The Nobodies Album (Hardcover)

By Carolyn Parkhurst

Doubleday, 9780385527699, 320pp.

Publication Date: June 15, 2010

Other Editions of This Title:
Digital Audiobook (6/14/2010)
Paperback (6/14/2011)
Compact Disc (6/15/2010)

List Price: 25.95*
* Individual store prices may vary.

July 2010 Indie Next List

“Octavia Frost is a woman trying to rewrite her past by rewriting the last chapters of her very autobiographical works of fiction. When her estranged son Milo is accused of murder and she goes to be with him, Octavia finds that the wounds of the past can be revisited, and perhaps even be healed, but they cannot be made to never have existed at all. If you've never read Carolyn Parkhurst this is an excellent place to start.”
— Jessie Martin, Nicola's Books, Ann Arbor, MI
View the List


From the bestselling author of The Dogs of Babel comes a dazzling literary mystery about the lengths to which some people will go to rewrite their past.

Bestselling novelist Octavia Frost has just completed her latest book—a revolutionary novel in which she has rewritten the last chapters of all her previous books, removing clues about her personal life concealed within, especially a horrific tragedy that befell her family years ago.

On her way to deliver the manuscript to her editor, Octavia reads a news crawl in Times Square and learns that her rock-star son, Milo, has been arrested for murder. Though she and Milo haven’t spoken in years—an estrangement stemming from that tragic day—she drops everything to go to him.

The “last chapters” of Octavia’s novel are layered throughout The Nobodies  Album—the scattered puzzle pieces to her and Milo’s dark and troubled past. Did she drive her son to murder? Did Milo murder anyone at all? And what exactly happened all those years ago? As the novel builds to a stunning reveal, Octavia must consider how this story will come to a close.

Universally praised for her candid explorations of the human psyche, Parkhurst delivers an emotionally gripping and resonant mystery about a mother and her son, and about the possibility that one can never truly know another person.

About the Author

CAROLYN PARKHURST is the author of the bestselling novels "The Dogs of Babel" and "Lost and Found." She lives in Washington, D.C., with her husband and their two children.

Praise For The Nobodies Album


"Parkhurst's chief gift as a novelist is her ability to seize the innermost thoughts of her characters, then convey them with meticulous craft." —Seattle Times


"As she did in The Dogs of Babel, with its human protagonist trying to coax forth information from his dog, Ms. Parkhurst once again proves that she writes with crisp precision but can also make heads spin."
--The New York Times

"In The Nobodies Album, with a light but sure hand, Carolyn Parkhurst joins together four disparate literary forms: the family drama, the short story, the philosophical essay on language and, yes, the whodunit. Her weave is smooth, a vigorous hybrid of the old-fashioned, the modern and the postmodern. She reminds is what an act of will and imagination it has always taken for a writer to convert nobodies into somebodies in any genre, whether at the desk or in the world."
--The New York Times Book Review

"The Nobodies Album is brisk and engaging…[it] succeeds in probing nuanced issues of guilt and innocence through an intricate collage of memories and musings…”
--The Washington Post
“The best-selling author of The Dogs of Babel returns with a fascinating, can’t-put-it-down murder mystery.”
--Redbook Magazine

"[A] pinhole glimpse into the mind of a fascinating woman for whom life and fiction are stitched tightly together."
--Entertainment Weekly

“As novelist Octavia Frost seeks to gain her son’s forgiveness and the investigation into the murder of his girlfriend reveals surprising information, the narrative cuts away to excerpts of Octavia’s new book, adding layers of emotional complexity to the story of their family life.  In a stunning blend of craft and ingenuity, Carolyn Parkhurst (author of The Dogs of Babel) makes the excerpts far more than a mere metafictional exercise, for they prove to be as riveting and as dramatic as the main story line.”
Booklist, starred review
“Carolyn Parkhurst’s voice sucks the reader in immediately—the gift of a real storyteller.”
Publishers Weekly

Conversation Starters from

Milo invented the concept of a “nobodies album” of nonexistent songs when he was four.  What does this phrase eventually mean for his mother? How do they both use creativity to address their pain? What recurring threads are woven throughout Milo’s lyrics and Octavia’s fiction?

As Octavia rewrites the endings of her novels, how does she rewrite her own memories as well? How does the narrative of losing Mitch and Rosemary get revised along the way?

How did your opinion of Bettina and Chloe shift throughout the novel? How would you have reacted to Milo’s revelation if you had been in Bettina’s shoes? If you had been Chloe, how would you have handled the news of Milo’s upcoming marriage?

When Bettina’s mother, Kathy, accused Milo of domestic violence, were you willing to give Milo the benefit of the doubt? In your opinion, what did the note reading “someone is lying” really mean?

What makes Roland so attractive to Octavia? How does he compare to the other men she has known? Was he a good father figure for Milo?

My Only Sunshine is the first novel excerpted in The Nobodies Album. How does Octavia’s fiction compare to Carolyn Parkhurst’s? In what ways does the perspective of an infant girl enrich the tragic storyline of My Only Sunshine? What portraits of mothers, fathers, and their children does Parkhurst provide in varying scenes?

Octavia’s other novels include Carpathia, in which a distraught survivor confronts his memories of The Titanic; Sanguine, whose protagonist is wrongly accused of witchcraft; Rule of the Chalice, featuring a member of a crime-scene cleanup team whose child was a victim of brutal crime; and Crybaby Bridge, Octavia’s first published novel, written soon after the death of Mitch and Rosemary. Which of Octavia’s novels would you most want to read? Was the jacket copy enticing, capturing the true heart of the novels? How do these storylines reflect facets of Octavia’s own experience?

Octavia’s friend Sara Ferdinand has an unusual response when she first hears the news about Mitch and Rosemary.  Do you think there’s any truth to what she says? Why do you think that it’s only after this tragedy that Octavia is able to make a go of her writing career?

Two of Octavia’s novels are presented in a format that is different from the others. Why do you suppose she wasn’t ready to write a new ending for Tropospheric Scatter, set in Alaska and tracing the experience of an adopted child who was rescued from severe neglect? What was the effect of reading portions of the unpublished novel Hamelin alongside Octavia’s personal notes?

Tabloid journalism and online rumor mills represent another form of storytelling that drives The Nobodies Album. What does Octavia’s experience with the fake online interview indicate about the changing nature of storytelling in the twenty-first century and the blurred line between fact and fiction? What is the significance of the book deal Octavia receives, contingent on her producing a memoir?

How did you respond to the revelations regarding how Mitch and Rosemary died? Where should the blame lie? Why did the experience drive Milo and Octavia farther apart, leading eventually to four years of silence, rather than causing them to appreciate that they still had each other?

Discuss the book’s unique structure. What was it like to read a novel about a novelist—a book within a book? Did you look forward to getting to the next chapter excerpt, or did it feel like an interruption from the main story?  Did the structure make you think about the nature of storytelling, and way we recast our own stories as we work them into the overall narrative of our lives?

What do you predict for Lia’s future? How will she remember her mother, and her grandmother?

Parkhurst’s previous novels, Lost and Found (set on a reality show) and The Dogs of Babel (in which a grieving husband hopes that his dog can reveal the truth about how his wife died), blend mystery with careful scrutiny of her characters and their relationships. How are Parkhurst’s previous themes amplified in The Nobodies Album?

Octavia is a mercurial character.  She’s both egotistical and also her own harshest critic.  Did you find her to be a sympathetic protagonist?  Did you like her more or less as the book went on?

Put yourself in Octavia Frost’s shoes for a moment:  if you could re-write the ending to The Nobodies Album, what would it be?