Women Building History
Public Art at the 1893 Columbian Exposition
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This handsomely illustrated book is a welcome addition to the history of women during America’s Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman’s Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman’s progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman’s opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman’s politics. The Woman’s Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Praise For Women Building History: Public Art at the 1893 Columbian Exposition…
“Corn does an expert job. . . . Highly recommended.”
— JW Stamper
“Corn produces a convincingly argued work that offers a fresh reading of art created by women for the Fair.”
— Art Libraries Society Of North America
“Excellent. . . . Corn’s artfully argued monograph is a landmark contribution to American cultural studies.”
— Women’s Art Journal
"Offers valuable insight into the art of the fair and the criticism it generated. . . . This should be essential reading."
— Abigail Markwyn
University of California Press, 9780520241114, 280pp.
Publication Date: March 8, 2011
About the Author
Wanda M. Corn, Robert and Ruth Halperin Professor Emerita in the History of Art at Stanford University, is the author of The Great American Thing (UC Press). Charlene G. Garfinkle is an independent art historian. Annelise K. Madsen recently completed the doctoral program in American art at Stanford University.
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