Frontier Figures (Paperback)

American Music and the Mythology of the American West (California Studies in 20th-Century Music #14)

By Beth E. Levy

University of California Press, 9780520267787, 470pp.

Publication Date: April 18, 2012

Other Editions of This Title:
Hardcover (4/18/2012)

List Price: 36.95*
* Individual store prices may vary.

Description

Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.


About the Author

Beth E. Levy is Associate Professor of Music at the University of California, Davis.


Praise For Frontier Figures: American Music and the Mythology of the American West (California Studies in 20th-Century Music #14)

“Music professor Levy looks at how Western Americana has been woven into American culture via music.”

— Sacramento Bee

“Levy offers an amazing amount of scholarship. She has researched nearly every person and event of this period. . . . Highly recommended.”

— W.K. Kearns, Emeritus, University of Colorado at Boulder

"A fine resource for extending the scholarly dialogue."

— Carl Rahkonen

"A welcome and reliable contribution to the scholarship on Tahiti."

— Belinda Thompson

"Frontier Figures tempts us with a great deal of fascinating information and interpretation, and triggers even more questions about the development of American music."

— Journal of the Society for American Music