Vanessa and Virginia
Other Editions of This Title:
Praise For Vanessa and Virginia…
Praise for VANESSA AND VIRGINIA:
"Sellers's impressionistic prose evokes the near-magical artistic world the two innovative women inhabited. She highlights the interplay of their creative thinking and ways in which they inspired each other... A thorough portait of the complicated dance of sisters."--More Magazine "Instant Classic"
"Sellers beautifully imagines what it must have meant to be a gifted artist yoked to a sister of dangerous, provocative genius."--Cleveland Plain Dealer
"A simple and yet magical tribute to a writer's life."--Seattle Times
"Vanessa and Virginia captures the sisters' seesaw dynamic as they vacillate between protecting and hurting each other, depending on who is up and who is down. For all their competition--each picturing the other as more content and successful--they are as intimately connected as twins. Through it all, work is their refuge--from their lives and themselves."--Christian Science Monitor
"Sellers’s elegant first novel imagines life in Britain’s Bloomsbury circle from the point of view of Vanessa Bell, Virginia Woolf’s older sister... The amazing aspect of this novel is its painterly quality. As Vanessa recalls her life, layer upon layer of memory is applied to create a portrait of color and shadow, a process that is mirrored in the narrator’s descriptions of her methods of painting...Highly recommended for collections of literary fiction-particularly where Woolf is popular."--Library Journal
"A delectable little book for anyone who ever admired the Bloomsbury group... a genuine treat for Bloomsbury fans."--Publishers Weekly
"[A] beautifully written exploration of tortured talent, sibling conflicts, domestic discord, disappointed love affairs, and emotional despair."--Booklist
"Virginia Woolf may have overshadowed her sister, the painter Vanessa Bell, in popular cultural history, but Vanessa was a talented artist, wife, lover and mother in her own right... [Sellers] artfully presents Vanessa, not as a frame to further explore and enhance her more famous sister, but through a full and authentic portrait of a woman whose life has been shaped by tragedy as well as a creative freedom remarkable for her time."--BookpageAdvance Praise for VANESSA AND VIRGINIA: "In short, disconnected scenes of exquisite description and nuanced emotion, Susan Sellers invites us to assemble the pieces into a picture not only of the Bloomsbury circle, but of the exigencies of creative work as outlet, devotion, and anchor. A fascinating, compelling novel written with authority and tenderness."—Susan Vreeland, author of Girl in Hyacinth Blue "Reading Vanessa and Virginia is like swimming across the seabed of the minds of sisters Woolf and Bell- everywhere there are fragments of paintings and scenes from novels and lyrical phrases scattered like sunken treasure. It is a novel both exquisite and haunting. A triumph of the imagination." --Rebecca Stott, author of Ghostwalk "This biographical novel shimmers with brilliant prose yet grounds readers with skilful and accurate period detail. As the author cleverly inhabits the mind of Vanessa, a canny unusual twist to a familiar story keeps readers on the edge. Vanessa and Virginia is a lyrical risk-taking novel, and the risks pay off."—Sally Cline, author of Zelda Fitzgerald: Her Voice in Paradise "A beautiful, haunting novel.... I can think of no other work that is as searching, or as revealing in its exploration of the family life or of the complex dynamic of sibling and artistic rivalry of these two artists."--John Burnside, author of A LIE ABOUT MY FATHER "Deftly, apparently effortlessly, Susan Sellers's novel of love, art, and sexual jealousy gives us convincing and intimate access to the relationship between two remarkable sisters. At once pellucid and sophisticated, Vanessa and Virginia is quite simply a pleasure to read."--Robert Crawford, author of FULL VOLUME
Mariner Books, 9780547263380, 224pp.
Publication Date: April 12, 2010
About the Author
SUSAN SELLERS is a professor of English at St. Andrews University in Scotland and coeditor of the Cambridge University Press edition of Virginia Woolf’s works. She is a past recipient of the Cannongate Prize for new writing and is the author of many short stories and nonfiction books, as well as the novel, Vanessa and Virginia.
Conversation Starters from ReadingGroupChoices.com
In the novel’s opening pages, Vanessa writes, “You are my natural ally in my dealings with the world” (p. 5). What do we consider “natural” between siblings? How are sibling alliances different from those between friends, parents, or spouses? Think about your relationship with your siblings, if you have any. Do you feel that they are your natural allies? Why or why not? If you don’t have any siblings, are you envious of the sibling bond?
Early in the novel, Virginia asks Vanessa whom she prefers, her mother or her father. Is this a shocking question? What do the two daughters’ preferences say about them? How do the figures of the mother and father recur throughout the book and the lives of Virginia and Vanessa?
On page 7, Virginia comes to Vanessa’s rescue, as she puts it, during their lesson. How does Virginia’s “saving” Vanessa simultaneously undermine her? Can you find examples of similar actions between the sisters elsewhere in the book?
Although they had older half-siblings, Vanessa and Virginia’s closest sibling was their brother, Thoby. What kind of boy was he? How did he function in Virginia and Vanessa’s relationship with each other? How did their relationship change when they went off to school?
Vanessa sees Stella’s marriage as her act of liberation from the family. Was it that? How are the marriages in this book liberating? How are they confining?
There are implications of incest, some more explicit than others, throughout the novel, beginning when Vanessa walks in to find George in Virginia’s room at night (pp. 32–33). What do you make of the various kinds and degrees of sexual interaction among the siblings?
“For all your affected disdain, it is my art that is showing you the way” (p. 56). What does Vanessa mean by this?
When Vanessa reads Virginia’s first novel, she feels violated: “This is not literature; it is mere journalism.” How much license should writers have to write about their friends and family? What do you think of Vanessa’s evaluation of The Voyage Out, Virginia Woolf’s first novel?
Vanessa and Virginia are almost yoked to each other, emotionally and psychologically, throughout the book. Is their devotion to each other essentially narcissistic?
Does motherhood change Vanessa? What is Virginia’s reaction to Vanessa’s children?
What role does mental illness play in the novel and in the lives of these women? Do you believe their “madness” or depression (are they the same thing?) is hereditary? How do their mental illnesses manifest differently? Some people think there is a link between artistic ability and madness; do you agree?
When Vanessa is bemoaning the “mess” of her adult life, Virginia says, “You hold the light. Then there are lonely moths like me circling the lamp, searching for a way in” (p. 166). What do you think of this characterization of Vanessa and Virginia? If what Virginia says is true, does the book seem to favor one kind of personality over the other? Does it imply that one kind of personality is better at making art?
At the end of the book, Vanessa has turned her artistic eye to the very house she lives in, painting the walls and floors with murals. What does this merging of her art and her domesticity imply to you?
“The world is a work of art . . . and though there is no God, we are parts of the design” (p. 199). Does this make sense to you? Do you find it comforting?
On page 205, Vanessa says, “I have to tell you that I cannot be held to a promise I made when the circumstances of my life were very different.” What promise is she referring to? Do you agree with her statement? Can our promises change with the circumstances?
Virginia implies that she and Leonard are prepared to commit suicide if Germany invades England. Is suicide ever an acceptable act? When Virginia does kill herself, Germany has not invaded, and she does it alone. Do you find her suicide to be a betrayal?
What is the final book that Vanessa drowns in the river? What is the significance of that act? Is it undermined by the book’s last sentence?