Sounds Like Titanic
A young woman leaves Appalachia for life as a classical musician—or so she thinks.
When aspiring violinist Jessica Chiccehitto Hindman lands a job with a professional ensemble in New York City, she imagines she has achieved her lifelong dream. But the ensemble proves to be a sham. When the group “performs,” the microphones are never on. Instead, the music blares from a CD. The mastermind behind this scheme is a peculiar and mysterious figure known as The Composer, who is gaslighting his audiences with music that sounds suspiciously like the Titanic movie soundtrack. On tour with his chaotic ensemble, Hindman spirals into crises of identity and disillusionment as she “plays” for audiences genuinely moved by the performance, unable to differentiate real from fake.
Sounds Like Titanic is a surreal, often hilarious coming-of-age story. Hindman writes with precise, candid prose and sharp insight into ambition and gender, especially when it comes to the difficulties young women face in a world that views them as silly, shallow, and stupid. As the story swells to a crescendo, it gives voice to the anxieties and illusions of a generation of women, and reveals the failed promises of a nation that takes comfort in false realities.
Praise For Sounds Like Titanic: A Memoir…
— Caitlin Doughty, bestselling author of From Here to Eternity and Smoke Gets in Your Eyes
[An] outrageously funny, shrewdly meta memoir.
— 10 Titles to Pick Up Now
[A] most original memoir, one in which the narrator’s intelligence deepens by the page…. I salute Jessica Hindman for having shaped so well a remarkable piece of experience.
— Vivian Gornick, author of The Odd Woman and the City: A Memoir
Sounds Like Titanic … is a memoir with bite. …[Hindman’s] fascinating personal story, with its unexpected twists, puts the memorable into this memoir.
Brave and captivating.
— Tucker Coombe
[A] rich, powerful book.
— Constance Grady
It’s difficult to write a funny, angry book. It’s even harder to write a merciless, empathetic book. But here comes Jessica Hindman, doing the impossible with a funny, angry, merciless, empathetic book that’s not only a hugely entertaining memoir, but an insightful meditation on a time in our nation’s recent history whose strange and ominous influence grows more apparent by the day.
— Tom Bissell, author of Apostle and coauthor of The Disaster Artist
Hindman is an emissary for a generation, repurposing its sarcasm and irony in a nuanced, humorous, and intelligent look at what it means to construct and consume fake realities in post-9/11 America.
— Angela Palm, winner of the Graywolf Press Nonfiction Prize for Riverine
It’s rare that a memoir—or any book—manages to be gripping, intelligent, witty, informative, and relatable all at the same time. Hindman mourns her lack of success as a professional musician, but we can all be endlessly happy she became a writer instead.
— Katherine Heiny, author of Standard Deviation
An evocative portrait of America’s literal and figurative landscapes, an incisive look at class and gender, and an examination of what authenticity means.
— Justin St. Germain, author of Son of a Gun
Although her violin days are over, Hindman can be assured that she’s accomplished something incredible: she has written a memoir about identity and finding a sense of self that is funny, personal, empathetic, and amazingly true.
— Lily McLemore
[P]rovocative. … A tricky, unnerving, consistently fascinating memoir.
W. W. Norton & Company, 9780393651645, 256pp.
Publication Date: February 12, 2019