The Night Circus
Other Editions of This Title:
Digital Audiobook (9/12/2011)
Paperback, Spanish (2/21/2012)
Paperback, Chinese (6/25/2012)
Hardcover, Japanese (4/15/2012)
Hardcover, Large Print, Large Print (10/1/2011)
Compact Disc (9/13/2011)
Fall '12 Reading Group List
— Nancy Simpson-Brice, The Book Vault, Oskaloosa, IA
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September 2011 Indie Next List
— Whitney Spotts, Schuler Books & Music, Lansing, MI
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But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.
True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.
Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.
Praise For The Night Circus…
"The Night Circus made me happy. Playful and intensely imaginative, Erin Morgenstern has created the circus I have always longed for and she has populated it with dueling love-struck magicians, precocious kittens, hyper-elegant displays of beauty and complicated clocks. This is a marvelous book."
-- Audrey Niffenegger, author of The Time Traveler’s Wife
"If this novel is just cotton candy, it's cotton candy spun from strands of edible silver...With no more lust than a late volume of Harry Potter, Morgenstern manages to conjure up a love story for adults that feels luxuriously romantic. When Celia calls their circus a 'wonder and comfort and mystery all together,' she could have been talking about this book."
--Ron Charles, The Washington Post
"A Romeo and Juliet tale drenched in magic realism, The Night Circus defies both genres and expectations. In short, it's a showstopper."
--The Boston Globe
“Erin Morgenstern's debut novel, The Night Circus, is quietly, enchantingly perfect…reading this novel is like having a marvelous dream, in which you are asleep enough to believe everything that is happening, but awake enough to relish the experience and understand that it is magical.”
“[A] dark and extravagantly imagined debut…The plot follows the separate and then intertwining lives of Celia and Marco, both forced to spend their lives pitting their unusual talents against each other in a cruel competition. But their world is Morgenstern’s most vivid creation, a fantastical circus featuring illusionists whose powers transcend mere sleight of hand; like those performers, the author entices her audience to suspend disbelief and rewards its members with captivating pleasure.”
"Morgenstern's exquisitely realized world will have the reader wishing to run off and join this circus."
"Morgenstern’s Circus is the stuff that dreams are made of, and nothing short of a wild ride."
"Magical. Enchanting. Spellbinding. Mesmerizing."
"[A] few pages into this story of a mysterious circus and its two stars, a young man and a woman who are both capable of real magic, and you know you are in the presence of an extraordinary storyteller."
--The Daily Beast
“Morgenstern’s novel feels crafted from the fabric of a dream, and the circus itself never fails to astound. For me, the only real disappointment was that I couldn’t buy a ticket.”
--The Christian Science Monitor
"[T]he world of The Night Circus is elaborately designed, fantastically imagined and instantly intoxicating -- as if the reader had downed a glass of absinthe and leapt into a hallucination."
--Rachel Syme for NPR.org
"Two star-crossed magicians, Celia and Marco, duel for supremacy against the backdrop of a big top unlike any other. Morgenstern conjures up a world of dark enchantment and romance in this dazzling foray into the dreamscape of illusion."
"A beguiling, gripping read...Ms. Morgenstern has crafted a thrilling and transporting tale. In so doing she makes it clear that of all the shapes magic may take, storytelling is often the most powerful of them all."
"Debut author Morgenstern doesn't miss a beat in this smashing tale of greed, fate, and love...a giant, magical story destined for bestsellerdom. This is an electric debut on par with Special Topics in Calamity Physics."
--Publishers Weekly, starred review
"Self-assured, entertaining debut that blends genres and crosses continents in quest of magic… Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings."
—Kirkus Reviews, starred review
“To enter the black-and-white-striped tents of Le Cirque des Rêves is to enter a world where objects really do turn into birds and people really do disappear…Debut novelist Morgenstern has written a 19th-century flight of fancy that is, nevertheless, completely believable. The smells, textures, sounds, and sights are almost palpable. A literary Mr. Toad’s Wild Ride, this read is completely magical.”
