for not suspecting Pauline of having designs on Ernest earlier? Why or why not?
- It seems as if Ernest tries to make his marriage work even after Pauline arrives on the scene. What would Hadley it have cost Hadley to stick it out with Ernest no matter what? Is there a way she could have fought harder for her marriage?
- In many ways, Hadley is a very different person at the end of the novel than the girl who encounters Ernest by chance at a party. How do you understand her trajectory and transformation? Are there any ways she essentially doesn't change?
- When Hemingway's biographer Carlos Baker interviewed Hadley Richardson near the end of her life, he expected her to be bitter, and yet she persisted in describing Ernest as a "prince." How can she have continued to love and admire him after the way he hurt her?
- Ernest Hemingway spent the last months of his life tenderly reliving his first marriage in the pages his memoir, A Moveable Feast. In fact, it was the last thing he wrote before his death. Do you think he realized what he'd truly lost with Hadley?