Lies, Knives, and Girls in Red Dresses (Hardcover)
Candlewick Press (MA), 9780763644062, 96pp.
Publication Date: July 10, 2012
Summer 2012 Kids' Next List
— Alise Hamilton, Andover Bookstore, Andover, MA
View the List
Once upon a time, there was a strung-out match girl who sold CDs to stoners. Twelve impetuous sisters escaped King Daddy's clutches to jiggle and cavort and wear out their shoes. A fickle Thumbelina searched for a tiny husband, leaving bodies in her wake. And Little Red Riding Hood confessed that she kind of "wanted" to know what it's like to be swallowed whole. From bloodied and blinded stepsisters (they were duped) to a chopped-off finger flying into a heroine's cleavage, this is fairy tale world turned upside down. Ron Koertge knows what really happened to all those wolves and maidens, ogres and orphans, kings and piglets, and he knows about the Ever After. So come closer
he wants to whisper in your ear.
About the Author
Andrea Dezso is a visual artist and writer who works across a broad range of media. She is a full-time faculty member at the Maryland Institute College of Art and lives in New York City."
Praise For Lies, Knives, and Girls in Red Dresses…
With sardonic wit and a decidedly contemporary sensibility, Koertge retells 23 classic fairy tales in free verse, written from the perspectives of iconic characters like Little Red Riding Hood, as well as maligned or minor figures such as the Mole from Thumbelina and Cinderella’s stepsisters... A fiendishly clever and darkly funny collection.
—Publishers Weekly (starred review)
A much-honored poet and novelist retells, in free verse and from various points of view, twenty-three familiar tales (mostly Grimm, Andersen, and Perrault). With a contemporary sensibility and voice, Koertge pitches directly to teenagers. . . Dezsö’s choice of cut-paper illustrations is brilliant, a nod to Hans C. Andersen’s skill in that medium despite the radically different tone.
—The Horn Book (starred review)
The poems beg to be shared aloud, like the best gossip. The sensibilities are wry, often dark, and the language is occasionally earthy... This slim volume is at once simple and sophisticated, witty and unnerving.
—School Library Journal