Composing the Citizen (Hardcover)

Music as Public Utility in Third Republic France

By Jann Pasler

University of California Press, 9780520257405, 817pp.

Publication Date: July 6, 2009

List Price: 85.00*
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Description

In a book that challenges modernist ideas about the value and role of music in Western society, Composing the Citizen demonstrates how music can help forge a nation. Deftly exploring the history of Third Republic France, Jann Pasler shows how French people from all classes and political persuasions looked to music to revitalize the country after the turbulent crises of 1871. Embraced not as a luxury but for its "public utility," music became an object of public policy as integral to modern life as power and water, a way to teach critical judgment and inspire national pride. It helped people to forget the past, voice conflicting aspirations, and imagine a shared future.

Based on a dazzling survey of archival material, Pasler's rich interdisciplinary work looks beyond elites and the histories their agendas have dominated to open new windows onto the musical tastes and practices of amateurs as well as professionals. A fascinating history of the period emerges, one rooted in political realities and the productive tensions between the political and the aesthetic. Highly evocative and deeply humanistic, Composing the Citizen ignites broad debates about music's role in democracy and its meaning in our lives.


About the Author

Jann Pasler is Professor of Music at the University of California, San Diego. Among her books is Confronting Stravinsky: Man, Musician, and Modernist (UC Press) and Writing through Music: Essays on Music, Culture, and Politics.


Praise For Composing the Citizen: Music as Public Utility in Third Republic France

“A notable achievement. . . . Recommended.”

— Choice

“Destined to be debated and referenced for years to come. The issues it raises have never been more timely.”

— Current Musicology

“This is an exceptional book -- cultural history at its richest and most thought-provoking.”

— Nigel Simeone

“A significant contribution to the field of French musical studies, one that will lead to new perspectives.”

— Michael Strasser