The Heart Is a Lonely Hunter (Paperback)

By Carson McCullers

Mariner Books, 9780618526413, 368pp.

Publication Date: April 21, 2004

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Description

With the publication of her first novel, The Heart is a Lonely Hunter, Carson McCullers, all of twenty-three, became a literary sensation. With its profound sense of moral isolation and its compassionate glimpses into its characters' inner lives, the novel is considered McCullers' finest work, an enduring masterpiece first published by Houghton Mifflin in 1940. At its center is the deaf-mute John Singer, who becomes the confidant for various types of misfits in a Georgia mill town during the 1930s. Each one yearns for escape from small town life. When Singer's mute companion goes insane, Singer moves into the Kelly house, where Mick Kelly, the book's heroine (and loosely based on McCullers), finds solace in her music. Wonderfully attuned to the spiritual isolation that underlies the human condition, and with a deft sense for racial tensions in the South, McCullers spins a haunting, unforgettable story that gives voice to the rejected, the forgotten, and the mistreated--and, through Mick Kelly, gives voice to the quiet, intensely personal search for beauty.

Richard Wright praised Carson McCullers for her ability "to rise above the pressures of her environment and embrace white and black humanity in one sweep of apprehension and tenderness." She writes "with a sweep and certainty that are overwhelming," said the New York Times. McCullers became an overnight literary sensation, but her novel has endured, just as timely and powerful today as when it was first published. The Heart is a Lonely Hunter is Carson McCullers at her most compassionate, endearing best.


Praise For The Heart Is a Lonely Hunter

“To me the most impressive aspect of THE HEART IS A LONELY HUNTER is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice of those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life.” -- Richard Wright

"When one puts [this book] down, it is with . . . a feeling of having been nourished by the truth." --May Sarton

"A remarkable book . . . [McCullers] writes with a sweep and certainty that are overwhelming." The New York Times

"Quite remarkable . . . McCullers leaves her characters hauntingly engraved in the reader's memory." The Nation

"To me the most impressive aspect of 'The Heart Is a Lonely Hunter' is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race." -- Richard Wright New Republic

"One cannot help remarking that this is an extraordinary novel to have been written by a young woman of twenty-two; but the more important fact is that it is an extraordinary novel in its own right, considerations of authorship apart." -- Saturday Review of Literature Saturday Review

"The Heart Is a Lonely Hunter has remarkable power, sweep and certainty . . . Her art suggests a Van Gogh painting peopled with Faulkner figures." The New York Times Book Review

"Sensitively conceived and expertly told . . . Its quality as writing and the intensity of its theme combine to make it one of the outstanding novels of recent years." --Times-Picayune

"Besides telling a good story, the author has peopled it with a small group of characters so powerfully drawn as to linger long in memory." Philadelphia Inquirer

"[McCullers] writes with a calm and factual realism, and with a deep and abiding insight into human psychology. She does so without an iota of vulgarity and bawdiness, in a manner which many a present day novelist would do well to study." Boston Globe

"There is not only the delicately sensed need that one might expect youth to know but an even more delicately sensed ironic knowledge." The Chicago Tribune

"The Heart Is a Lonely Hunter is a miracle of compassion, pity, and irony. Form and matter are perfectly blended in the novel." --Virginia Quarterly Review



Conversation Starters from ReadingGroupChoices.com

  1. The title of the book comes from a poem by William Sharp, with the lines “But my heart is a lonely hunter that hunts / On a lonely hill.” What is the significance of the title? Is each character in the novel hunting the same thing, or is each in search of something different? McCullers’s original title for the book was The Mute. Why do you suppose the change was made?  
  2. McCullers describes John Singer as “an emotional catalyst for all the other characters.” What does his presence inspire in others? Do you believe that he remains inert, as a catalyst by definition should, or is he himself affected by his interactions with the others? Why or why not?  
  3. McCullers once described the central characters in the novel as “heroic, though ordinary.” How does each character show elements of heroism? Is there a character you find more heroic than the rest?  
  4. In the book’s first section, Biff’s wife, Alice, quotes Mark 1:16–18: “Come ye after me, and I will make you to become fishers of men.” How does this quote resonate throughout the novel? What role does spirituality play in the novel? Do the characters strive for communion with a higher spiritual force or unifying principle, something greater than themselves?  
  5. Music has great importance in the book, from Mick’s aspirations to become a pianist to Willie’s ever-present harmonica. McCullers, who had once hoped to study music at Juilliard, even described the structure of the novel as a three-part fugue, and explained, “Like a voice in a fugue, each one of the main characters is an entity in himself — but his personality takes on a new richness when contrasted and woven in with the other characters in the book.” In what other ways does this musicality assert itself in The Heart Is a Lonely Hunter? What does music symbolize in the novel? How, too, is silence used?
  6. The novel has been widely praised for its ability to illustrate how social, economic, and racial factors serve to isolate people from one another. In what way is each character isolated? What efforts does each make to overcome this alienation? Are the efforts successful or ultimately futile?  
  7. John Singer dreams he is kneeling before Antonapoulos, who stands at the head of a set of stairs. Behind Singer kneel the four other main characters: Mick, Biff, Jake, and Copeland. How does Singer’s dream reflect the relationships among the main characters? To what extent is Singer’s love of Antonapoulos similar to the attention paid to Singer by Mick, Biff, Jake, and Copeland? Are these characters capable of loving one another? Of receiving love? Are some characters better emotionally equipped than others? Why or why not?  
  8. Mick Kelly is considered the most autobiographical character McCullers ever created. Mick’s tomboyishness, her musical aspirations, and her dream to escape small-town life parallel the author’s own. When Mick realizes she cannot afford a violin, she tries to build her own. What does the violin symbolize? What does this act tell you about Mick’s character? Do you have sympathy for her when she fails? Do you feel closer to Mick than you do to the other narrators?  
  9. Mick compartmentalizes her thoughts into what she calls an inner room and an outer room. Why does she do this? Do other characters show this same type of duality? How does it manifest itself?  
  10. When Jake Blount finds a Bible passage written on a wall, he responds with his own message and then searches for the person who wrote the original message. Why is it important to him to find that person?  
  11. Dr. Copeland has great dreams for his family and for his community, but he is unable to gain much support for his ideas. Do you think Copeland’s self-perception that he is a failure is valid? How many of his frustrations are a result of racial bias in society? Why do you suppose his relationships with his children are fraught?  
  12. The Heart Is a Lonely Hunter has been praised for its sensitive and realistic portrayal of racial tensions in the Depression-era South. What relevance does the novel have today? How much has changed since the 1930s?
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