The Extra Man (Paperback)
Scribner Book Company, 9780671015589, 384pp.
Publication Date: July 1, 1999
Praise For The Extra Man…
The New York Times Book Review
A sure-footed exploration of sexual confusion and a loopily elegant, surprisingly moving urban comedy of manners.
author of Purple America
Jonathan Ames has always been one of my favorite contemporary writers, both for his limpid and elegant Lost Generation prose style and for his utterly fearless commitment to the most demanding psychosexual comedies. The Extra Man extends his accomplishments considerably. This is one of the most charming and alarming books of recent years.
A miracle....This novel is not to be missed.
The New York Observer
Ames has the one thing Fitzgerald lacked: a sense of humor...The Extra Man wins us over with its sheer energy and good will, its confidence in the ability of its own humor and intelligence to widen our ideas about the possibilities of love, and about the permissible range of inner and outer lives to which today's young gentleman may properly aspire.
The Washington Post
By updating the moral education of a young gentleman, Ames has written a Bildungsroman for the end of our century.
author of The Virgin Suicides
Not since Harold and Maude has there been such a lovable odd couple as Louis Ives and Henry Harrison. Told in a lucid, diverting prose style, The Extra Man is a picaresque tale of a young man's sentimental education (in subjects ranging from tuxedo studs to transsexuals). In Henry Harrison, Jonathan Ames has created a truly memorable character.
The Village Voice
The Louis and Henry show is honest, funny, and original, making the meaning of "human" deep and strange in the best way.
author of Bright Angel Time
Wonderfully odd and charming, at times riotously funny, Jonathan Ames' The Extra Man strikes a perfect balance between sympathy and comedy, drawing upon deep reserves of compassion for the strange and unnamable urges that infiltrate the lives of his two remarkable characters.
A sort of Odd Couple for the next millennium.
The New York Times
Ames makes it clear that his protagonist's sexual tentativeness and anxiety are really just flimsy covers for his passion and warmth. That's what makes The Extra Man work so well. Louis may feel as awkward as Milton Berle in drag, but inside he's really Fred Astaire -- he just doesn't know it yet.