Selected Poems (Paperback)
Farrar, Straus and Giroux, 9780374258597, 128pp.
Publication Date: March 31, 2009
Thom Gunn was an Elizabethan poet in modern guise, though there's nothing archaic, quaint, or sepia-toned about his poetry. His method was dispassionate and rigorous, uniquely well suited for making a poetic record of the tumultuous time in which he lived. Gunn's dozens of brilliantly realized poems about nature, friendship, literature, sexual love, and death are set against the ever-changing backdrop of San Francisco—the druggy, politically charged sixties and the plague years of AIDS in the eighties. Perhaps no contemporary poet was better equipped—by temperament, circumstance, or poetic gift—to engage the subjects of eros and thanatos than Thom Gunn. This new Selected Poems, edited and with an introduction by the poet August Kleinzahler, supplants the 1979 Selected, presenting more of the later work and providing a fuller retrospective account of the breadth and magnitude of Gunn's extraordinary achievement.
About the Author
August Kleinzahler published his first book of poetry, A Calendar of Airs, in 1978. In 2003, Farrar, Straus and Giroux published The Strange Hours Travelers Keep, which won the 2004 Griffin International Poetry Prize. His collection of poetry, Sleeping It Off in Rapid City, won the 2008 National Book Critics Circle Award. He is also the author of the prose books Cutty, One Rock: Low Characters and Strange Places, Gently Explained (FSG, 2004) and Music: I-LXXIV (Pressed Wafer, 2009), and the winner of the 2008 Lannan Literary Award for Poetry and the 2017 American Academy of Arts and Letters Literature Award. A native of Fort Lee, New Jersey, Kleinzahler currently lives in San Francisco.
Praise For Selected Poems…
“Raw anarchistic energy and powerful intellectual control . . . [Gunn's] existential rebelliousness was tempered by a sense of our common humanity.” —Edward Hirsch, The Washington Post Book World
“Almost all of Gunn's virtues are on display [in Boss Cupid ]: his playful metrical dexterity, his unflinching celebration both of beauty and of its transience.” —Paul Gray, Time
“Gunn allows his patterns of meter, rhyme and stanzaic form to emerge organically from the material . . . One can almost follow this happening on the page, observation finding its proper rhythm, emotion its spiritual level, the poet discovering new moods, new modes of reflection.” —William Deresiewicz, The New York Times Book Review
“The tone of sadness Gunn strikes so repeatedly and so well is always mixed with something else, and it's the combination that makes the poetry human and distinct. I feel, reading Thom Gunn, that I am in touch with the complete person--a man lustful but not childish, loving but not deluded, sad but not overcome.” —Reed Woodhouse, The Boston Book Review