Through the four seasons, Night Navigation takes us into the deranged, darkly humorous world of the addict—from break-your-arm dealers, to boot-camp rehabs, to Rumi-quoting NA sponsors. Al-Anon tells Del to “let go”; NAMI tells her to “hang on.” Mark cannot find a way to live in this world. Del cannot stop trying to rescue him. And yet, during this long year’s night, through relapse and despair, they see flare-ups of hope as Mark and Del fitfully, painfully try to steer toward the light.
Told in the alternating voices of an addict and his mother, this riveting novel adds new depths to our understanding and our literature of parents and their troubled children.
Praise For Night Navigation: A Novel…
"Kafka wrote that a book must be the axe to the frozen sea inside us. Ginnah Howard's astonishing debut novel, Night Navigation, is just such an axe: sharp and fierce, enlivening and enlightening. Howard's gripping tale of a mother who can't stop saving the very son who can't be saved lays bare the marrow of familial love--its messy desperation and its stubborn, enduring beauty." -- Maud Casey, author of Genealogy and The Shape of Things To Come
"Ginnah Howard's raw, vivid account of addiction and codependency unflinchingly explores the vast darkness of guilt and despair. The stark, urgent voices of mother and son ache with anger and love, fear and hope. Howard's ability to dive so deep into the human psyche is a testament to her grace and compassion as a writer. Night Navigation will leave you breathless--a haunting, riveting debut." –Kiara Brinkman, author of Up High in the Trees
"In this bold debut, Ginnah Howard navigates the precarious lives of her people with searing compassion and devastating honesty, opening our hearts to the dark wonder of shared grief and the flickering hope of forgiveness." – Melanie Rae Thon, author of Sweet Hearts
"Night Navigation is unerring in its grasp of the multiple deceptions of the addictive relationship, the self-deceptions above all. You can't help getting furious at its characters. And you can't help loving them." -- Peter Trachtenberg, author of The Book of Calamities
"I fully enjoyed and admired this sparely written, unspairing portrait of a deeply troubled American family. Ginnah Howard is a wonderful new writer." -- Hilma Wolitzer, author of Summer Reading
"This dark debut is a wrenching account of a mother and son moving together and apart in an increasingly tragic family drama. In alternating memoirs, Del and Mark deal with heroin addiction and mental illness (his) and fears (hers) of a fate marked by junkies, pushers, halfway houses and recovery programs. But it's the persistent ghosts of a father and another son, and the guilt over their deaths that hold Del and Mark in a vise grip. Between grief and addiction, there's no easy forgiveness for these sad survivors. Through one bitter, lonely year, Mark and Del lose and find one another repeatedly, and they come to realize that loving someone means letting them love themselves. Howard is a graceful, spare and fluid writer, and her somber and bleak novel has the power to lift and inspire." -- Publishers Weekly
"Harrowing first novel about the uneasy symbiosis of an addict and his mother. Del Merrick... returns from a Florida vacation to find that her heroin-addicted, manic-depressive son Mark has once again hit bottom.... Mark, whose point of view alternates with Del’s, is a well-drawn and sympathetic character, despite the unflinching portrayal of his narcissism—there’s no one he won’t manipulate while ricocheting between recovery and relapse.... Howard’s strength, besides lapidary language, is the ability to build scenes around quotidian activities: starting a wood stove, cleaning, walking a dog, cooking chili and, in a pivotal segment, plotting to banish a large colony of attic-dwelling bats. The red tape and repetitiveness of coping with an addicted adult child fuels suspense as the most pressing question persists: Will Del ever be free of the onus, even just in memory, of caring for all the tormented men in her life? Such stark scenarios will be cathartic for readers who have dealt with them firsthand, and profoundly cautionary for those who haven’t." -- Kirkus, starred review
"As Night Navigation undulates between Del's point of view and Mark's, Howard lets their tense interactions and inability to communicate propel the novel, never attempting to rationalize their problems or forcing them to succumb to psychoanalytic cliches . . . The strength of this story pulls Howard's readers along, unable to turn away from a fierce mother and son who are determined to negotiate the future without having to 'detour around every moment of their past.'" -- New York Times Book Review
Mariner Books, 9780547335971, 324pp.
Publication Date: April 14, 2010
About the Author
Conversation Starters from ReadingGroupChoices.com
A central paradox in Night Navigation is summed up in the quote “Al-Anon tells Del to ‘let go’ and NAMI [the National Alliance on Mental Illness] tells her to ‘hang on.’” How does Mark’s bipolar disorder complicate Del’s responses to his addiction? As a parent, how might you have handled the dilemma?
In what ways do the deaths of Mark’s father, Lee, and his brother, Aaron, complicate Del’s decision-making process?
Do you think that mental illness, substance abuse, and suicide can be linked to genetic biochemical disorders in the brain? Or are the environment and kinds of nurturing we receive stronger factors? How much can Mark’s emotional development be attributed to the deaths of his father and brother?
Mark’s manic states appear to be episodic. He tells his counselor, Ben Jacobs, “No meds. No meds again ever . . . Land of the Living Dead.” What are some of the side effects of mood stabilizers and antipsychotic medications? What do you think of Mark’s decision not to use medications?
Some readers see Del as a loving mother who can’t help but keep trying to save her son, especially during a psychotic break; others see her as a codependent enabler whose continual rescues prevent her son from living with and learning from the consequences of his drug use. What’s your take on Del? Is your opinion of her based on your own experiences or observations of the addicted or mentally ill?
Mark is a similarly complex character. In light of particular incidents and choices he makes, do you think his negative traits outweigh his positive ones? Why or why not?
How would you describe Richard Larson, Del’s longtime partner? How would Richard have dealt with Mark if Mark had been his son?
Mark goes through numerous drug treatment programs: the detox unit in Camden; the upscale MICA unit at New Vistas; Lazarus House, a more confrontational therapeutic community; Narcotics Anonymous; and others. Mark’s pattern of repeated relapses indicates just how difficult it is to deal with someone who has a dual diagnosis. Could these programs have been more effective? How?
What role does the Merricks’ dog, Luke, play in Night Navigation? How does the author use Luke to enliven some of the scenes with Mark?
Night Navigation alternates between the mother’s and the son’s points of view. Why did the author choose this narrative structure? Did this technique work for you? Can you imagine a different structure?
Mark frequently writes in sentence fragments. What was your initial reaction to that? Did it change as you read further?
How important are the landscape and environment of upstate New York in evoking the world of the novel? How would you describe that world? In what ways does it differ from an urban or suburban setting in terms of the mood of the novel?
Why did the author choose the title Night Navigation? What are some of the ways the title is used metaphorically? How might bats tie into that metaphor?
How do bats represent mother-child themes? How does the horseshoe crab fit into those themes?
Consider the final scene, in which Del and Mark are on the beach in Crystal Key observing the horseshoe crabs coming in to lay their eggs. Do you feel hopeful that Mark has made gains in the long process of recovery? Has Del started to let go? What do you imagine happens next?