Retro: An Amos Walker Novel (Hardcover)
An Amos Walker Novel
Forge Books, 9780765304483, 288pp.
Publication Date: May 1, 2004
Loren Estleman is the quintessential noir detective writer, and Amos Walker is his quintessential noir detective. Walker has made a lot of friends--and a few enemies--in his years as a detective in Detroit, but he has never had to deal with quite the trouble he finds when he agrees to grant the death-bed wish of Beryl Garnet. Beryl was a madam, but she had a son a long while ago, and asks Walker to make sure that her son gets her ashes when she's gone.
He finds her son, who has been in Canada since the 1960s, evading the law since he was a Vietnam War protester. A simple favor, melancholy, but benign. Except that before he can get settled back in Detroit Garnet's son is dead, with him as the prime suspect.
He has little choice but to find out who might have done the deed and tried to pin the blame on him. . . and in the process he discovers another murder, of a boxer from the 1940s, Curtis Smallwood, who happens to have been the man's father. If that wasn't bad enough, his task is made much more complicated by the fact that the two murders, fifty-three years apart, were committed with the very same gun. And in a place where it was impossible for a gun to be.
About the Author
He is the author of more than fifty novels in the categories of mystery, historical western, and mainstream, and has received four Western Writers of American Golden Spur Awards, three Western Heritage Awards, and three Shamus Awards. He has been nominated for the Edgar Allan Poe Award, Britain's Silver Dagger, the National Book Award, and the Pulitzer Prize. In 2003, the mammoth "Encyclopedia of Detective Fiction" named him the most critically acclaimed writer of U.S. detective
Praise For Retro: An Amos Walker Novel…
"Reading a new Amos Walker adventure is like settling down and listening to an old, reliably entertaining friend."--Publishers Weekly "Loren D. Estleman makes his strongest stand for the pure, unvarnished glory of the classic American private eye in Retro."
— The New York Times