The Replacements (Hardcover)
All Over But the Shouting: An Oral History
Voyageur Press, 9780760330623, 304pp.
Publication Date: November 15, 2007
Other Editions of This Title:
At the dawn of "Morning in America"--a period that would nurse the rise of suit-and-tie culture--there emerged a national network of anti-corporate record shops, college radio stations, fanzines, nightclubs, and entrepreneurial record labels.
In the watershed year 1981, this "indie" scene fostered several seminal releases. Among recordings by bands such as Sonic Youth, Black Flag, Husker Du, The Minutemen, and R.E.M. was an album called "Sorry Ma . . . Forgot to Take Out the Trash", recorded by a scruffy, flannel-clad quartet from Minneapolis called The Replacements. Now, for the first time, all of the hearsay, half-truths, legends, and allegations associated with this maelstrom of a rock & roll band are unraveled in this oral history by longtime Twin Cities music journalist Jim Walsh.
Through interviews with family, friends, and fans; former manager Peter Jesperson; Twin/Tone record label cofounder Paul Stark; and musicians around the nation influenced by the band, Walsh lays bare with painful clarity a tale that unfolds like a tragic comedy in three perfect acts. Celebrated by national publications, "the Mats" often seemed more hell-bent on sabotaging their status as critical darlings than parlaying it. With their markedly apolitical stance amid their decidedly political peers, their uncool embrace of "classic rock" influences like KISS and The Faces, and their Dionysian appetites (and the resulting tendency to literally fall on their own faces), The Replacements lasted 12 years despite themselves.
From the bands founding to their rise through the local and national club circuits, their major label deal in 1985, and the slow and painful implosion that followed, The Replacements: All Over But the Shouting lays down the gripping oral history behind the little band that could--but didn't.
About the Author
Praise For The Replacements: All Over But the Shouting: An Oral History…
Publishers Weekly, Oct. 15, 2007
“In this loving, appropriately ramshackle tribute to one of the most beloved rock-and-roll bands of the 1980s, Walsh gives his subjects the oral history treatment, assembling a wide range of associates, friends and famous fans to put their memories on the record. The band’s story is an archetype of the joys and pitfalls of underground success – a rabid and loyal local following leads to a major label contract that, with its attendant pressures and misunderstandings, brings about the band’s slow dissolution and demise. The great moments in their history are all recounted here in warm detail: lead singer Paul Westerberg breaking copies of his new record Hootenanny in the local record store; the drunk Oklahoma City show attended by 30 people that still led to a live album; the triumphant disaster of their first and only appearance on SNL. The self-destruction of Bob Stinson, the band’s hilarious but alcoholic guitarist who died in 1995, is a fascinating and harrowing counterpoint throughout to the band’s adventures. Walsh himself proves to be among the band’s most eloquent and thorough defenders and explainers in his introductory essay and various excerpts from articles that appear throughout this consistently engaging and poignant work.”
“The Replacements were a careening indie rock band of the 1980s that garnered more reputation than commercial success (of which they received hardly any). Somehow the scruffy Minneapolis foursome managed to last 12 riotous years. During that time, they staged some legendary “you had to be there” shows and were worshipped by fans with the fervor of the recently converted. What was it about these guys? Was it the goofy-looking guy in a dress, who played scorching lead guitar? Or the sensitive lead singer-songwriter, who shredded his vocal cords on cuts like “I Hate Music”? Walsh, pop-music columnist for the St. Paul Pioneer Press, doesn’t try to answer such questions as much as capture the time and place of the happening that was the Replacements. His oral history recounts the differing reactions of musical contemporaries such as Bob Mould of Husker Du, rock critics such as Steve Albini, and members of the Replacements themselves. But the best remembrances come from ordinary fans, who saw in these awkward adolescents kicking at the status quo something that made them say, “Hey, that’s us.” Recommended, maybe must reading for fans of the Replacements and indie rock in general. Album art, candid photos, and early handbill posters complement the text.
St. Paul Pioneer Press
“Jim Walsh expertly navigates the divide between the truth and otherwise in his new book, The Replacements: All Over but the Shouting. It's a compulsively readable, passionately compiled oral history of the infamous Minneapolis foursome who spent the '80s writing a new rock 'n' roll fairy tale while simultaneously ripping out its pages.”