The Man From Saigon (Hardcover)

By Marti Leimbach

Nan A. Talese, 9780385529860, 352pp.

Publication Date: February 23, 2010



An enthralling and beautiful new novel about love and allegiance during the Vietnam War, from the author of Daniel Isn't Talking and Dying Young

 It's 1967, and Susan Gifford is one of the first female correspondents on assignment in Saigon, dedicated to her job and passionately in love with an American TV reporter. Son is a Vietnamese photographer anxious to get his work into the American press. Together they cover every aspect of the war from combat missions to the workings of field hospitals. Then one November morning, narrowly escaping death during an ambush, Susan and Son find themselves the prisoners of three Vietcong soldiers who have been separated from their unit.

Now, under constant threat from American air strikes, helpless in the hands of the enemy, they face the daily hardships of the jungle together. As time passes, the bond between Susan and Son deepens, and it becomes increasingly difficult for Son to harbor the secret that could have profound consequences for them both.

About the Author

MARTI LEIMBACH is the author of several novels, including the international bestseller "Dying Young," which was made into a major motion picture starring Julia Roberts, and, most recently, "Daniel Isn't Talking." Born in Washington, D.C., she currently lives in England and teaches in Oxford University's creative writing program.

Praise For The Man From Saigon

"There is something familiar, almost reassuringly so, about the elements of this fast-paced, vividly descriptive novel. . . The ingredients that decades ago proved so seductively vertiginous and surreally dislocating in [Apocalypse Now] flavor [The Man From Saigon]. . . An atmosphere of deception and self-deception permeates this book. . . Leimbach’s emphasis on a female reporter in a war that was so often covered by men is refreshing."
The New York Times Book Review

"Leimbach vividly recreates the chemical strafing of the countryside, the misery of the refugee camps and the suffocating humidity of the jungle. This impressive novel finds a new way of illuminating the horrors of an old war."
People, 3.5 of 4 stars

"Vivid and powerful. . . Leimbach masterfully conjures the hothouse atmosphere of foreign correspondents in Saigon in the late 1960s, and in Susan she has created a heroine who is a worthy counterpart to the real life reporters who covered the war. Whether describing a convoy taking fire, a farcical press briefing, a quiet moment between Susan and Marc, or the ironic aftermath of Susan's ordeal, Leimbach expertly captures the contradictions of the war, making this a solid addition to the literature of an endlessly reconsidered conflict."
Publishers Weekly, starred review

"You might question the ambition of a contemporary novelist electing to set a story in the Vietnam War era, but after you find (as I did) that you simply cannot put down The Man from Saigon, you question no more.  Leimbach’s mastery of place, of the scents, sounds, terrors and sorrows  of  that time reminded me as  perhaps only a great novel can that that we are never done with a war even when it is long over, and that only wars and love endure."  
—Dr. Abraham Verghese, author of Cutting for Stone

The Man from Saigon is stunning — so visual, so sensual and sharply realized. Almost nothing else could interest me in another book about that war, but by writing about a woman reporter in Vietnam, Leimbach makes its dark history brilliantly new.”
—Karen Connelly, author of The Lizard Cage

“From Tim O'Brien and Denis Johnson to Bao Ninh, the war in Vietnam gave rise to long shelf of fine fiction. In this novel, set in Saigon and the jungle battlefields of 1967, Marti Leimbach nods to forerunners but still finds a path of her own through the maze of lies and fear. Susan, her British-raised front-line reporter, is taken prisoner by Vietcong along with her enigmatic photographer, Son. Scenes from the frenzied ‘theatre of extremes’ she has left in the city, and of a tightly-strung affair with married colleague Marc, alternate with scarily sensuous evocations of her torrid captivity. Emotionally rich, viscerally intense, the novel revisits a familiar terrain but finds ways to see it anew.”
—The Independent

“Leimbach does an impressive job of evoking the frenetic chaos of Saigon and the claustrophobia and suffocating humidity of the dense jungle, while her story has a vivid immediacy as it flashes backwards and forwards in a deliberately disorienting fashion. The result is intense and gripping.”
Daily Mail

 Praise for Marti Leimbach's Daniel Isn't Talking

 "A tearful, joyful novel." —Time

 "Gripping. . . Leimbach has a gift for emotionally searing fiction leavened with humor." —People

 "Timely and uplifting." —The New York Times Book Review

 "Hard to put down. . . Leimbach's strength is in creating characters who are human and fallible and become imbedded in your heart." —USA Today

 “Amazing. . . [A book about] tangled relationships, compassionate moments, fear and joy. . . and along the way there are moments of grace. . . Gives us reason to hope.” —The Washington Post

 “Beautifully crafted and immensely touching.” —The Guardian (London)

Conversation Starters from

  1. Susan’s editor insists that the Vietnam assignment is a plum job—a chance “to distinguish yourself … to be somebody.” Is this why Susan says yes, or are other factors at play? If you had been in her position in 1967, would you have accepted the assignment?
  2. What qualities do Marc and Son share? How do they approach the idea of allegiance and justice differently? Which man loves Susan more completely?  
  3. Why do you think Susan teams up with Son? What might she gain from their alliance? What advantage might Son see in working with Susan?
  4. Did you trust Son? How did your impressions of him shift throughout the novel?
  5. What was at the heart of Marc and Susan’s devotion to one another? Which of them proved to be stronger—emotionally and physically—while coping with the deprivations of being in country?  
  6. What fears do Susan and her captors (Anh, Minh, and Hien) have in common? What enables her to gradually gain their trust, protecting herself along the way? How does she challenge everything they have previously believed about women? Is their view of women very different from that of the U.S. soldiers she encounters? 
  7. Minh assures Susan that one day she will become a wife. Is he right to pity her for being single, or is it a sign of strength that she is unmarried when she travels to Vietnam, while Son and Marc have spouses?
  8. Discuss Christine’s arrival. What does her presence reveal about Marc’s mindset before he left for Vietnam? Why was she willing to take such a risk to bring him home safely? Could she be considered loyal?
  9. How are identities formed in The Man from Saigon? What does it mean to Susan to carry a British passport? How does Marc reconcile his role as an American with the fact that his government is misleading the public? How does Son define the true Vietnamese identity? Why does he resist feeling sympathy for the Montagnards?
  10. Discuss the different types of love that flourish in the novel. Which type of love proves to be the most resilient, and the most self-sacrificing?
  11. Though Susan is in a role traditionally thought of as being for men, she faces challenges that all members of the media endured when they tried to reveal the truth about Vietnam. Despite the military’s frequent insistence that female journalists had no business being in their path, were women in fact better equipped to meet the challenges of the job? 
  12. How did you interpret Son’s final note: was it purely a generous gift for Susan, saving her from the looming Tet offensive? How realistic was Son’s fantasy of one day marrying Susan? Had the war had a different outcome, was it conceivable they would one day marry? 
  13. Discuss the structure of the novel. As two points of view are presented in alternating passages after Susan’s disappearance, what do we begin to understand about Susan and Marc’s relationship? Did they perceive each other, and their relationship, in the same way? 
  14. How is Susan transformed by Vietnam? Are she and Marc damaged by their experiences there, or did you read their closing scenes as portraits of clarity?  
  15. How do previous novels by Marti Leimbach portray the concept of youth and life’s meaning in its early stages? How might her other novels have prepared her to write this one?