They May Not Mean To, But They Do (Hardcover)
Sarah Crichton Books, 9780374280130, 304pp.
Publication Date: June 7, 2016
From one of America's greatest comic novelists, a hilarious new novel about aging, family, loneliness, and love
The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don t just grow, they grow old, and the clan's matriarch, Joy, is not slipping into old age with the quiet grace her children, Molly and Daniel, would have wished. When Joy's beloved husband dies, Molly and Daniel have no shortage of solutions for their mother's loneliness and despair, but there is one challenge they did not count on: the reappearance of an ardent suitor from Joy's college days. And they didn t count on Joy herself, a mother suddenly as willful and rebellious as their own kids.
The New York Times bestselling author Cathleen Schine has been called full of invention, wit, and wisdom that can bear comparison to Jane] Austen's own (The New York Review of Books), and she is at her best in this intensely human, profound, and honest novel about the intrusion of old age into the relationships of one loving but complicated family. They May Not Mean To, But They Do is a radiantly compassionate look at three generations, all coming of age together.
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Conversation Starters from ReadingGroupChoices.com
- How do the aging parents described in the novel compare to your relatives? Who will your long- term caregivers be when you’re not able to care for yourself?
- Aaron is “sentimental and unreliable and brimming with love and obvious charm,” while Joy is “distracted, forgetful, thoughtful, brimming with love, too.” How were Molly and Daniel affected by having lovebirds for parents? In their own marriages, and as parents themselves, are Molly and Daniel very different from their parents?
- As Aaron and Duncan lose their grip on reality, which one fares better?
- What is the ultimate role of Walter, Wanda, and Elvira? How does Joy navigate the fact that they are paid workers, yet they are performing deeply personal work for a family that has become attached to them?
- Cathleen Schine is a master of tragicomedy. Which scenes made you laugh out loud, inappropriately?
- Where should Freddie and Coco fit into the decision-making for their in-laws? What are the advantages and disadvantages of being on the fringes of a family in crisis?
- Is “selling Upstate” the best solution to Joy’s financial conundrum? Should children help pay for their parents’ retirement?
- How does Joy’s life as a museum conservator reflect her perception of the past?
- Chapter 41 is just two sentences long: “Daniel asked his mother if she was depressed. She said, ‘Naturally.’ ” What do these seemingly simple sentences say about the nature of grief?
- How do you predict Ben, Cora, and Ruby will treat their aging parents?
- Would you have said yes to Karl’s proposition, even if it meant giving up a rent-controlled apartment?
- In the closing scene, as Joy helps Ben with a legal situation, why does she finally feel at home? What does she want her purpose in life to be?
- In the last paragraph of chapter 20, Joy turns the Philip Larkin lines cited in the epigraph on their head; in her version, “they” refers to the children, not the parents. What do her children mean to do, and why do they create such havoc for her?
- In each of her novels, which portraits of companionship and solitude does Cathleen Schine create? How do her characters tolerate loneliness, and each other?