—Library Journal, starred review
"This big and compelling first novel ushers in a menacing tone with its first sentence: "The circus arrives without warning."...With appeal for readers not particularly geared to fantasy but who plainly enjoy an unusual and well-drawn story, this one will make a good crossover suggestion."
--Booklist, starred review
“‘Dark as soot and bright as sparks,’ The Night Circus still holds me willingly captive in a world of almost unbearable beauty. This is a love story on a grand scale: it creates, it destroys, it ultimately transcends. Take a bow, Erin Morgenstern. This is one of the best books I have ever read.”
—Brunonia Barry, author of The Lace Reader
“A riveting debut. The Night Circus pulls you into a world as dark as it is dazzling, fully-realized but still something out of a dream. You will not want to leave it.”
—Téa Obreht, author of The Tiger’s Wife
"Every once in awhile you find a novel so magical that there is no escaping its spell. The Night Circus is one of these rarities -- engrossing, beautifully written and utterly enchanting. If you choose to read just one novel this year, this is it."
—Danielle Trussoni, author of Angelology
"Pure pleasure...Erin Morgenstern is a gifted, classic storyteller, a tale-teller, a spinner of the charmed and mesmerizing -- I had many other things I was supposed to be doing, but the book kept drawing me back in and I tore through it. You can be certain this riveting debut will create a group of rêveurs all its own."
—Aimee Bender, author of The Particular Sadness of Lemon Cake
“The Night Circus is a gorgeously imagined fable poised in the high latitudes of Hans Christian Anderson and Oscar Wilde, with a few degrees toward Hesse’s “Steppenwolf” for dangerous spice. The tale is masterfully written and invites allegorical interpretations even as its leisurely but persistent suspense gives it compelling charm. An enchanting read.”
—Katherine Dunn, author of Geek Love
"The Night Circus is a very atmospheric tale in which things are seen in the half-light of another century's lamps. Morgenstern makes much of these shadows. She also clearly savors objects such as unusual clocks, vanishing rings, flaming cauldrons and strange carousels, and will make you savor them as well."
--Los Angeles Times
"Puts me in mind of Ray Bradbury's Something Wicked This Way Comes lightened up by Harry Potter. This will be big."
"This dueling-sorcerers premise brings to mind Susanna Clarke's magnificent 2004 novel, Jonathan Strange & Mr. Norrell...[Morgenstern] employs her supple prose to conjure up a series of wonders: A maze made of clouds, a ship of books floating on a sea of ink, a tent that seems to contain a vast desert."
"Erin Morgenstern's The Night Circus is a standout. With echoes of Alice Hoffman (fairy tale magic), Audrey Niffenegger (teleporting) and J.K. Rowling (young wizards, here magicians), Morgenstern's debut is lifted by its poetic writing, winking literary allusions and thematic cohesion."
--The Kansas City Star
"Erin Morgenstern has crafted a debut that is original and surprising and fitted it with a wonderful conclusion. She's revealed herself as a writer worthy of notice."
--The Denver Post
"If the preamble -- so aptly titled 'Anticipation' -- doesn't make you sit right down on the floor of your library or bookstore to see what Morgenstern conjures up next, you may not be the right reader for this novel. I'll wager, however, that you will fall quickly under her spell."
"So should you read Erin Morgenstern's debut novel, The Night Circus? The short answer: 'Yes.' The Book is engaging and magical, entrancing the reader every step of the way."
"The circus is a veritable cornucopia of sights and sounds and appetizing scents. It is a fantasia, a fairy tale writ large and come to life."
"The Night Circus succeeds on a grand scale...Morgenstern's lush descriptions are magnetic, as if conjured by spell. The joy of reading this book is its offer of pure escapism."
Doubleday, 9780385534635, 400pp.
Publication Date: September 13, 2011
About the Author
Conversation Starters from ReadingGroupChoices.com
- The novel opens with a quote from Oscar Wilde: “A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.” How is this sentiment explored in The Night Circus? Who in the novel is a dreamer? And what is their punishment for being so?
- The novel frequently changes narrative perspective. How does this transition shape your reading of the novel and your connection to the characters and the circus? Why do you think the author chose to tell the story from varied perspectives?
- The narrative also follows a non-linear sequence—shifting at times from present to past. How effective was this method in regards to revealing conflict in the novel?
