August 2013 Indie Next List
— Helen Markus, HearthFire Books of Evergreen, Evergreen, CO
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A 2013 Booklist Editors’ Choice: Best Adult Books for Young Adults
A powerful story about an unforgettable friendship between two teenage boys and their hopes for escape from a dead-end town.
The year is 1968. The world is changing, and sixteen-year-old Jon Mosher is determined to change with it. Racked by guilt over his older brother’s childhood death and stuck in the dead-end town of Brewster, New York, he turns his rage into victories running track. Meanwhile, Ray Cappicciano, a rebel as gifted with his fists as Jon is with his feet, is trying to take care of his baby brother while staying out of the way of his abusive, ex-cop father. When Jon and Ray form a tight friendship, they find in each other everything they lack at home, but it’s not until Ray falls in love with beautiful, headstrong Karen Dorsey that the three friends begin to dream of breaking away from Brewster for good. Freedom, however, has its price. As forces beyond their control begin to bear down on them, Jon sets off on the race of his life—a race to redeem his past and save them all.
Mark Slouka's work has been called "relentlessly observant, miraculously expressive" (New York Times Book Review). Reverberating with compassion, heartache, and grace, Brewster is an unforgettable coming-of-age story from one of our most compelling novelists.
Praise For Brewster: A Novel…
— New York Times Book Review
Slouka’s laconic dialogue resonates with regional authenticity, his late-1960’s pop culture references ring true, and the stripped down prose style in his masterful coming-of-age novel recalls the likes of Tobias Wolff and Raymond Carver.
— Publishers Weekly, Starred Review
Reading Brewster is like entering the very heart of a Bruce Springsteen song—all grace, all depth, all sinew. Slouka—one of the great unsung writers of our time—has written a magnificent novel that woke my tired heart.
— Colum McCann, National Book Award-winning author of Let the Great World Spin
Terrific…. [W]here Slouka distinguishes himself as an author of particular sensitivity and significance is in how accurately and memorably he is able to conjure up a particular mood that has no doubt been felt in every era, not just the late '60s and early '70s. There is a timeless sense of yearning here.
— Adam Langer - Boston Globe
The dark undertow of Slouka’s prose makes Brewster instantly mesmerizing, a novel that whirls the reader into small-town, late 1960s America with mastery, originality, and heart.
— Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad
Evocative… gorgeously written… both spare and highly dramatic. Slouka has an exceptional ear for the way kids talk, an eye for the detail of a not-so-recent past …. In Brewster, Slouka creates a messy miniature. It's a tight, little world where …the subjects—human frailty, friendship, yearning, heart and love—don't make for easy poses. And you can't take your eyes from it.
— John Barron - Chicago Tribune
If ecstasy was Nabokov’s keynote, Slouka’s is passion. I can think of no one else who writes with such brazen fervor, with so much heart poured into every line. He is the perfect writer for a Passion Play about youth: youth’s ardor, youth’s anguish, youth’s nakedness. Brewster is that novel, and it blazes.
— Brian Hall, author of Fall of Frost
This beautifully written coming-of-age story sings with wisdom and heart. Slouka’s characters struggle to survive against a backdrop of remembered pain, routine violence and the threat of being drafted to Vietnam, fighting to retain a friendship that may just be able to save them.
— Bonnie Jo Campbell, author of Once Upon a River
[A] novel of stark and brutal truths…[Brewster] culminates in a scene of such visceral power and narrative force that this reader was left breathless. But perhaps Slouka's greatest accomplishment is his ability to blend his own authorial voice with the dialogue of his characters. It's as if the conversations that pass between Jon and Ray and Karen - about music, their plans for the future, their love and devotion to each other—are the lyrics to Slouka's melody. And what a beautiful and redemptive song it is.
— Peter Geye - Minneapolis Star Tribune
What Slouka also draws, with unerring accuracy, is the primacy of friendship and loyalty among teens who feel they are powerless. Slouka gives them a voice here, one filled with equal parts humor and pain.
— Booklist, Starred Review
Despite delving bravely into despairingly dark subject matter, [Brewster] is still somehow infused with hope and light, achieving a sort of literary chiaroscuro.… Brewster could become the latest addition to the American canon of coming-of-age stories, enchanting readers with its soulful story of love, loss and the vagaries of the teenage heart.
— Karen Ann Cullotta - BookPage
Brewster is subtly wrought and wholly moving, capturing with beautiful desperation the sense of personal insecurity overshadowed by an era of unwieldy international concerns.
— The Rumpus
One to devour… fans of Richard Russo novels or Chad Herbach’s The Art of Fielding should love this novel.
— The Columbus Dispatch
A masterpiece of winter sorrow… Slouka’s real triumph here is capturing the amber of grief, the way love and time have crystallized these memories into something just as gorgeous as it is devastating.
— Ron Charles - Washington Post
W. W. Norton & Company, 9780393239751, 288pp.
Publication Date: August 5, 2013
About the Author
Conversation Starters from ReadingGroupChoices.com
The novel is named for the town it is set in, and it has a tremendously vivid sense of place. Describe the town of Brewster. In what ways is the setting important to this novel?
The author portrays a close friendship between two teenage boys in Brewster, a relationship less often portrayed than one between girls. Did you think that Jon and Ray’s friendship was an unlikely one? What made the two boys close? Did their relationship seem the same as ones you know between teen girls?
The narrator of Brewster is an adult Jon Mosher telling the story of his past. Why do you think the author made this choice? How would the novel be different if it were narrated by sixteen-year-old Jon Mosher in the present?
Jon’s affair with Tina feels like a hiatus, a brief escape from his real life and troubles, and she never reappears in the story. What might Jon have learned from his relationship with Tina that he brings to the rest of his experiences in the novel?
Brewster is set in 1968, a year after the summer of love and at the peak of the Vietnam War, but in small-town Brewster those events feel very far away. Describe the ways in which the novel evokes the late 1960s and brings that period to life. How has American culture changed in the fifty years since then in terms of racism, notions of acceptable behavior, and how teens get around and communicate?
Discuss the character of Karen Dorsey. What draws Ray and Jon to her, and she to them? What do you think made Karen choose Ray over Jon? If you were Karen, whom would you prefer?
Who’s your favorite adult character in Brewster? Falvo? Jimmy? Mr. Mosher? Someone else? Why?
Brewster can be characterized as a coming-of-age story. Describe the ways in which Jon, Ray, and Karen grow over the course of the novel. What do they each learn about themselves, the nature of love, and the wider world?
Describe how the novel treats first love. Did it feel real to you or remind you of the first time you fell in love?
Jon’s parents and Ray’s father all have dark pasts, and both families are abusive, though the abuse takes different forms. Are there parallels to be drawn between Jon and Ray’s families? Jon and Ray each find some acceptance with the other’s family. Discuss how this happened and why it makes sense.
What does running come to mean to Jon? Does it mean something different at the beginning of the novel than it does at the end?
In the final chapter, Jon says, “I thought about him over the years. Wondered, sometimes, if it could have all played differently. If we’d lost, maybe, before we started” (279). Discuss the ending of the novel. Do you think that Jon, Ray, and Karen were doomed from the start? In what ways will the characters escape Brewster, and in what ways will it never truly leave them? Do you feel that your own hometown has left an imprint on you?