Agnes Varda between Film, Photography, and Art (Paperback)

By Rebecca J. DeRoo

University of California Press, 9780520279414, 248pp.

Publication Date: October 17, 2017

Other Editions of This Title:
Hardcover (10/17/2017)

List Price: 34.95*
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Description

Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.


About the Author

Rebecca J. DeRoo is Associate Professor in the Department of Performing Arts and Visual Culture at the Rochester Institute of Technology and the author of The Museum Establishment and Contemporary Art, recipient of the 2007 Laurence Wylie Prize in French Cultural Studies. She cocurated the retrospective Agnès Varda: (Self-)Portraits, Facts and Fiction at the George Eastman Museum (2016).


Praise For Agnes Varda between Film, Photography, and Art

"DeRoo’s work is a welcome and significant contribution to scholarship on a still too-neglected filmmaker and has much to offer those wanting an introduction to Varda and key issues animating critical reception of her films. The book is a well-researched, accessible, and timely addition to expanding scholarship on Varda as a pioneering and dynamic French filmmaker whose multifaceted oeuvre is central to ongoing and urgent debates about feminist film practice, filmmaking as an intermedia art form, and the ethics and aesthetics of documentary practice."

— H-France

“DeRoo’s nuanced approach yields altogether new understandings of key works in Varda’s oeuvre. . .the readings in Agnès Varda: Between Film, Photography, and Art reveal both the breadth and depth of Varda’s artistic sophistication and political acumen.”

— ASAP/Journal

"DeRoo’s book provides a yet untold counter-reading of Varda’s works. Her interpretations are acutely attentive, acknowledging the many sites of emotional, generic, aesthetic, and political complexity that arise as a result of Varda’s use of multimedia."

— Women in French Studies