Eminent Outlaws: The Gay Writers Who Changed America (Hardcover)
The Gay Writers Who Changed America
Twelve, 9780446563130, 384pp.
Publication Date: February 2, 2012
In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond-EMINENT OUTLAWS is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.
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Praise For Eminent Outlaws: The Gay Writers Who Changed America…
"Eminent Outlaws is a spectacular overview of our gay literary history."
"Bram does a terrific job in cataloguing the lives of these important figures, from Vidal to James Baldwin to Michael Cunningham. He reveals their often tortured interior lives. His examinations of the works themselves are original and thoughtful. Eminent Outlaws is entertaining and informative, packed with interesting gossip and opinions."
-Columbia Journalism Review
"As Bram's high-sounding subtitle promises-and these lives from Vidal through Baldwin and O'Hara to White and Kushner deliver-gay lib began as a literary movement; the aesthetic was always political, too....EMINENT OUTLAWS is the next (last?) step in reporting on literary lives that traces back to the gay dinner parties of yore. Few would have it any other way."
"Argumentative and often resonant, and lit from below by a gossipy wit. But its power is less sentence by sentence than cumulative. You don't realize how much the details of these writers' books and difficult lives have touched you until the book's final chapters.... With 'Eminent Outlaws' he has filled a gap in our critical literature."
-The New York Times
"Bram's portraits of an often-reluctant gay literary vanguard is fascinating enough, but alongside a 50-year narrative of unexplored gay aesthetic, he also provides a parallel history of the gay-rights movement....Bram's bio-history is fun to read and will be the standard text of the defining era of gay literati glitterati."
"Bram uses a series of complex portraits of America's most influential gay literary lions to argue for their position in the pantheon of American culture.... Eminent Outlaws offers a crucial and fascinating overview of decades of American literary history."
"With keen insight into the essential relationship between storytelling and gay identity-as well as careful research into the journals, letters and books of America's great gay writers-Outlaws traces the cultural influence of gay literature throughout the second half of the 20th century.... Perhaps we have Bram's early sense of service as a boy scout to thank for the work he's done to preserve history in Outlaws. That Bram pulls it off with such style seems appropriate: it's a gay history, after all."