List Price: 25.95*

* Individual store prices may vary.

“Whatever the subject, rich music follows the tap of Molly Peacock’s baton.”—Washington Post

When a psychoanalyst became a painter after surviving a stroke, her longtime patient, distinguished and beloved poet Molly Peacock, took up a unique task. The Analyst is a new, visceral, twenty-first century “in memoriam” of ambiguous loss in which Peacock brilliantly tells the story of a decades-long patient-therapist relationship that now reverses and continues to evolve. Peacock invigorates the notion of poetry as word-painting: A tapestry of images, from a red enameled steamer on a black stove to Tibetan monks funneling glowing sand into a painting, create the backdrop for her quest to define identity.

From “In Our Unexpected Future”:



…for frocks outlast pillars. But feelings

outlive frocks. The immaterial storms through,

a force beyond years (a mere four since you

were nearly felled). It isn’t what happened that lasts.

Not art, either, but the savory core. What’s felt.

There’s a spellbinding intimacy here, between analyst and patient, the two women characters, and, most importantly, between poet and reader. A compelling examination of how much we depend on others, especially when it comes to ‘seeing’ ourselves through someone else’s eyes. Needless to say, the real subject is love.
— Philip Schultz

With gusto, compassion, and wit matched by consummate craft and remarkable tonal range, Peacock revels in the liberties of language. The stroke of the ‘intimate witness’ (the poet’s beloved analyst) spurs a series of lyric meditations on the forces that shape and reshape identity. With the singular achievement of her seventh collection, Peacock transforms her art.
— Phillis Levin

Guided to ‘listen, question, and watch things heal,’ I felt both the sting of recognition and the balm of comfort in these honest, graceful poems.
— Rachel Zucker

Psychoanalysis has always been of a piece with the various languages of literature—a kind of practical poetry—taking its life, as theory and practice, from a larger world of words. A session lasts 50 minutes, [and it’s] always at the same time each week, the way a sonnet is 14 lines. As Molly Peacock superbly demonstrates in The Analyst, the form makes possible the articulation.

— Adam Phillips

As president of the Poetry Society of America, Molly Peacock was one of the creators of New York’s Poetry in Motion program, and she is the series editor of The Best Canadian Poetry in English. She is based in New York and Toronto.