Don't Get Too Comfortable: The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisanal Olive Oil, and (Paperback)
The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisanal Olive Oil, and
Broadway Books, 9780767916035, 222pp.
Publication Date: September 12, 2006
WhetherDavid Rakoffis contrasting the elegance of one of the last flights of the supersonic Concorde with the good-times-and-chicken-wings populism of Hooters Air; working as a cabana boy at a South Beach hotel; or traveling to a private island off the coast of Belize to watch a soft-core video shoot where he is provided with his very own personal manservant rarely have greed, vanity, selfishness, and vapidity been so mercilessly skewered. Somewhere along the line, our healthy self-regard has exploded into obliterating narcissism; our manic getting and spending have now become celebrated as moral virtues. Simultaneously a Wildean satireand a plea for a little human decency, Don t Get Too Comfortable shows that far from being bobos in paradise, we re in a special circle of gilded-age hell.
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Praise For Don't Get Too Comfortable: The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisanal Olive Oil, and…
“If I were to die suddenly while the reading of this book were in my recent memory, I would probably beg to be reincarnated as a bird so that I could eat seed out of Rakoff’s hand. I can’t write a more loving review than that.” —Pop Matters
“A cannily satirical tour guide.”
—The New York Times Book Review
“The pleasures of reading what results when an exceedingly sharp pen encounters an exceedingly inviting target are not to be denied, and Rakoff offers many such delights in these pages.”
“The belly laughs start on page 7 and occur regularly throughout Rakoff’s frequently impertinent, occasionally irascible, yet always inimitable take on contemporary American society.”
“Rakoff’s strength is the turn of phrase that deftly and wittily dissects its subject at a stroke.”