- There are a number of allusions to Shakespeare throughout the text: Hamlet, Romeo and Juliet, The Tempest, and As You Like It. Explain these references—how does each play reveal itself in the novel?
- What role does time play in the novel? From Friedrick Thiessen’s clock, to the delayed aging of the circus developers, to the birth of the twins—is time manipulated or fated at the circus?
- “Chandresh relishes reactions. Genuine reactions, not mere polite applause. He often values the reactions over the show itself. A show without an audience is nothing, after all. In the response of the audience, that is where the power of performance lives.” How does this statement apply to both Le Cirque des Rêves and the competition? Which audience is more valuable: one that is complicit or one that is unknowing?
- Chandresh is portrayed as a brilliant and creative perfectionist at the beginning of the novel, yet he slowly unravels as the competition matures. Is Chandresh merely a puppet of the competition—solely used for his ability to provide a venue for the competition—or do his contributions run deeper?
- Marco asserts that Alexander H. is a father figure to him (though his paternal instincts aren’t readily noticeable). In what ways does Alexander provide for Marco and in what ways has he failed him?
- Celia emphasizes that keeping the circus controlled is a matter of “balance.” And Marco suggests that the competition is not a chess game, but rather, a balancing of scales. However, both the circus and the competition get disordered at times—leaving both physical and emotional casualties in their wake. Is the circus ever really in “balance,” or is it a pendulum swinging from one extreme to the next?
- From the outside, the circus is full of enchantments and delights, but behind the scenes, the delicate push and pull of the competition results in some sinister events: i.e. Tara Burgess and Friedrick Thiessen’s deaths. How much is the competition at fault for these losses and how much is it the individual’s doing?
- How do you view the morality of the circus in regards to the performers and developers being unknowing pawns in Celia and Marco’s competition? Do Celia and Marco owe an explanation to their peers about their unwitting involvement?
- Friedrick Thiessen asserts that he thinks of himself “not as a writer so much as someone who provides a gateway, a tangential route for readers to the circus.” He is a voice for those unable to attend the circus and suggests that the circus is bigger than itself. What role do the rêveurs play in keeping the spirit of the circus alive outside of the confines of the circus tents?
- What is Hector’s role in determining the final fate of the competition? He lectures Celia about remaining independent and not interfering with her partner, but ultimately, Hector largely influences the outcome of the competition. Explain this influence.
- Poppet and Widget are especially affected by the lighting of the bonfire. How crucial are their “specialties” to the ongoing success of the circus?
- Isobel is a silent, yet integral, partner in both the circus and the competition. She has an ally in Tsukiko, but seemingly no one else, especially not Marco. How much does Marco’s underestimation of Isobel affect the outcome of the competition?
- How does Isobel serve as a foil to Celia? Who, if anyone, fills that role for Marco?
- Tsukiko is aware of Isobel’s “tempering of the circus” from the outset and when Isobel worries that it is having no effect, Tsukiko suggests: “perhaps it is controlling the chaos within more than the chaos without.” What, and whose, chaos is Tsukiko alluding to here?
- Mr. Barris, Friedrick Thiessen, Mme. Padva, and even Bailey are aware that the circus has made a profound, inexplicable, change in their lives, but they each choose not to explore the depth of these changes. Friedrick Thiessen confirms that, “I prefer to remain unenlightened, to better appreciate the dark.” Do you agree with this standpoint? What inherent dangers accompany a purposeful ignorance? What dangers present themselves when ignorance is not chosen? Is one choice better/safer than the other or are they equally fraught?
- Celia tells Bailey that he is “not destined or chosen” to be the next proprietor of the circus. He is simply “in the right place at the right time…and care[s] enough to do what needs to be done. Sometimes that’s enough.” In this situation, is that “enough?” Can the responsibility of maintaining the circus be trusted to just anyone, or unlike Celia suggests, is Bailey truly special?
- At the closing of the novel, we are left to believe that the circus is still traveling—Bailey’s business card provides an email address as his contact information. How do you think the circus would fare over time? Would the circus need to evolve to suit each generation or is it distinctive enough to transcend time?